Nathaniel Hawthorne - The Complete Works of Nathaniel Hawthorne (With Illustrations)

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Contents:
Novels:
Fanshawe
The Scarlet Letter
The House of the Seven Gables
The Blithedale Romance
The Marble Faun
The Dolliver Romance
Septimius Felton
Doctor Grimshawe's Secret
Collections of Short Stories:
Twice-Told Tales
The Whole History of Grandfather's Chair
Biographical Stories
Mosses from an Old Manse
Wonder Book For Girls and Boys
The Snow Image and Other Twice Told Tales
Tanglewood Tales For Girls and Boys
The Dolliver Romance and Other Pieces, Tales and Sketches
The Story Teller
Sketches in Magazines
Poems:
Address to the Moon
The Darken'd Veil
Earthly Pomp
Forms of Heroes
Go to the Grave
My Low and Humble Home
The Ocean
Essays:
The British Matron: A Satire
The Ancestral Footstep: Outlines of an English Romance
Life Of Franklin Pierce
Chiefly About War Matters
Our Old Home
Autobiographical Writings:
Browne's Folly
Love Letters (To Miss Sophia Peabody)
Letter to the Editor of the Literary Review
American Notebooks
English Notebooks
French and Italian Notebooks
Biographies and Reminiscences of Hawthorne:
Biography
The Life and Genius of Hawthorne by Frank Preston Stearns
Hawthorne and His Circle by Julian Hawthorne
Memories of Hawthorne by Rose Hawthorne Lathrop
Hawthorne and His Moses by Herman Melville
Fifty Years of Hawthorne
My Literary Passions by W. D. Howell
Life of Great Authors by H. T. Griswold
Yesterday With Authors by J. T. Field
Hawthorne and Brook Farm by G. W. Curtis
Short Biography
Essays and Criticisms on Hawthorne and His Works:
Hawthorne by Henry James Jr.
Nathaniel Hawthorne by Andrew Lang
Nathaniel Hawthorne by G. E. Woodberry
A Study of Hawthorne by G. P. Lathrop
'Hawthorne' and 'The Works of Hawthorne' by G. W. Curtis

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At least, we would gladly forewarn the unsuspecting girl that there is nothing in human shape or substance to receive her, unless it be the figure of Judge Pyncheon, who — wretched spectacle that he is, and frightful in our remembrance, since our night-long vigil with him! — still keeps his place in the oaken chair.

Phoebe first tried the shop-door. It did not yield to her hand; and the white curtain, drawn across the window which formed the upper section of the door, struck her quick perceptive faculty as something unusual. Without making another effort to enter here, she betook herself to the great portal, under the arched window. Finding it fastened, she knocked. A reverberation came from the emptiness within. She knocked again, and a third time; and, listening intently, fancied that the floor creaked, as if Hepzibah were coming, with her ordinary tiptoe movement, to admit her. But so dead a silence ensued upon this imaginary sound, that she began to question whether she might not have mistaken the house, familiar as she thought herself with its exterior.

Her notice was now attracted by a child’s voice, at some distance. It appeared to call her name. Looking in the direction whence it proceeded, Phoebe saw little Ned Higgins, a good way down the street, stamping, shaking his head violently, making deprecatory gestures with both hands, and shouting to her at mouth-wide screech.

“No, no, Phoebe!” he screamed. “Don’t you go in! There’s something wicked there! Don’t — don’t — don’t go in!”

But, as the little personage could not be induced to approach near enough to explain himself, Phoebe concluded that he had been frightened, on some of his visits to the shop, by her cousin Hepzibah; for the good lady’s manifestations, in truth, ran about an equal chance of scaring children out of their wits, or compelling them to unseemly laughter. Still, she felt the more, for this incident, how unaccountably silent and impenetrable the house had become. As her next resort, Phoebe made her way into the garden, where on so warm and bright a day as the present, she had little doubt of finding Clifford, and perhaps Hepzibah also, idling away the noontide in the shadow of the arbor. Immediately on her entering the garden gate, the family of hens half ran, half flew to meet her; while a strange grimalkin, which was prowling under the parlor window, took to his heels, clambered hastily over the fence, and vanished. The arbor was vacant, and its floor, table, and circular bench were still damp, and bestrewn with twigs and the disarray of the past storm. The growth of the garden seemed to have got quite out of bounds; the weeds had taken advantage of Phoebe’s absence, and the long-continued rain, to run rampant over the flowers and kitchen-vegetables. Maule’s well had overflowed its stone border, and made a pool of formidable breadth in that corner of the garden.

