Charles Norris Williamson - British Murder Mysteries – 10 Novels in One Volume

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This carefully edited collection of thriller novels has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: The Motor Maid The Girl Who Had Nothing The Second Latchkey The Castle of Shadows The House by the Lock The Guests of Hercules The Port of Adventure The Brightener The Lion's Mouse The Powers and Maxine Charles Norris Williamson (1859–1920) and Alice Muriel Williamson (1869-1933) were British novelists who jointly wrote a number of novels which cover the early days of motoring and can also be read as travelogues.

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That little episode in history accounted for the Hotel Monte Carlo; and I wondered if it were put up on the site of the Grimaldis' miniature pleasure-palace, which the forest-burning revolutionists tore down just before Les Baux, after all its strange passings from hand to hand, became the property of the nation.

Against the rocks a few mean houses leaned apologetically, but on every side rose the ruins of a proud, dead past: a past beginning with the ruts of chariot-wheels graven on the rock-paved street. I thought, as I looked at the sordid little village of to-day, which had crawled into the very midst of the fortress, of some words I'd read last night: "a rat in the heart of a dead princess."

Strange, haggard hill, whispered about by history ever since Christians ran before Alaric the Visigoth, and hid in its caverns already echoing with legends of mysterious Phoenician treasure! Strange robber house of Les Baux, founded thirteen hundred years ago, and claiming half Provence two centuries later! No wonder, after all the fighting and plundering, loving and hating, that all it asks now is for its bleached, picked bones to be left in peace!

I thought this, standing by the little Hotel Monte Carlo, waiting for my mistress and her husband to be supplied with a guide. He was the most intelligent and efficient-seeming guide imaginable, who looked as if he had the whole history of Les Baux behind his bright dark eyes; and I hoped that the humble maid and chauffeur might be allowed to follow the "quality" within respectful earshot.

Soon they began to walk on, and I turned to look at my brother, who was lingering by the car. Already the guide had begun to be interesting. I caught a few words: "Celtic caverns"—"Leibulf, the first Count"—"the terrible Turenne, called the 'Fléau de Provence'—the Lady Alix's guardian"—which made me long to hear more; but I didn't want to crawl on until my Fellow Worm could crawl with me.

"I can't go," he said. "It wouldn't do to leave the car here. There are several gipsy faces at the inn window, you see. Why there should be gipsies I don't know; but there are, for those are gipsies or I'll eat my cap. And I've got to keep watch on deck."

"How horrid to leave you here alone, seeing nothing—not even the sunset!" I exclaimed. "I think I shall stop with you, unless she calls me—"

"You'll do nothing of the kind," he had begun, when the summons came, sooner than I had expected.

Chapter XIII

Table of Contents

"Elise, come here and put what this guide is saying into English," was the command, and I flew to obey. To hear him tell what he knew was like turning over the leaves of the Book of Les Baux; and I tried to do him justice in my translation; but it was disheartening to see Lady Turnour's lack-lustre gaze wander as dully about the rock-hewn barracks of Roman soldiers as if she had been in her own lodging-house cellar, and to be interrupted by her complaints of the cold wind as we went up the silent streets, past deserted palaces of dead and gone nobles, toward the crown of all—the Château.

Nothing moved her to any show of interest in this grave of mighty memories, of mighty warrior princes, and of lovely ladies with names sweet as music and perfume of potpourri. Wandering in a splendid confusion of feudal and mediæval relics—walls with carved doorways, and doorways without walls; beautiful, purposeless columns whose occupation had long been gone; carved marvels of fireplaces standing up sadly from wrecked floors of fair ladies' boudoirs or great banqueting halls, the stout, painted woman broke in upon the guide's story to talk of any irrelevant matter that jumped into her mind. She suddenly bethought herself to scold Sir Samuel about "Bertie," from whom a letter had evidently been forwarded, and who had been spending too much money to please her ladyship.

"That stepson of yours is a regular bad egg," said she.

"Never you mind," retorted Sir Samuel, defending his favourite. "Many a bad egg has turned over a new leaf."

