Arnold Bennett - Arnold Bennett - Buried Alive, The Old Wives' Tale & The Card (3 Books in One Edition)

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The hero of a novel Buried Alive is Mr Priam Farll, a painter of considerable ability. He is, however, extremely shy – so shy that when his valet, Henry Leek, dies suddenly, the doctor believes the dead man to be Priam Farll and the live man the valet. The artist does not try to disabuse him. After the funeral , Priam Farll marries a widow and lives a happy life until the loss of his wife's money means he has to take up painting again. A connoisseur of art recognises his style but thinks the paintings are by an imposter. He makes a fortune by buying his works through a small dealer and selling them in America as genuine. Meanwhile Priam Farll refuses through his obstinate shyness to prove his own identity. The Old Wives Tale (1908), a novel set in part in the Potteries district of North Staffordshire, where Bennett grew up, is generally considered his single masterpiece. The Card is a short comic novel written by Arnold Bennett in 1911. It chronicles the rise of Edward Henry («Denry») Machin from washerwoman's son to Mayor of Bursley (a fictitious town based on Burslem). This is accomplished through luck, initiative and a fair bit of chutzpah (in slang a card is a 'character', an 'original'; a clever, audacious, person).
Arnold Bennett (1867-1931) was an English journalist, novelist, and writer. After working as a rent collector and solicitor's clerk, Bennett won a writing contest which convinced him to become a journalist. He later turned to the writing of novels, including his most famous Clayhanger and Anna of the five towns.

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Then the shutting of doors. It was almost dark. She went back to the bed, expecting a visit from Constance. But a clock struck eight, and all the various phenomena connected with the departure of Mr. Critchlow occurred one after another. At the same time Maggie came home from the land of romance. Then long silences! Constance was now immured with her father, it being her “turn” to nurse; Maggie was washing up in her cave, and Mr. Povey was lost to sight in his bedroom. Then Sophia heard her mother’s lively, commanding knock on the King Street door. Dusk had definitely yielded to black night in the bedroom. Sophia dozed and dreamed. When she awoke, her ear caught the sound of knocking. She jumped up, tiptoed to the landing, and looked over the balustrade, whence she had a view of all the first-floor corridor. The gas had been lighted; through the round aperture at the top of the porcelain globe she could see the wavering flame. It was her mother, still bonneted, who was knocking at the door of Mr. Povey’s room. Constance stood in the doorway of her parents’ room. Mrs. Baines knocked twice with an interval, and then said to Constance, in a resonant whisper that vibrated up the corridor ——

“He seems to be fast asleep. I’d better not disturb him.”

“But suppose he wants something in the night?”

“Well, child, I should hear him moving. Sleep’s the best thing for him.”

Mrs. Baines left Mr. Povey to the effects of laudanum, and came along the corridor. She was a stout woman, all black stuff and gold chain, and her skirt more than filled the width of the corridor. Sophia watched her habitual heavy mounting gesture as she climbed the two steps that gave variety to the corridor. At the gas-jet she paused, and, putting her hand to the tap, gazed up into the globe.

“Where’s Sophia?” she demanded, her eyes fixed on the gas as she lowered the flame.

“I think she must be in bed, mother,” said Constance, nonchalantly.

The returned mistress was point by point resuming knowledge and control of that complicated machine — her household.

Then Constance and her mother disappeared into the bedroom, and the door was shut with a gentle, decisive bang that to the silent watcher on the floor above seemed to create a special excluding intimacy round about the figures of Constance and her father and mother. The watcher wondered, with a little prick of jealousy, what they would be discussing in the large bedroom, her father’s beard wagging feebly and his long arms on the counterpane, Constance perched at the foot of the bed, and her mother walking to and fro, putting her cameo brooch on the dressing-table or stretching creases out of her gloves. Certainly, in some subtle way, Constance had a standing with her parents which was more confidential than Sophia’s.

