Nathaniel Hawthorne - The Complete Works of Nathaniel Hawthorne (With Illustrations)

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Contents:
Novels:
Fanshawe
The Scarlet Letter
The House of the Seven Gables
The Blithedale Romance
The Marble Faun
The Dolliver Romance
Septimius Felton
Doctor Grimshawe's Secret
Collections of Short Stories:
Twice-Told Tales
The Whole History of Grandfather's Chair
Biographical Stories
Mosses from an Old Manse
Wonder Book For Girls and Boys
The Snow Image and Other Twice Told Tales
Tanglewood Tales For Girls and Boys
The Dolliver Romance and Other Pieces, Tales and Sketches
The Story Teller
Sketches in Magazines
Poems:
Address to the Moon
The Darken'd Veil
Earthly Pomp
Forms of Heroes
Go to the Grave
My Low and Humble Home
The Ocean
Essays:
The British Matron: A Satire
The Ancestral Footstep: Outlines of an English Romance
Life Of Franklin Pierce
Chiefly About War Matters
Our Old Home
Autobiographical Writings:
Browne's Folly
Love Letters (To Miss Sophia Peabody)
Letter to the Editor of the Literary Review
American Notebooks
English Notebooks
French and Italian Notebooks
Biographies and Reminiscences of Hawthorne:
Biography
The Life and Genius of Hawthorne by Frank Preston Stearns
Hawthorne and His Circle by Julian Hawthorne
Memories of Hawthorne by Rose Hawthorne Lathrop
Hawthorne and His Moses by Herman Melville
Fifty Years of Hawthorne
My Literary Passions by W. D. Howell
Life of Great Authors by H. T. Griswold
Yesterday With Authors by J. T. Field
Hawthorne and Brook Farm by G. W. Curtis
Short Biography
Essays and Criticisms on Hawthorne and His Works:
Hawthorne by Henry James Jr.
Nathaniel Hawthorne by Andrew Lang
Nathaniel Hawthorne by G. E. Woodberry
A Study of Hawthorne by G. P. Lathrop
'Hawthorne' and 'The Works of Hawthorne' by G. W. Curtis

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He ceased; and Ellen felt that his determination was unalterable. She could not speak; but, taking his hand, she pressed it to her lips, and they saw each other no more. Mr. Langton and his daughter shortly after returned to the seaport, which, for several succeeding years, was their residence. After Ellen’s departure, Fanshawe returned to his studies with the same absorbing ardor that had formerly characterized him. His face was as seldom seen among the young and gay; the pure breeze and the blessed sunshine as seldom refreshed his pale and weary brow; and his lamp burned as constantly from the first shade of evening till the gray morning light began to dim its beams. Nor did he, as weak men will, treasure up his love in a hidden chamber of his breast. He was in reality the thoughtful and earnest student that he seemed. He had exerted the whole might of his spirit over itself, and he was a conqueror. Perhaps, indeed, a summer breeze of sad and gentle thoughts would sometimes visit him; but, in these brief memories of his love, he did not wish that it should be revived, or mourn over its event.

There were many who felt an interest in Fanshawe; but the influence of none could prevail upon him to lay aside the habits, mental and physical, by which he was bringing himself to the grave. His passage thither was consequently rapid, terminating just as he reached his twentieth year. His fellow-students erected to his memory a monument of rough-hewn granite, with a white marble slab for the inscription. This was borrowed from the grave of Nathanael Mather, whom, in his almost insane eagerness for knowledge, and in his early death, Fanshawe resembled.

THE ASHES OF A HARD STUDENT AND A GOOD SCHOLAR.

Many tears were shed over his grave; but the thoughtful and the wise, though turf never covered a nobler heart, could not lament that it was so soon at rest. He left a world for which he was unfit; and we trust, that, among the innumerable stars of heaven, there is one where he has found happiness.

Of the other personages of this tale, — Hugh Crombie, being exposed to no strong temptations, lived and died an honest man. Concerning Dr. Melmoth, it is unnecessary here to speak. The reader, if he have any curiosity upon the subject, is referred to his Life, which, together with several sermons and other productions of the doctor, was published by his successor in the presidency of Harley College, about the year 1768.

It was not till four years after Fanshawe’s death, that Edward Walcott was united to Ellen Langton. Their future lives were uncommonly happy. Ellen’s gentle, almost imperceptible, but powerful influence drew her husband away from the passions and pursuits that would have interfered with domestic felicity; and he never regretted the worldly distinction of which she thus deprived him. Theirs was a long life of calm and quiet bliss; and what matters it, that, except in these pages, they have left no name behind them?