My lip quivered, but I fixed my eyes firmly upon the guide, who was now devoting his attention entirely to his one respectful listener. I was ashamed of my companions, but I couldn't help catching stray fragments of the conversation, and the involuntary mixing of Bertie's affairs with the Religious Wars, and the destruction of Les Baux by Richelieu's soldiers, had a positively weird effect on my mind. Bertie, it seemed—(or was it Richelieu?) was invited to visit at the château of a French marquis called de Roquemartine (or was it good King René, who inherited Les Baux because he was a count of Provence?), and the château was near Clermont-Ferrand. Lady Turnour was of opinion that it would be well to make a condition before sending the cheque which Bertie wanted to pay his bridge debts (or was he in debt because the Lady Douce and her sister Stephanette of Les Baux had quarrelled?). If the advice of Dane, the chauffeur, were taken, they would be motoring to Clermont-Ferrand; and why not say to Bertie: "No cheque unless you get us an invitation to visit the Roquemartines while you are there?" (Or was it that they wanted an invitation to the boudoir of Queen Jeanne, René's beloved wife, who lived at Les Baux sometimes, and had very beautiful things around her—tapestries and Eastern rugs, and wondrous rosaries, and jewelled Books of Hours?) Really, it was very bewildering; but in my despair one drop of comfort fell. That château near Clermont-Ferrand would prove a lodestar, and help Mr. Jack Dane to lure the Turnours through chill gorges and over snowy mountains.

"Lodestar" really was a good word for the attraction, I thought, and I would repeat it to the chauffeur. But it rose over the horizon of my intellect probably because the guide talked of Countess Alix, last heiress of the great House of Les Baux. "As she lay dying," he said, "the star that had watched over and guided the fortunes of her house came down from the sky, according to the legend, and shone pale and sad in her bedchamber till she was dead. Then it burst, and its light was extinguished in darkness for ever."

Eventually Sir Samuel's eye brightened for the Tudor rose decoration, in the ruined château, relic of an alliance between an English princess and the House of Les Baux; and Lady Turnour didn't interrupt once when the guide told of the latest important discovery in the City of Ghosts. "Near the altar of the Virgin here," he began, in just the right, hushed tone, "they found in a tomb the body of a beautiful young girl. There she lay, as the tomb was opened, just for an instant—long enough for the eye to take in the picture—as lovely as the loveliest lady of Les Baux, that famed princess Cecilie, known through Provence as Passe-Rose. Her long golden hair was in two great plaits, one over either shoulder, and her hands were crossed upon her breast, holding a Book of Hours. But in a second, as the air touched her, she was gone like a dream; her sweet young face, white as milk, and half smiling, her long dark eyelashes, even the Book of Hours, all crumbled into dust, fine as powder. Only the golden hair, tied with blue ribbon, was left; and when you go to Arles you can see it in the Museum of Monsieur Mistral."

"Make a note of hair for Arles, Sam," said her ladyship, gravely; and just as solemnly he obeyed, scribbling a few words in the pocket memorandum-book in which the poor man industriously puts down all the things which his wife thinks he ought to remember.

"Anything else interesting ever been found here?" she wanted to know. "Any jewels or things of that sort?"

I passed the question on to the guide.

Many things had been found, he said: coins, vases, pottery, and mosaics. Occasionally such things were turned up, though usually, nowadays, of no great value; but it was the hope of finding something which brought the gipsies. Often there were gypsies at Les Baux. They would go to Les Saintes Maries, the place of the sacred church where the two sainted Maries came ashore from Palestine in their little boat, and they would pray to Sarah, whose tomb was also in that wonderful church. Had we seen it yet? No? But it was not far. Many people went, though the great day was on May twenty-fourth, when the Archbishop of Aix lowered the ark of relics from the roof, and healed those of the sick who were true believers. It was for Sarah, though, that the gipsies made their pilgrimages. They thought that prayers at her tomb would bring them whatever they desired; and sometimes, when they were able to come on as far as Les Baux, they would wish at the tomb to find the buried Phoenician treasure, for which many had searched generation after generation, since history began, but none had ever found.

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