Nathaniel Hawthorne - The Complete Works of Nathaniel Hawthorne (With Illustrations)

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Contents:
Novels:
Fanshawe
The Scarlet Letter
The House of the Seven Gables
The Blithedale Romance
The Marble Faun
The Dolliver Romance
Septimius Felton
Doctor Grimshawe's Secret
Collections of Short Stories:
Twice-Told Tales
The Whole History of Grandfather's Chair
Biographical Stories
Mosses from an Old Manse
Wonder Book For Girls and Boys
The Snow Image and Other Twice Told Tales
Tanglewood Tales For Girls and Boys
The Dolliver Romance and Other Pieces, Tales and Sketches
The Story Teller
Sketches in Magazines
Poems:
Address to the Moon
The Darken'd Veil
Earthly Pomp
Forms of Heroes
Go to the Grave
My Low and Humble Home
The Ocean
Essays:
The British Matron: A Satire
The Ancestral Footstep: Outlines of an English Romance
Life Of Franklin Pierce
Chiefly About War Matters
Our Old Home
Autobiographical Writings:
Browne's Folly
Love Letters (To Miss Sophia Peabody)
Letter to the Editor of the Literary Review
American Notebooks
English Notebooks
French and Italian Notebooks
Biographies and Reminiscences of Hawthorne:
Biography
The Life and Genius of Hawthorne by Frank Preston Stearns
Hawthorne and His Circle by Julian Hawthorne
Memories of Hawthorne by Rose Hawthorne Lathrop
Hawthorne and His Moses by Herman Melville
Fifty Years of Hawthorne
My Literary Passions by W. D. Howell
Life of Great Authors by H. T. Griswold
Yesterday With Authors by J. T. Field
Hawthorne and Brook Farm by G. W. Curtis
Short Biography
Essays and Criticisms on Hawthorne and His Works:
Hawthorne by Henry James Jr.
Nathaniel Hawthorne by Andrew Lang
Nathaniel Hawthorne by G. E. Woodberry
A Study of Hawthorne by G. P. Lathrop
'Hawthorne' and 'The Works of Hawthorne' by G. W. Curtis

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Full of concern, therefore — but so conscious of her own right that it seemed scarcely an unequal match between the public on the one side, and a lonely woman, backed by the sympathies of nature, on the other — Hester Prynne set forth from her solitary cottage. Little Pearl, of course, was her companion. She was now of an age to run lightly along by her mother’s side, and, constantly in motion from morn till sunset, could have accomplished a much longer journey than that before her. Often, nevertheless, more from caprice than necessity, she demanded to be taken up in arms; but was soon as imperious to be let down again, and frisked onward before Hester on the grassy pathway, with many a harmless trip and tumble. We have spoken of Pearl’s rich and luxuriant beauty — a beauty that shone with deep and vivid tints, a bright complexion, eyes possessing intensity both of depth and glow, and hair already of a deep, glossy brown, and which, in after years, would be nearly akin to black. There was fire in her and throughout her: she seemed the unpremeditated offshoot of a passionate moment. Her mother, in contriving the child’s garb, had allowed the gorgeous tendencies of her imagination their full play, arraying her in a crimson velvet tunic of a peculiar cut, abundantly embroidered in fantasies and flourishes of gold thread. So much strength of colouring, which must have given a wan and pallid aspect to cheeks of a fainter bloom, was admirably adapted to Pearl’s beauty, and made her the very brightest little jet of flame that ever danced upon the earth.

But it was a remarkable attribute of this garb, and indeed, of the child’s whole appearance, that it irresistibly and inevitably reminded the beholder of the token which Hester Prynne was doomed to wear upon her bosom. It was the scarlet letter in another form: the scarlet letter endowed with life! The mother herself — as if the red ignominy were so deeply scorched into her brain that all her conceptions assumed its form — had carefully wrought out the similitude, lavishing many hours of morbid ingenuity to create an analogy between the object of her affection and the emblem of her guilt and torture. But, in truth, Pearl was the one as well as the other; and only in consequence of that identity had Hester contrived so perfectly to represent the scarlet letter in her appearance.

As the two wayfarers came within the precincts of the town, the children of the Puritans looked up from their play, — or what passed for play with those sombre little urchins — and spoke gravely one to another.

