Plato Plato - THE COMPLETE WORKS OF PLATO

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This unique collection of Plato's complete works has been designed and formatted to the highest digital standards.
Plato (428/427 BC – 348/347 BC) was a philosopher in Classical Greece. He was also a mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Along with his mentor, Socrates, and his student, Aristotle, Plato helped to lay the foundations of Western philosophy and science.
Table of contents:
Early works:
Apology
Crito
Charmides
Euthyphro
First Alcibiades
Greater Hippias
Lesser Hippias
Ion
Laches
Lysis
Middle works:
Cratylus
Euthydemus
Gorgias
Menexenus
Meno
Phaedo
Protagoras
Symposium
Republic
Phaedrus
Parmenides
Theaetetus
Late works:
Timaeus
Critias
Sophist
Statesman
Philebus
Laws
Pseudonymous works (traditionally attributed to Plato, but considered by virtually all modern authorities not to have been written by him):
Epinomis
Second Alcibiades
Hipparcus
Rival Lovers
Theages
Cleitophon
Minos
Demoducus
Axiochus
On Justice
On Virtue
Sisyphus
Eryxias
Halcyon
Letters
There are also included a number of essays relating to various aspects of Plato's works.

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"Listen, then, Socrates, to us who have brought you up. Think not of life and children first, and of justice afterwards, but of justice first, that you may be justified before the princes of the world below. For neither will you nor any that belong to you be happier or holier or juster in this life, or happier in another, if you do as Crito bids. Now you depart in innocence, a sufferer and not a doer of evil; a victim, not of the laws, but of men. But if you go forth, returning evil for evil, and injury for injury, breaking the covenants and agreements which you have made with us, and wronging those whom you ought least to wrong, that is to say, yourself, your friends, your country, and us, we shall be angry with you while you live, and our brethren, the laws in the world below, will receive you as an enemy; for they will know that you have done your best to destroy us. Listen, then, to us and not to Crito."

This is the voice which I seem to hear murmuring in my ears, like the sound of the flute in the ears of the mystic; that voice, I say, is humming in my ears, and prevents me from hearing any other. And I know that anything more which you will say will be in vain. Yet speak, if you have anything to say.

Cr. I have nothing to say, Socrates.

Soc. Then let me follow the intimations of the will of God.

Charmides

Table of Contents

Introduction

The subject of the Charmides is Temperance or (Greek), a peculiarly Greek notion, which may also be rendered Moderation (Compare Cic. Tusc. '(Greek), quam soleo equidem tum temperantiam, tum moderationem appellare, nonnunquam etiam modestiam.'), Modesty, Discretion, Wisdom, without completely exhausting by all these terms the various associations of the word. It may be described as 'mens sana in corpore sano,' the harmony or due proportion of the higher and lower elements of human nature which 'makes a man his own master,' according to the definition of the Republic. In the accompanying translation the word has been rendered in different places either Temperance or Wisdom, as the connection seemed to require: for in the philosophy of Plato (Greek) still retains an intellectual element (as Socrates is also said to have identified (Greek) with (Greek): Xen. Mem.) and is not yet relegated to the sphere of moral virtue, as in the Nicomachean Ethics of Aristotle.

The beautiful youth, Charmides, who is also the most temperate of human beings, is asked by Socrates, 'What is Temperance?' He answers characteristically, (1) 'Quietness.' 'But Temperance is a fine and noble thing; and quietness in many or most cases is not so fine a thing as quickness.' He tries again and says (2) that temperance is modesty. But this again is set aside by a sophistical application of Homer: for temperance is good as well as noble, and Homer has declared that 'modesty is not good for a needy man.' (3) Once more Charmides makes the attempt. This time he gives a definition which he has heard, and of which Socrates conjectures that Critias must be the author: 'Temperance is doing one's own business.' But the artisan who makes another man's shoes may be temperate, and yet he is not doing his own business; and temperance defined thus would be opposed to the division of labour which exists in every temperate or well-ordered state. How is this riddle to be explained?