The impression of the whole scene was that of a spot where no human foot had left its print for many preceding days, — probably not since Phoebe’s departure, — for she saw a side-comb of her own under the table of the arbor, where it must have fallen on the last afternoon when she and Clifford sat there.

The girl knew that her two relatives were capable of far greater oddities than that of shutting themselves up in their old house, as they appeared now to have done. Nevertheless, with indistinct misgivings of something amiss, and apprehensions to which she could not give shape, she approached the door that formed the customary communication between the house and garden. It was secured within, like the two which she had already tried. She knocked, however; and immediately, as if the application had been expected, the door was drawn open, by a considerable exertion of some unseen person’s strength, not wide, but far enough to afford her a sidelong entrance. As Hepzibah, in order not to expose herself to inspection from without, invariably opened a door in this manner, Phoebe necessarily concluded that it was her cousin who now admitted her.

Without hesitation, therefore, she stepped across the threshold, and had no sooner entered than the door closed behind her.

XX. The Flower of Eden

Table of Contents

PHOEBE, coming so suddenly from the sunny daylight, was altogether bedimmed in such density of shadow as lurked in most of the passages of the old house. She was not at first aware by whom she had been admitted. Before her eyes had adapted themselves to the obscurity, a hand grasped her own with a firm but gentle and warm pressure, thus imparting a welcome which caused her heart to leap and thrill with an indefinable shiver of enjoyment. She felt herself drawn along, not towards the parlor, but into a large and unoccupied apartment, which had formerly been the grand reception-room of the Seven Gables. The sunshine came freely into all the uncurtained windows of this room, and fell upon the dusty floor; so that Phoebe now clearly saw — what, indeed, had been no secret, after the encounter of a warm hand with hers — that it was not Hepzibah nor Clifford, but Holgrave, to whom she owed her reception. The subtile, intuitive communication, or, rather, the vague and formless impression of something to be told, had made her yield unresistingly to his impulse. Without taking away her hand, she looked eagerly in his face, not quick to forebode evil, but unavoidably conscious that the state of the family had changed since her departure, and therefore anxious for an explanation.

The artist looked paler than ordinary; there was a thoughtful and severe contraction of his forehead, tracing a deep, vertical line between the eyebrows. His smile, however, was full of genuine warmth, and had in it a joy, by far the most vivid expression that Phoebe had ever witnessed, shining out of the New England reserve with which Holgrave habitually masked whatever lay near his heart. It was the look wherewith a man, brooding alone over some fearful object, in a dreary forest or illimitable desert, would recognize the familiar aspect of his dearest friend, bringing up all the peaceful ideas that belong to home, and the gentle current of everyday affairs. And yet, as he felt the necessity of responding to her look of inquiry, the smile disappeared.

“I ought not to rejoice that you have come, Phoebe,” said he. “We meet at a strange moment!”

“What has happened!” she exclaimed. “Why is the house so deserted? Where are Hepzibah and Clifford?”

“Gone! I cannot imagine where they are!” answered Holgrave. “We are alone in the house!”

“Hepzibah and Clifford gone?” cried Phoebe. “It is not possible! And why have you brought me into this room, instead of the parlor? Ah, something terrible has happened! I must run and see!”

“No, no, Phoebe!” said Holgrave holding her back. “It is as I have told you. They are gone, and I know not whither. A terrible event has, indeed happened, but not to them, nor, as I undoubtingly believe, through any agency of theirs. If I read your character rightly, Phoebe,” he continued, fixing his eyes on hers with stern anxiety, intermixed with tenderness, “gentle as you are, and seeming to have your sphere among common things, you yet possess remarkable strength. You have wonderful poise, and a faculty which, when tested, will prove itself capable of dealing with matters that fall far out of the ordinary rule.”

“Oh, no, I am very weak!” replied Phoebe, trembling. “But tell me what has happened!”

“You are strong!” persisted Holgrave. “You must be both strong and wise; for I am all astray, and need your counsel. It may be you can suggest the one right thing to do!”

“Tell me! — tell me!” said Phoebe, all in a tremble. “It oppresses, — it terrifies me, — this mystery! Anything else I can bear!”

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