“Behold, verily, there is the woman of the scarlet letter: and of a truth, moreover, there is the likeness of the scarlet letter running along by her side! Come, therefore, and let us fling mud at them!”

But Pearl, who was a dauntless child, after frowning, stamping her foot, and shaking her little hand with a variety of threatening gestures, suddenly made a rush at the knot of her enemies, and put them all to flight. She resembled, in her fierce pursuit of them, an infant pestilence — the scarlet fever, or some such half-fledged angel of judgment — whose mission was to punish the sins of the rising generation. She screamed and shouted, too, with a terrific volume of sound, which, doubtless, caused the hearts of the fugitives to quake within them. The victory accomplished, Pearl returned quietly to her mother, and looked up, smiling, into her face.

Without further adventure, they reached the dwelling of Governor Bellingham. This was a large wooden house, built in a fashion of which there are specimens still extant in the streets of our older towns now mossgrown, crumbling to decay, and melancholy at heart with the many sorrowful or joyful occurrences, remembered or forgotten, that have happened and passed away within their dusky chambers. Then, however, there was the freshness of the passing year on its exterior, and the cheerfulness, gleaming forth from the sunny windows, of a human habitation, into which death had never entered. It had, indeed, a very cheery aspect, the walls being overspread with a kind of stucco, in which fragments of broken glass were plentifully intermixed; so that, when the sunshine fell aslantwise over the front of the edifice, it glittered and sparkled as if diamonds had been flung against it by the double handful. The brilliancy might have be fitted Aladdin’s palace rather than the mansion of a grave old Puritan ruler. It was further decorated with strange and seemingly cabalistic figures and diagrams, suitable to the quaint taste of the age which had been drawn in the stucco, when newly laid on, and had now grown hard and durable, for the admiration of after times.

Pearl, looking at this bright wonder of a house began to caper and dance, and imperatively required that the whole breadth of sunshine should be stripped off its front, and given her to play with.

“No, my little Pearl!” said her mother; “thou must gather thine own sunshine. I have none to give thee!”

They approached the door, which was of an arched form, and flanked on each side by a narrow tower or projection of the edifice, in both of which were lattice-windows, the wooden shutters to close over them at need. Lifting the iron hammer that hung at the portal, Hester Prynne gave a summons, which was answered by one of the Governor’s bond servant — a free-born Englishman, but now a seven years’ slave. During that term he was to be the property of his master, and as much a commodity of bargain and sale as an ox, or a joint-stool. The serf wore the customary garb of serving-men at that period, and long before, in the old hereditary halls of England.

“Is the worshipful Governor Bellingham within?” inquired Hester.

“Yea, forsooth,” replied the bond-servant, staring with wide-open eyes at the scarlet letter, which, being a newcomer in the country, he had never before seen. “Yea, his honourable worship is within. But he hath a godly minister or two with him, and likewise a leech. Ye may not see his worship now.”

“Nevertheless, I will enter,” answered Hester Prynne; and the bond-servant, perhaps judging from the decision of her air, and the glittering symbol in her bosom, that she was a great lady in the land, offered no opposition.

So the mother and little Pearl were admitted into the hall of entrance. With many variations, suggested by the nature of his building materials, diversity of climate, and a different mode of social life, Governor Bellingham had planned his new habitation after the residences of gentlemen of fair estate in his native land. Here, then, was a wide and reasonably lofty hall, extending through the whole depth of the house, and forming a medium of general communication, more or less directly, with all the other apartments. At one extremity, this spacious room was lighted by the windows of the two towers, which formed a small recess on either side of the portal. At the other end, though partly muffled by a curtain, it was more powerfully illuminated by one of those embowed hall windows which we read of in old books, and which was provided with a deep and cushioned seat. Here, on the cushion, lay a folio tome, probably of the Chronicles of England, or other such substantial literature; even as, in our own days, we scatter gilded volumes on the centre table, to be turned over by the casual guest. The furniture of the hall consisted of some ponderous chairs, the backs of which were elaborately carved with wreaths of oaken flowers; and likewise a table in the same taste, the whole being of the Elizabethan age, or perhaps earlier, and heirlooms, transferred hither from the Governor’s paternal home. On the table — in token that the sentiment of old English hospitality had not been left behind — stood a large pewter tankard, at the bottom of which, had Hester or Pearl peeped into it, they might have seen the frothy remnant of a recent draught of ale.

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