Socrates compliments Callicles on his frankness in saying what other men only think. According to his view, those who want nothing are not happy. 'Why,' says Callicles, 'if they were, stones and the dead would be happy.' Socrates in reply is led into a half-serious, half-comic vein of reflection. 'Who knows,' as Euripides says, 'whether life may not be death, and death life?' Nay, there are philosophers who maintain that even in life we are dead, and that the body (soma) is the tomb (sema) of the soul. And some ingenious Sicilian has made an allegory, in which he represents fools as the uninitiated, who are supposed to be carrying water to a vessel, which is full of holes, in a similarly holey sieve, and this sieve is their own soul. The idea is fanciful, but nevertheless is a figure of a truth which I want to make you acknowledge, viz. that the life of contentment is better than the life of indulgence. Are you disposed to admit that? 'Far otherwise.' Then hear another parable. The life of self-contentment and self-indulgence may be represented respectively by two men, who are filling jars with streams of wine, honey, milk,—the jars of the one are sound, and the jars of the other leaky; the first fils his jars, and has no more trouble with them; the second is always filling them, and would suffer extreme misery if he desisted. Are you of the same opinion still? 'Yes, Socrates, and the figure expresses what I mean. For true pleasure is a perpetual stream, flowing in and flowing out. To be hungry and always eating, to be thirsty and always drinking, and to have all the other desires and to satisfy them, that, as I admit, is my idea of happiness.' And to be itching and always scratching? 'I do not deny that there may be happiness even in that.' And to indulge unnatural desires, if they are abundantly satisfied? Callicles is indignant at the introduction of such topics. But he is reminded by Socrates that they are introduced, not by him, but by the maintainer of the identity of pleasure and good. Will Callicles still maintain this? 'Yes, for the sake of consistency, he will.' The answer does not satisfy Socrates, who fears that he is losing his touchstone. A profession of seriousness on the part of Callicles reassures him, and they proceed with the argument. Pleasure and good are the same, but knowledge and courage are not the same either with pleasure or good, or with one another. Socrates disproves the first of these statements by showing that two opposites cannot coexist, but must alternate with one another—to be well and ill together is impossible. But pleasure and pain are simultaneous, and the cessation of them is simultaneous; e.g. in the case of drinking and thirsting, whereas good and evil are not simultaneous, and do not cease simultaneously, and therefore pleasure cannot be the same as good.
Callicles has already lost his temper, and can only be persuaded to go on by the interposition of Gorgias. Socrates, having already guarded against objections by distinguishing courage and knowledge from pleasure and good, proceeds:—The good are good by the presence of good, and the bad are bad by the presence of evil. And the brave and wise are good, and the cowardly and foolish are bad. And he who feels pleasure is good, and he who feels pain is bad, and both feel pleasure and pain in nearly the same degree, and sometimes the bad man or coward in a greater degree. Therefore the bad man or coward is as good as the brave or may be even better.
Callicles endeavours now to avert the inevitable absurdity by affirming that he and all mankind admitted some pleasures to be good and others bad. The good are the beneficial, and the bad are the hurtful, and we should choose the one and avoid the other. But this, as Socrates observes, is a return to the old doctrine of himself and Polus, that all things should be done for the sake of the good.
Callicles assents to this, and Socrates, finding that they are agreed in distinguishing pleasure from good, returns to his old division of empirical habits, or shams, or flatteries, which study pleasure only, and the arts which are concerned with the higher interests of soul and body. Does Callicles agree to this division? Callicles will agree to anything, in order that he may get through the argument. Which of the arts then are flatteries? Flute-playing, harp-playing, choral exhibitions, the dithyrambics of Cinesias are all equally condemned on the ground that they give pleasure only; and Meles the harp-player, who was the father of Cinesias, failed even in that. The stately muse of Tragedy is bent upon pleasure, and not upon improvement. Poetry in general is only a rhetorical address to a mixed audience of men, women, and children. And the orators are very far from speaking with a view to what is best; their way is to humour the assembly as if they were children.
