Virginia Woolf - The Complete Novels of Virginia Woolf

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Content:
The Voyage Out
Night and Day
Jacob's Room
Mrs Dalloway
To the Lighthouse
Orlando
The Waves
The Years
Between the Acts
Virginia Woolf (1882–1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, «A woman must have money and a room of her own if she is to write fiction.»

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The quality of her birth oozed into Katharine’s consciousness from a dozen different sources as soon as she was able to perceive anything. Above her nursery fireplace hung a photograph of her grandfather’s tomb in Poets’ Corner, and she was told in one of those moments of grown-up confidence which are so tremendously impressive to the child’s mind, that he was buried there because he was a “good and great man.” Later, on an anniversary, she was taken by her mother through the fog in a hansom cab, and given a large bunch of bright, sweet-scented flowers to lay upon his tomb. The candles in the church, the singing and the booming of the organ, were all, she thought, in his honor. Again and again she was brought down into the drawing-room to receive the blessing of some awful distinguished old man, who sat, even to her childish eye, somewhat apart, all gathered together and clutching a stick, unlike an ordinary visitor in her father’s own arm-chair, and her father himself was there, unlike himself, too, a little excited and very polite. These formidable old creatures used to take her in their arms, look very keenly in her eyes, and then to bless her, and tell her that she must mind and be a good girl, or detect a look in her face something like Richard’s as a small boy. That drew down upon her her mother’s fervent embrace, and she was sent back to the nursery very proud, and with a mysterious sense of an important and unexplained state of things, which time, by degrees, unveiled to her.

There were always visitors—uncles and aunts and cousins “from India,” to be reverenced for their relationship alone, and others of the solitary and formidable class, whom she was enjoined by her parents to “remember all your life.” By these means, and from hearing constant talk of great men and their works, her earliest conceptions of the world included an august circle of beings to whom she gave the names of Shakespeare, Milton, Wordsworth, Shelley, and so on, who were, for some reason, much more nearly akin to the Hilberys than to other people. They made a kind of boundary to her vision of life, and played a considerable part in determining her scale of good and bad in her own small affairs. Her descent from one of these gods was no surprise to her, but matter for satisfaction, until, as the years wore on, the privileges of her lot were taken for granted, and certain drawbacks made themselves very manifest. Perhaps it is a little depressing to inherit not lands but an example of intellectual and spiritual virtue; perhaps the conclusiveness of a great ancestor is a little discouraging to those who run the risk of comparison with him. It seems as if, having flowered so splendidly, nothing now remained possible but a steady growth of good, green stalk and leaf. For these reasons, and for others, Katharine had her moments of despondency. The glorious past, in which men and women grew to unexampled size, intruded too much upon the present, and dwarfed it too consistently, to be altogether encouraging to one forced to make her experiment in living when the great age was dead.

She was drawn to dwell upon these matters more than was natural, in the first place owing to her mother’s absorption in them, and in the second because a great part of her time was spent in imagination with the dead, since she was helping her mother to produce a life of the great poet. When Katharine was seventeen or eighteen—that is to say, some ten years ago—her mother had enthusiastically announced that now, with a daughter to help her, the biography would soon be published. Notices to this effect found their way into the literary papers, and for some time Katharine worked with a sense of great pride and achievement.

Lately, however, it had seemed to her that they were making no way at all, and this was the more tantalizing because no one with the ghost of a literary temperament could doubt but that they had materials for one of the greatest biographies that has ever been written. Shelves and boxes bulged with the precious stuff. The most private lives of the most interesting people lay furled in yellow bundles of close-written manuscript. In addition to this Mrs. Hilbery had in her own head as bright a vision of that time as now remained to the living, and could give those flashes and thrills to the old words which gave them almost the substance of flesh. She had no difficulty in writing, and covered a page every morning as instinctively as a thrush sings, but nevertheless, with all this to urge and inspire, and the most devout intention to accomplish the work, the book still remained unwritten. Papers accumulated without much furthering their task, and in dull moments Katharine had her doubts whether they would ever produce anything at all fit to lay before the public. Where did the difficulty lie? Not in their materials, alas! nor in their ambitions, but in something more profound, in her own inaptitude, and above all, in her mother’s temperament. Katharine would calculate that she had never known her write for more than ten minutes at a time. Ideas came to her chiefly when she was in motion. She liked to perambulate the room with a duster in her hand, with which she stopped to polish the backs of already lustrous books, musing and romancing as she did so. Suddenly the right phrase or the penetrating point of view would suggest itself, and she would drop her duster and write ecstatically for a few breathless moments; and then the mood would pass away, and the duster would be sought for, and the old books polished again. These spells of inspiration never burnt steadily, but flickered over the gigantic mass of the subject as capriciously as a will-o’-the-wisp, lighting now on this point, now on that. It was as much as Katharine could do to keep the pages of her mother’s manuscript in order, but to sort them so that the sixteenth year of Richard Alardyce’s life succeeded the fifteenth was beyond her skill. And yet they were so brilliant, these paragraphs, so nobly phrased, so lightning-like in their illumination, that the dead seemed to crowd the very room. Read continuously, they produced a sort of vertigo, and set her asking herself in despair what on earth she was to do with them? Her mother refused, also, to face the radical questions of what to leave in and what to leave out. She could not decide how far the public was to be told the truth about the poet’s separation from his wife. She drafted passages to suit either case, and then liked each so well that she could not decide upon the rejection of either.

But the book must be written. It was a duty that they owed the world, and to Katharine, at least, it meant more than that, for if they could not between them get this one book accomplished they had no right to their privileged position. Their increment became yearly more and more unearned. Besides, it must be established indisputably that her grandfather was a very great man.

By the time she was twenty-seven, these thoughts had become very familiar to her. They trod their way through her mind as she sat opposite her mother of a morning at a table heaped with bundles of old letters and well supplied with pencils, scissors, bottles of gum, india-rubber bands, large envelopes, and other appliances for the manufacture of books. Shortly before Ralph Denham’s visit, Katharine had resolved to try the effect of strict rules upon her mother’s habits of literary composition. They were to be seated at their tables every morning at ten o’clock, with a clean-swept morning of empty, secluded hours before them. They were to keep their eyes fast upon the paper, and nothing was to tempt them to speech, save at the stroke of the hour when ten minutes for relaxation were to be allowed them. If these rules were observed for a year, she made out on a sheet of paper that the completion of the book was certain, and she laid her scheme before her mother with a feeling that much of the task was already accomplished. Mrs. Hilbery examined the sheet of paper very carefully. Then she clapped her hands and exclaimed enthusiastically:

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