Plato Plato - THE COMPLETE WORKS OF PLATO

There is a further paradox of ethics, in which pleasure and pain are held to be indifferent, and virtue at the time of action and without regard to consequences is happiness. From this elevation or exaggeration of feeling Plato seems to shrink: he leaves it to the Stoics in a later generation to maintain that when impaled or on the rack the philosopher may be happy (compare Republic). It is observable that in the Republic he raises this question, but it is not really discussed; the veil of the ideal state, the shadow of another life, are allowed to descend upon it and it passes out of sight. The martyr or sufferer in the cause of right or truth is often supposed to die in raptures, having his eye fixed on a city which is in heaven. But if there were no future, might he not still be happy in the performance of an action which was attended only by a painful death? He himself may be ready to thank God that he was thought worthy to do Him the least service, without looking for a reward; the joys of another life may not have been present to his mind at all. Do we suppose that the mediaeval saint, St. Bernard, St. Francis, St. Catharine of Sienna, or the Catholic priest who lately devoted himself to death by a lingering disease that he might solace and help others, was thinking of the 'sweets' of heaven? No; the work was already heaven to him and enough. Much less will the dying patriot be dreaming of the praises of man or of an immortality of fame: the sense of duty, of right, and trust in God will be sufficient, and as far as the mind can reach, in that hour. If he were certain that there were no life to come, he would not have wished to speak or act otherwise than he did in the cause of truth or of humanity. Neither, on the other hand, will he suppose that God has forsaken him or that the future is to be a mere blank to him. The greatest act of faith, the only faith which cannot pass away, is his who has not known, but yet has believed. A very few among the sons of men have made themselves independent of circumstances, past, present, or to come. He who has attained to such a temper of mind has already present with him eternal life; he needs no arguments to convince him of immortality; he has in him already a principle stronger than death. He who serves man without the thought of reward is deemed to be a more faithful servant than he who works for hire. May not the service of God, which is the more disinterested, be in like manner the higher? And although only a very few in the course of the world's history —Christ himself being one of them—have attained to such a noble conception of God and of the human soul, yet the ideal of them may be present to us, and the remembrance of them be an example to us, and their lives may shed a light on many dark places both of philosophy and theology.

Table of Contents

Persons of the Dialogue:Callicles; Socrates; Chaerephon; Gorgias; Polus.

Scene: The house of Callicles

CALLICLES: The wise man, as the proverb says, is late for a fray, but not for a feast.

SOCRATES: And are we late for a feast?

CALLICLES: Yes, and a delightful feast; for Gorgias has just been exhibiting to us many fine things.

SOCRATES: It is not my fault, Callicles; our friend Chaerephon is to blame; for he would keep us loitering in the Agora.

CHAEREPHON: Never mind, Socrates; the misfortune of which I have been the cause I will also repair; for Gorgias is a friend of mine, and I will make him give the exhibition again either now, or, if you prefer, at some other time.

CALLICLES: What is the matter, Chaerephon—does Socrates want to hear Gorgias?

CHAEREPHON: Yes, that was our intention in coming.

CALLICLES: Come into my house, then; for Gorgias is staying with me, and he shall exhibit to you.

SOCRATES: Very good, Callicles; but will he answer our questions? for I want to hear from him what is the nature of his art, and what it is which he professes and teaches; he may, as you (Chaerephon) suggest, defer the exhibition to some other time.

CALLICLES: There is nothing like asking him, Socrates; and indeed to answer questions is a part of his exhibition, for he was saying only just now, that any one in my house might put any question to him, and that he would answer.

SOCRATES: How fortunate! will you ask him, Chaerephon—?

CHAEREPHON: What shall I ask him?

SOCRATES: Ask him who he is.

CHAEREPHON: What do you mean?

SOCRATES: I mean such a question as would elicit from him, if he had been a maker of shoes, the answer that he is a cobbler. Do you understand?

CHAEREPHON: I understand, and will ask him: Tell me, Gorgias, is our friend Callicles right in saying that you undertake to answer any questions which you are asked?

GORGIAS: Quite right, Chaerephon: I was saying as much only just now; and I may add, that many years have elapsed since any one has asked me a new one.

CHAEREPHON: Then you must be very ready, Gorgias.

GORGIAS: Of that, Chaerephon, you can make trial.

POLUS: Yes, indeed, and if you like, Chaerephon, you may make trial of me too, for I think that Gorgias, who has been talking a long time, is tired.

CHAEREPHON: And do you, Polus, think that you can answer better than Gorgias?

POLUS: What does that matter if I answer well enough for you?

CHAEREPHON: Not at all:—and you shall answer if you like.

POLUS: Ask:—

CHAEREPHON: My question is this: If Gorgias had the skill of his brother Herodicus, what ought we to call him? Ought he not to have the name which is given to his brother?

POLUS: Certainly.

CHAEREPHON: Then we should be right in calling him a physician?

POLUS: Yes.

CHAEREPHON: And if he had the skill of Aristophon the son of Aglaophon, or of his brother Polygnotus, what ought we to call him?

POLUS: Clearly, a painter.

CHAEREPHON: But now what shall we call him—what is the art in which he is skilled.

POLUS: O Chaerephon, there are many arts among mankind which are experimental, and have their origin in experience, for experience makes the days of men to proceed according to art, and inexperience according to chance, and different persons in different ways are proficient in different arts, and the best persons in the best arts. And our friend Gorgias is one of the best, and the art in which he is a proficient is the noblest.

SOCRATES: Polus has been taught how to make a capital speech, Gorgias; but he is not fulfilling the promise which he made to Chaerephon.

GORGIAS: What do you mean, Socrates?

SOCRATES: I mean that he has not exactly answered the question which he was asked.

GORGIAS: Then why not ask him yourself?

SOCRATES: But I would much rather ask you, if you are disposed to answer: for I see, from the few words which Polus has uttered, that he has attended more to the art which is called rhetoric than to dialectic.

POLUS: What makes you say so, Socrates?

SOCRATES: Because, Polus, when Chaerephon asked you what was the art which Gorgias knows, you praised it as if you were answering some one who found fault with it, but you never said what the art was.

POLUS: Why, did I not say that it was the noblest of arts?

SOCRATES: Yes, indeed, but that was no answer to the question: nobody asked what was the quality, but what was the nature, of the art, and by what name we were to describe Gorgias. And I would still beg you briefly and clearly, as you answered Chaerephon when he asked you at first, to say what this art is, and what we ought to call Gorgias: Or rather, Gorgias, let me turn to you, and ask the same question,—what are we to call you, and what is the art which you profess?

GORGIAS: Rhetoric, Socrates, is my art.

SOCRATES: Then I am to call you a rhetorician?

GORGIAS: Yes, Socrates, and a good one too, if you would call me that which, in Homeric language, 'I boast myself to be.'