Critias, who takes the place of Charmides, distinguishes in his answer between 'making' and 'doing,' and with the help of a misapplied quotation from Hesiod assigns to the words 'doing' and 'work' an exclusively good sense: Temperance is doing one's own business;—(4) is doing good.

Still an element of knowledge is wanting which Critias is readily induced to admit at the suggestion of Socrates; and, in the spirit of Socrates and of Greek life generally, proposes as a fifth definition, (5) Temperance is self-knowledge. But all sciences have a subject: number is the subject of arithmetic, health of medicine—what is the subject of temperance or wisdom? The answer is that (6) Temperance is the knowledge of what a man knows and of what he does not know. But this is contrary to analogy; there is no vision of vision, but only of visible things; no love of loves, but only of beautiful things; how then can there be a knowledge of knowledge? That which is older, heavier, lighter, is older, heavier, and lighter than something else, not than itself, and this seems to be true of all relative notions—the object of relation is outside of them; at any rate they can only have relation to themselves in the form of that object. Whether there are any such cases of reflex relation or not, and whether that sort of knowledge which we term Temperance is of this reflex nature, has yet to be determined by the great metaphysician. But even if knowledge can know itself, how does the knowledge of what we know imply the knowledge of what we do not know? Besides, knowledge is an abstraction only, and will not inform us of any particular subject, such as medicine, building, and the like. It may tell us that we or other men know something, but can never tell us what we know.

Admitting that there is a knowledge of what we know and of what we do not know, which would supply a rule and measure of all things, still there would be no good in this; and the knowledge which temperance gives must be of a kind which will do us good; for temperance is a good. But this universal knowledge does not tend to our happiness and good: the only kind of knowledge which brings happiness is the knowledge of good and evil. To this Critias replies that the science or knowledge of good and evil, and all the other sciences, are regulated by the higher science or knowledge of knowledge. Socrates replies by again dividing the abstract from the concrete, and asks how this knowledge conduces to happiness in the same definite way in which medicine conduces to health.

And now, after making all these concessions, which are really inadmissible, we are still as far as ever from ascertaining the nature of temperance, which Charmides has already discovered, and had therefore better rest in the knowledge that the more temperate he is the happier he will be, and not trouble himself with the speculations of Socrates.

In this Dialogue may be noted (1) The Greek ideal of beauty and goodness, the vision of the fair soul in the fair body, realised in the beautiful Charmides; (2) The true conception of medicine as a science of the whole as well as the parts, and of the mind as well as the body, which is playfully intimated in the story of the Thracian; (3) The tendency of the age to verbal distinctions, which here, as in the Protagoras and Cratylus, are ascribed to the ingenuity of Prodicus; and to interpretations or rather parodies of Homer or Hesiod, which are eminently characteristic of Plato and his contemporaries; (4) The germ of an ethical principle contained in the notion that temperance is 'doing one's own business,' which in the Republic (such is the shifting character of the Platonic philosophy) is given as the definition, not of temperance, but of justice; (5) The impatience which is exhibited by Socrates of any definition of temperance in which an element of science or knowledge is not included; (6) The beginning of metaphysics and logic implied in the two questions: whether there can be a science of science, and whether the knowledge of what you know is the same as the knowledge of what you do not know; and also in the distinction between 'what you know' and 'that you know,' (Greek;) here too is the first conception of an absolute self-determined science (the claims of which, however, are disputed by Socrates, who asks cui bono?) as well as the first suggestion of the difficulty of the abstract and concrete, and one of the earliest anticipations of the relation of subject and object, and of the subjective element in knowledge—a 'rich banquet' of metaphysical questions in which we 'taste of many things.' (7) And still the mind of Plato, having snatched for a moment at these shadows of the future, quickly rejects them: thus early has he reached the conclusion that there can be no science which is a 'science of nothing' (Parmen.). (8) The conception of a science of good and evil also first occurs here, an anticipation of the Philebus and Republic as well as of moral philosophy in later ages.

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