The Scarlet Letter A Romance 1850 Table of Contents The CustomHouse - фото 2

The Scarlet Letter: A Romance (1850)

Table of Contents

The Custom-House: Introductory to “The Scarlet Letter”

I. The Prison Door

II. The Marketplace

III. The Recognition

IV. The Interview

V. Hester at Her Needle

VI. Pearl

VII. The Governor’s Hall

VIII. The Elf-Child and the Minister

IX. The Leech

X. The Leech and His Patient

XI. The Interior of a Heart

XII. The Minister’s Vigil

XIII. Another View of Hester

XIV. Hester and the Physician

XV. Hester and Pearl

XVI. A Forest Walk

XVII. The Pastor and His Parishioner

XVIII. A Flood of Sunshine

XIX. The Child at the Brookside

XX. The Minister in a Maze

XXI. The New England Holiday

XXII. The Procession

XXIII. The Revelation of the Scarlet Letter

XXIV. Conclusion

THE CUSTOMHOUSE INTRODUCTORY TO THE SCARLET LETTER Table of Contents It is - фото 3

THE CUSTOM-HOUSE

INTRODUCTORY TO “THE SCARLET LETTER”

Table of Contents

It is a little remarkable, that — though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends — an autobiographical impulse should twice in my life have taken possession of me, in addressing the public. The first time was three or four years since, when I favoured the reader — inexcusably, and for no earthly reason that either the indulgent reader or the intrusive author could imagine — with a description of my way of life in the deep quietude of an Old Manse. And now — because, beyond my deserts, I was happy enough to find a listener or two on the former occasion — I again seize the public by the button, and talk of my three years’ experience in a Custom-House. The example of the famous “P. P., Clerk of this Parish,” was never more faithfully followed. The truth seems to be, however, that when he casts his leaves forth upon the wind, the author addresses, not the many who will fling aside his volume, or never take it up, but the few who will understand him better than most of his schoolmates or lifemates. Some authors, indeed, do far more than this, and indulge themselves in such confidential depths of revelation as could fittingly be addressed only and exclusively to the one heart and mind of perfect sympathy; as if the printed book, thrown at large on the wide world, were certain to find out the divided segment of the writer’s own nature, and complete his circle of existence by bringing him into communion with it. It is scarcely decorous, however, to speak all, even where we speak impersonally. But, as thoughts are frozen and utterance benumbed, unless the speaker stand in some true relation with his audience, it may be pardonable to imagine that a friend, a kind and apprehensive, though not the closest friend, is listening to our talk; and then, a native reserve being thawed by this genial consciousness, we may prate of the circumstances that lie around us, and even of ourself, but still keep the inmost Me behind its veil. To this extent, and within these limits, an author, methinks, may be autobiographical, without violating either the reader’s rights or his own.

It will be seen, likewise, that this Custom-House sketch has a certain propriety, of a kind always recognised in literature, as explaining how a large portion of the following pages came into my possession, and as offering proofs of the authenticity of a narrative therein contained. This, in fact — a desire to put myself in my true position as editor, or very little more, of the most prolix among the tales that make up my volume — this, and no other, is my true reason for assuming a personal relation with the public. In accomplishing the main purpose, it has appeared allowable, by a few extra touches, to give a faint representation of a mode of life not heretofore described, together with some of the characters that move in it, among whom the author happened to make one.

In my native town of Salem, at the head of what, half a century ago, in the days of old King Derby, was a bustling wharf — but which is now burdened with decayed wooden warehouses, and exhibits few or no symptoms of commercial life; except, perhaps, a bark or brig, halfway down its melancholy length, discharging hides; or, nearer at hand, a Nova Scotia schooner, pitching out her cargo of firewood — at the head, I say, of this dilapidated wharf, which the tide often overflows, and along which, at the base and in the rear of the row of buildings, the track of many languid years is seen in a border of unthrifty grass — here, with a view from its front windows adown this not very enlivening prospect, and thence across the harbour, stands a spacious edifice of brick. From the loftiest point of its roof, during precisely three and a half hours of each forenoon, floats or droops, in breeze or calm, the banner of the republic; but with the thirteen stripes turned vertically, instead of horizontally, and thus indicating that a civil, and not a military, post of Uncle Sam’s government is here established. Its front is ornamented with a portico of half-a-dozen wooden pillars, supporting a balcony, beneath which a flight of wide granite steps descends towards the street. Over the entrance hovers an enormous specimen of the American eagle, with outspread wings, a shield before her breast, and, if I recollect aright, a bunch of intermingled thunderbolts and barbed arrows in each claw. With the customary infirmity of temper that characterizes this unhappy fowl, she appears by the fierceness of her beak and eye, and the general truculency of her attitude, to threaten mischief to the inoffensive community; and especially to warn all citizens careful of their safety against intruding on the premises which she overshadows with her wings. Nevertheless, vixenly as she looks, many people are seeking at this very moment to shelter themselves under the wing of the federal eagle; imagining, I presume, that her bosom has all the softness and snugness of an eiderdown pillow. But she has no great tenderness even in her best of moods, and, sooner or later — oftener soon than late — is apt to fling off her nestlings with a scratch of her claw, a dab of her beak, or a rankling wound from her barbed arrows.

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