iii

When Constance came to bed, half an hour later, Sophia was already in bed. The room was fairly spacious. It had been the girls’ retreat and fortress since their earliest years. Its features seemed to them as natural and unalterable as the features of a cave to a cave-dweller. It had been repapered twice in their lives, and each papering stood out in their memories like an epoch; a third epoch was due to the replacing of a drugget by a resplendent old carpet degraded from the drawing-room. There was only one bed, the bedstead being of painted iron; they never interfered with each other in that bed, sleeping with a detachment as perfect as if they had slept on opposite sides of St. Luke’s Square; yet if Constance had one night lain down on the half near the window instead of on the half near the door, the secret nature of the universe would have seemed to be altered. The small fire-grate was filled with a mass of shavings of silver paper; now the rare illnesses which they had suffered were recalled chiefly as periods when that silver paper was crammed into a large slipper-case which hung by the mantelpiece, and a fire of coals unnaturally reigned in its place — the silver paper was part of the order of the world. The sash of the window would not work quite properly, owing to a slight subsidence in the wall, and even when the window was fastened there was always a narrow slit to the left hand between the window and its frame; through this slit came draughts, and thus very keen frosts were remembered by the nights when Mrs. Baines caused the sash to be forced and kept at its full height by means of wedges — the slit of exposure was part of the order of the world.

They possessed only one bed, one washstand, and one dressing-table; but in some other respects they were rather fortunate girls, for they had two mahogany wardrobes; this mutual independence as regards wardrobes was due partly to Mrs. Baines’s strong commonsense, and partly to their father’s tendency to spoil them a little. They had, moreover, a chest of drawers with a curved front, of which structure Constance occupied two short drawers and one long one, and Sophia two long drawers. On it stood two fancy work-boxes, in which each sister kept jewellery, a savings-bank book, and other treasures, and these boxes were absolutely sacred to their respective owners. They were different, but one was not more magnificent than the other. Indeed, a rigid equality was the rule in the chamber, the single exception being that behind the door were three hooks, of which Constance commanded two.

“Well,” Sophia began, when Constance appeared. “How’s darling Mr. Povey?” She was lying on her back, and smiling at her two hands, which she held up in front of her.

“Asleep,” said Constance. “At least mother thinks so. She says sleep is the best thing for him.”

“‘It will probably come on again,’” said Sophia.

“What’s that you say?” Constance asked, undressing.

“‘It will probably come on again.’”

These words were a quotation from the utterances of darling Mr. Povey on the stairs, and Sophia delivered them with an exact imitation of Mr. Povey’s vocal mannerism.

“Sophia,” said Constance, firmly, approaching the bed, “I wish you wouldn’t be so silly!” She had benevolently ignored the satirical note in Sophia’s first remark, but a strong instinct in her rose up and objected to further derision. “Surely you’ve done enough for one day!” she added.

For answer Sophia exploded into violent laughter, which she made no attempt to control. She laughed too long and too freely while Constance stared at her.

I don’t know what’s come over you!” said Constance.

“It’s only because I can’t look at it without simply going off into fits!” Sophia gasped out. And she held up a tiny object in her left hand.

Constance started, flushing. “You don’t mean to say you’ve kept it!” she protested earnestly. “How horrid you are, Sophia! Give it me at once and let me throw it away. I never heard of such doings. Now give it me!”

“No,” Sophia objected, still laughing. “I wouldn’t part with it for worlds. It’s too lovely.”

She had laughed away all her secret resentment against Constance for having ignored her during the whole evening and for being on such intimate terms with their parents. And she was ready to be candidly jolly with Constance.

“Give it me,” said Constance, doggedly.

Sophia hid her hand under the clothes. “You can have his old stump, when it comes out, if you like. But not this. What a pity it’s the wrong one!”

“Sophia, I’m ashamed of you! Give it me.”

Then it was that Sophia first perceived Constance’s extreme seriousness. She was surprised and a little intimidated by it. For the expression of Constance’s face, usually so benign and calm, was harsh, almost fierce. However, Sophia had a great deal of what is called “spirit,” and not even ferocity on the face of mild Constance could intimidate her for more than a few seconds. Her gaiety expired and her teeth were hidden.

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