Mary Roberts Rinehart - The Greatest Works of Mary Roberts Rinehart

"Sit down," I said grimly. "Have you found a clue that will incriminate me, Mr. Jamieson?"

He had the grace to look uncomfortable. "No," he said. "If you had killed Mr. Armstrong, you would have left no clues. You would have had too much intelligence."

After that we got along better. He was fishing in his pocket, and after a minute he brought out two scraps of paper. "I have been to the club-house," he said, "and among Mr. Armstrong's effects, I found these. One is curious; the other is puzzling."

The first was a sheet of club note-paper, on which was written, over and over, the name "Halsey B. Innes." It was Halsey's flowing signature to a dot, but it lacked Halsey's ease. The ones toward the bottom of the sheet were much better than the top ones. Mr. Jamieson smiled at my face.

"His old tricks," he said. "That one is merely curious; this one, as I said before, is puzzling."

The second scrap, folded and refolded into a compass so tiny that the writing had been partly obliterated, was part of a letter—the lower half of a sheet, not typed, but written in a cramped hand.

"——by altering the plans for——rooms, may be possible. The best way, in my opinion, would be to——the plan for——in one of the——rooms——chimney."

That was all.

"Well?" I said, looking up. "There is nothing in that, is there? A man ought to be able to change the plan of his house without becoming an object of suspicion."

"There is little in the paper itself," he admitted; "but why should Arnold Armstrong carry that around, unless it meant something? He never built a house, you may be sure of that. If it is this house, it may mean anything, from a secret room—"

"To an extra bath-room," I said scornfully. "Haven't you a thumb-print, too?"

"I have," he said with a smile, "and the print of a foot in a tulip bed, and a number of other things. The oddest part is, Miss Innes, that the thumb-mark is probably yours and the footprint certainly."

His audacity was the only thing that saved me: his amused smile put me on my mettle, and I ripped out a perfectly good scallop before I answered.

"Why did I step into the tulip bed?" I asked with interest.

"You picked up something," he said good-humoredly, "which you are going to tell me about later."

"Am I, indeed?" I was politely curious. "With this remarkable insight of yours, I wish you would tell me where I shall find my four-thousand-dollar motor car."

"I was just coming to that," he said. "You will find it about thirty miles away, at Andrews Station, in a blacksmith shop, where it is being repaired."

I laid down my knitting then and looked at him.

"And Halsey?" I managed to say.

"We are going to exchange information," he said "I am going to tell you that, when you tell me what you picked up in the tulip bed."

We looked steadily at each other: it was not an unfriendly stare; we were only measuring weapons. Then he smiled a little and got up.

"With your permission," he said, "I am going to examine the card-room and the staircase again. You might think over my offer in the meantime."

He went on through the drawing-room, and I listened to his footsteps growing gradually fainter. I dropped my pretense at knitting and, leaning back, I thought over the last forty-eight hours. Here was I, Rachel Innes, spinster, a granddaughter of old John Innes of Revolutionary days, a D. A. R., a Colonial Dame, mixed up with a vulgar and revolting crime, and even attempting to hoodwink the law! Certainly I had left the straight and narrow way.

I was roused by hearing Mr. Jamieson coming rapidly back through the drawing-room. He stopped at the door.

"Miss Innes," he said quickly, "will you come with me and light the east corridor? I have fastened somebody in the small room at the head of the card-room stairs."

I jumped up at once.

"You mean—the murderer?" I gasped.

"Possibly," he said quietly, as we hurried together up the stairs. "Some one was lurking on the staircase when I went back. I spoke; instead of an answer, whoever it was turned and ran up. I followed—it was dark—but as I turned the corner at the top a figure darted through this door and closed it. The bolt was on my side, and I pushed it forward. It is a closet, I think." We were in the upper hall now. "If you will show me the electric switch, Miss Innes, you would better wait in your own room."

Trembling as I was, I was determined to see that door opened. I hardly knew what I feared, but so many terrible and inexplicable things had happened that suspense was worse than certainty.

"I am perfectly cool," I said, "and I am going to remain here."

The lights flashed up along that end of the corridor, throwing the doors into relief. At the intersection of the small hallway with the larger, the circular staircase wound its way up, as if it had been an afterthought of the architect. And just around the corner, in the small corridor, was the door Mr. Jamieson had indicated. I was still unfamiliar with the house, and I did not remember the door. My heart was thumping wildly in my ears, but I nodded to him to go ahead. I was perhaps eight or ten feet away—and then he threw the bolt back.

"Come out," he said quietly. There was no response. "Come—out," he repeated. Then—I think he had a revolver, but I am not sure—he stepped aside and threw the door open.

From where I stood I could not see beyond the door, but I saw Mr. Jamieson's face change and heard him mutter something, then he bolted down the stairs, three at a time. When my knees had stopped shaking, I moved forward, slowly, nervously, until I had a partial view of what was beyond the door. It seemed at first to be a closet, empty. Then I went close and examined it, to stop with a shudder. Where the floor should have been was black void and darkness, from which came the indescribable, damp smell of the cellars.

Mr. Jamieson had locked somebody in the clothes chute. As I leaned over I fancied I heard a groan—or was it the wind?

Table of Contents

I was panic-stricken. As I ran along the corridor I was confident that the mysterious intruder and probable murderer had been found, and that he lay dead or dying at the foot of the chute. I got down the staircase somehow, and through the kitchen to the basement stairs. Mr. Jamieson had been before me, and the door stood open. Liddy was standing in the middle of the kitchen, holding a frying-pan by the handle as a weapon.

"Don't go down there," she yelled, when she saw me moving toward the basement stairs. "Don't you do it, Miss Rachel. That Jamieson's down there now. There's only trouble comes of hunting ghosts; they lead you into bottomless pits and things like that. Oh, Miss Rachel, don't—" as I tried to get past her.

She was interrupted by Mr. Jamieson's reappearance. He ran up the stairs two at a time, and his face was flushed and furious.

"The whole place is locked," he said angrily. "Where's the laundry key kept?"

"It's kept in the door," Liddy snapped. "That whole end of the cellar is kept locked, so nobody can get at the clothes, and then the key's left in the door? so that unless a thief was as blind as—as some detectives, he could walk right in."

"Liddy," I said sharply, "come down with us and turn on all the lights."

She offered her resignation, as usual, on the spot, but I took her by the arm, and she came along finally. She switched on all the lights and pointed to a door just ahead.

"That's the door," she said sulkily. "The key's in it."

But the key was not in it. Mr. Jamieson shook it, but it was a heavy door, well locked. And then he stooped and began punching around the keyhole with the end of a lead-pencil. When he stood up his face was exultant.

"It's locked on the inside," he said in a low tone. "There is somebody in there."