Callicles replies, that this is only true of some of them; others have a real regard for their fellow-citizens. Granted; then there are two species of oratory; the one a flattery, another which has a real regard for the citizens. But where are the orators among whom you find the latter? Callicles admits that there are none remaining, but there were such in the days when Themistocles, Cimon, Miltiades, and the great Pericles were still alive. Socrates replies that none of these were true artists, setting before themselves the duty of bringing order out of disorder. The good man and true orator has a settled design, running through his life, to which he conforms all his words and actions; he desires to implant justice and eradicate injustice, to implant all virtue and eradicate all vice in the minds of his citizens. He is the physician who will not allow the sick man to indulge his appetites with a variety of meats and drinks, but insists on his exercising self-restraint. And this is good for the soul, and better than the unrestrained indulgence which Callicles was recently approving.
Here Callicles, who had been with difficulty brought to this point, turns restive, and suggests that Socrates shall answer his own questions. 'Then,' says Socrates, 'one man must do for two;' and though he had hoped to have given Callicles an 'Amphion' in return for his 'Zethus,' he is willing to proceed; at the same time, he hopes that Callicles will correct him, if he falls into error. He recapitulates the advantages which he has already won:—
The pleasant is not the same as the good—Callicles and I are agreed about that,—but pleasure is to be pursued for the sake of the good, and the good is that of which the presence makes us good; we and all things good have acquired some virtue or other. And virtue, whether of body or soul, of things or persons, is not attained by accident, but is due to order and harmonious arrangement. And the soul which has order is better than the soul which is without order, and is therefore temperate and is therefore good, and the intemperate is bad. And he who is temperate is also just and brave and pious, and has attained the perfection of goodness and therefore of happiness, and the intemperate whom you approve is the opposite of all this and is wretched. He therefore who would be happy must pursue temperance and avoid intemperance, and if possible escape the necessity of punishment, but if he have done wrong he must endure punishment. In this way states and individuals should seek to attain harmony, which, as the wise tell us, is the bond of heaven and earth, of gods and men. Callicles has never discovered the power of geometrical proportion in both worlds; he would have men aim at disproportion and excess. But if he be wrong in this, and if self-control is the true secret of happiness, then the paradox is true that the only use of rhetoric is in self-accusation, and Polus was right in saying that to do wrong is worse than to suffer wrong, and Gorgias was right in saying that the rhetorician must be a just man. And you were wrong in taunting me with my defenceless condition, and in saying that I might be accused or put to death or boxed on the ears with impunity. For I may repeat once more, that to strike is worse than to be stricken—to do than to suffer. What I said then is now made fast in adamantine bonds. I myself know not the true nature of these things, but I know that no one can deny my words and not be ridiculous. To do wrong is the greatest of evils, and to suffer wrong is the next greatest evil. He who would avoid the last must be a ruler, or the friend of a ruler; and to be the friend he must be the equal of the ruler, and must also resemble him. Under his protection he will suffer no evil, but will he also do no evil? Nay, will he not rather do all the evil which he can and escape? And in this way the greatest of all evils will befall him. 'But this imitator of the tyrant,' rejoins Callicles, 'will kill any one who does not similarly imitate him.' Socrates replies that he is not deaf, and that he has heard that repeated many times, and can only reply, that a bad man will kill a good one. 'Yes, and that is the provoking thing.' Not provoking to a man of sense who is not studying the arts which will preserve him from danger; and this, as you say, is the use of rhetoric in courts of justice. But how many other arts are there which also save men from death, and are yet quite humble in their pretensions—such as the art of swimming, or the art of the pilot? Does not the pilot do men at least as much service as the rhetorician, and yet for the voyage from Aegina to Athens he does not charge more than two obols, and when he disembarks is quite unassuming in his demeanour? The reason is that he is not certain whether he has done his passengers any good in saving them from death, if one of them is diseased in body, and still more if he is diseased in mind—who can say? The engineer too will often save whole cities, and yet you despise him, and would not allow your son to marry his daughter, or his son to marry yours. But what reason is there in this? For if virtue only means the saving of life, whether your own or another's, you have no right to despise him or any practiser of saving arts. But is not virtue something different from saving and being saved? I would have you rather consider whether you ought not to disregard length of life, and think only how you can live best, leaving all besides to the will of Heaven. For you must not expect to have influence either with the Athenian Demos or with Demos the son of Pyrilampes, unless you become like them. What do you say to this?
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