Charles Norris Williamson - British Murder Mysteries – 10 Novels in One Volume

For days her soul had been rushing toward this moment with thousand-horsepower speed, like a lonely comet tearing through space. But then it had been distant, the terrible goal. She had not had to gasp among her heart-throbs: "Now! It is now!"

Creep as she might, three minutes' brought her from the turning out of the Strand close to the welcoming entrance where revolving doors of glass received radiant visions dazzling as moonlight on snow.

"No, I can't!" the girl told herself, desperately. She wheeled more quickly than the whirling door, hoping that no one would think her mad. "All the same, I was mad," she admitted, "to fancy I could do it. I ought to have known I couldn't, when the time came. I'm the last person to—well, I'm sane again now, anyway!"

A few long steps carried the girl in the sparkling dress and transparent cloak into the Strand again. But something queer was happening there. People were shouting and running. A man with a raucous, alcoholic voice, yelled words Annesley could not catch. A woman gave a squeaking scream that sounded both ridiculous and dreadful. Breaking glass crashed. A growl of human anger mingled with the roar of motor-omnibuses, and Miss Grayle fell back from it as from a slammed door in a high wall.

As she stood hesitating what to do and wondering if there were a fire or a murder, two women, laughing hysterically, rushed past into the hotel court.

"Hurry up," panted one of them. "They'll think we belong to the gang. Let's go into the hotel and stay until it's over."

"Oh, what is it?" Annesley entreated, running after the couple.

"Burglars at a jeweller's window close by—there are women—they're being arrested," one of the pair flung over her shoulder, as both hurried on.

"'Women ... being arrested ...'" That meant that if she plunged into the fray she might be mistaken for a woman burglar, and arrested with the guilty. Even if she lurked where she was, a prowling policeman might suppose she sought concealment, and bag her as a militant.

Imagine what Mrs. Ellsworth would say—and do —if she were taken off to jail!

Annesley's heart seemed to drop out of its place, to go "crossways," as her old Irish nurse used to say a million years ago.

Without stopping to think again, or even to breathe, she flew back to the hotel entrance, as a migrating bird follows its leader, and slipped through the revolving door behind the fugitives.

"It's fate," she thought. "This must be a sign coming just when I'd made up my mind."

Suddenly she was no longer afraid, though her heart was pounding under the thin cloak. Fragrance of hot-house flowers and expensive perfume from women's dresses intoxicated the girl as a glass of champagne forced upon one who has never tasted wine flies to the head. She felt herself on the tide of adventure, moving because she must; the soul which would have fled, to return to Mrs. Ellsworth, was a coward not worthy to live in her body.

She had room in her crowded mind to think how queer it was—and how queer it would seem all the rest of her life in looking back—that she should have the course of her existence changed because burglars had broken some panes of glass in the Strand.

"Just because of them—creatures I'll never meet—I'm going to see this through to the end," she said, flinging up her chin and looking entirely unlike the Annesley Grayle Mrs. Ellsworth knew. "To the end !"

She thrilled at the word, which had as much of the unknown in it as though it were the world's end she referred to, and she were jumping off.

"Will you please tell me where to leave my wrap?" she heard herself inquiring of a footman as magnificent as, and far better dressed than, the Apollo Belvedere. Her voice sounded natural. She was glad. This added to her courage. It was wonderful to feel brave. Life was so deadly, worse—so stuffy —at Mrs. Ellsworth's, that if she had ever been normally brave like other girls, she had had the young splendour of her courage crushed out.

The statue in gray plush and dark blue cloth came to life, and showed her the cloak-room.

Other women were there, taking last, affectionate peeps at themselves in the long mirrors. Annesley took a last peep at herself also, not an affectionate but an anxious one. Compared with these visions, was she (in Mrs. Ellsworth's cast-off clothes, made over in odd moments by the wearer) so dowdy and second-hand that—that—a stranger would be ashamed to——?

The question feared to finish itself.

"I do look like a lady, anyhow," the girl thought with defiance. "That's what he—that seems to be the test."

Now she was in a hurry to get the ordeal over. Instead of hanging back she walked briskly out of the cloak-room before those who had entered ahead of her finished patting their hair or putting powder on their noses.

It was worse in the large vestibule, where men sat or stood, waiting for their feminine belongings; and she was the only woman alone. But her boat was launched on the wild sea. There was no returning.

The rendezvous arranged was in what he had called in his letter "the foyer."

Annesley went slowly down the steps, trying not to look aimless. She decided to steer for one of the high-back brocaded chairs which had little satellite tables. Better settle on one in the middle of the hall.

This would give him a chance to see and recognize her from the description she had written of the dress she would wear (she had not mentioned that she'd be spared all trouble in choosing, as it was her only real evening frock), and to notice that she wore, according to arrangement, a white rose tucked into the neck of her bodice.

She felt conscious of her hands, and especially of her feet and ankles, for she had not been able to make Mrs. Ellsworth's dress quite long enough. Luckily it was the fashion of the moment to wear the skirt short, and she had painted her old white suede slippers silver.

She believed that she had pretty feet. But oh! what if the darn running up the heel of the pearl-gray silk stocking should show, or have burst again into a hole as she jumped out of the omnibus? She could have laughed hysterically, as the escaping women had laughed, when she realized that the fear of such a catastrophe was overcoming graver horrors.

Perhaps it was well to have a counter-irritant.

Though Annesley Grayle was the only manless woman in the foyer, the people who sat there—with one exception—did not stare. Though she had five feet eight inches of height, and was graceful despite self-consciousness, her appearance was distinguished rather than striking. Yes, "distinguished" was the word for it, decided the one exception who gazed with particular interest at that tall, slight figure in gray-sequined chiffon too old-looking for the young face.

He was sitting in a corner against the wall, and had in his hands a copy of the Sphere , which was so large when held high and wide open that the reader could hide behind it. He had been in his corner for fifteen or twenty minutes when Annesley Grayle arrived, glancing over the top of his paper with a sort of jaunty carelessness every few minutes at the crowd moving toward the restaurant, picking out some individual, then dropping his eyes to the Sphere .

For the girl in gray he had a long, appraising look, studying her every point; but he did the thing so well that, even had she turned her head his way, she need not have been embarrassed. All she would have seen was a man's forehead and a rim of smooth black hair showing over the top of an illustrated paper.

What he saw was a clear profile with a delicate nose slightly tilting upward in a proud rather than impertinent way; an arch of eyebrow daintily sketched; a large eye which might be gray or violet; a drooping mouth with a short upper lip; a really charming chin, and a long white throat; skin softly pale, like white velvet; thick, ash-blond hair parted in the middle and worn Madonna fashion—there seemed to be a lot of it in the coil at the nape of her neck.