Charles Norris Williamson - British Murder Mysteries – 10 Novels in One Volume

The girl had wondered from the first why he was determined to make friends with these cousins whom she had never known, and he was grateful because she believed in him too loyally to attribute his desire to "snobbishness." He wished her to suppose he had set his heart on providing her with influential guidance on the threshold of a new life; and it was important that she should not begin criticizing his motives.

By the time dinner was over Constance Annesley-Seton had decided that the Nelson Smiths had been sent to her by the Powers that Be, and that it would be tempting Providence not to annex them. Not that she put it in that way to herself, for she did not trouble her mind about Providence. All she knew was that she and Dick would be fools to let the chance slip.

It was as much as she could do not to suggest the idea in her mind: that the Nelson Smiths should take the house in Portman Square; that she and her husband should introduce them to society, and that the Devonshire place should either be let to them or that they should visit there when they wished to be in the country, as paying guests.

But she controlled her impatience, limiting herself to proposing plans for future meetings. She suggested giving a dinner in honour of the bride and bridegroom, and inviting people whom it would be "nice for them to know" in town.

Knight said that he and "Anita" (his new name for Annesley, a souvenir of Spanish South America) would accept with pleasure. And the girl agreed gladly, because she thought her cousin and his wife were very kind.

After dinner Annesley-Seton and Knight followed Constance and "Anita" almost directly, the former asking his guests if they would like to see some of the family treasures which they could only have glanced at in passing with the crowd the other day.

"Before sugar went to smash, we blazed into all sorts of extravagances here," he said, bitterly, with a glance at the deposed Sugar King's daughter. "Among others, putting electric light into this old barn. We'll have an illumination, and show you some trifles Connie and I wish to Heaven a kind-hearted burglar would relieve us of.

"Of course the beastly things are heirlooms, as I suppose you know. We can't sell or pawn them, or I should have done one or the other long ago. They're insured by the trustees, who are the bane of our lives, for the estate. But a sporting sort of company has blossomed out lately, which insures against 'loss of use'—I think that's the expression. I pay the premium myself—even when I can't pay anything else!—and if the valuable contents of this place are stolen or burned, we shall benefit personally.

"I don't mind you or all the world knowing we're stony broke," he went on, frankly. "And everyone does know, anyhow, that we'd be in the deuce of a hole without the tourists' shillings which pour in twice a week the year round. You see, each object in the collection helps bring in those shillings; and 'loss of use' of a single one would be a real deprivation. So it's fair and above board. But thus far, I've paid my premium and got no return, these last three years. Our tourists are so disgustingly honest, or our burglars so clumsy and unenterprising, that, as you say in the States, 'there's nothing doing.'"

As he talked Dick Annesley-Seton sauntered about the immense room into which they had come from the state banqueting hall, switching on more and more of the electric candle-lights set high on the green brocade walls. This was known as the "green drawing room" by the family, and the "Room of the Miniatures" by the public, who read about it in catalogues.

"Come and look at our white elephants," he went on, when the room, dimly and economically lit at first, was ablaze with light; and Mr. and Mrs. Nelson Smith joined him eagerly. Constance followed, too, bored but resigned; and her husband paused before a tall, narrow glass cabinet standing in a recess.

"See these miniatures!" he exclaimed, fretfully. "There are plenty more, but the best are in this cabinet; and there's a millionaire chap, in New York—perhaps you can guess his name, Smith?—who has offered a hundred thousand pounds for the thirty little bits of ivory in it."

"I think that must have been the great Paul Van Vreck," Knight hazarded.

"I thought you'd guess! There aren't many who'd make such an offer. Think what it would mean to me if it could be accepted, and I could have the handling of the money. There are three small pictures in the little octagon gallery next door, too, Van Vreck took a fancy to on a visit he paid us from Saturday to Monday last summer. We never thought much of them, and they're in a dark place, labelled in the catalogue 'Artist unknown: School of Fragonard'; but he swore they were authentic Fragonards, and would have backed his opinion to the tune of fifteen thousand pounds for the trio, or six thousand for the one he liked best. Isn't it aggravating? In the Chinese room he went mad over some bits of jade, especially a Buddha nobody else had ever admired."

"He's one of the few millionaire collectors who is really a judge of all sorts of things," Knight replied. "But, great Scott! I'm no expert, yet it strikes me these miniatures are something out of the ordinary!"

"Well, yes, they are," Annesley-Seton admitted, modestly. "That queer one at the top is a Nicholas Hilliard. I believe he was the first of the miniaturists. And the two just underneath are Samuel Coopers. They say he stood at the head of the Englishmen. There are three Richard Cosways and rather a nice Angelica Kauffmann."

"It was the Fragonard miniature Mr. Van Vreck liked best," put in Constance. "It seems he painted only a few. And next, the Goya——"

"Good heavens! where is the Fragonard?" cried Dick, his eyes bulging behind his pince-nez. "Surely it was here——"

"Oh, surely, yes!" panted his wife. "It was never anywhere else."

For an instant they were stricken into silence, both staring at a blank space on the black velvet background where twenty-nine miniatures hung. There was no doubt about it when they had reviewed the rows of little painted faces. The Fragonard was gone.

"Stolen!" gasped Lady Annesley-Seton.

"Unless one of you, or some servant you trust with the key, is a somnambulist," said Knight. "I don't see how it would pay a thief to steal such a thing. It must be too well known. He couldn't dispose of it—that is if he weren't a collector himself; and even then he could never show it. But—by Jove!"

"What is it? What have you seen?" Annesley-Seton asked, sharply.

Knight pointed, without touching the cabinet. He had never come near enough to do that. "It looks to me as if a square bit of glass had been cut out on the side where the lost miniature must have hung," he said. "I can't be sure, from where I stand, because the cabinet is too close to the wall of the recess."

Dick Annesley-Seton thrust his arm into the space between green brocade and glass, then slipped his hand through a neatly cut aperture just big enough to admit its passage. With his hand in the square hole he could reach the spot where the miniature had hung, and could have taken it off the hook had it been there. But hook, as well as miniature, was missing.

"That settles it!" he exclaimed. "It is a theft, and a clever one! Strange we should find it out when I was demonstrating to you how much I wished it would happen. Hurrah! That miniature alone is insured against burglary for seven or eight hundred pounds. Nothing to what it's worth, but a lot to pay a premium on, with the rest of the things besides. I wish now I hadn't been so cheese-paring. You'll be witnesses, you two, of our discovery. I'm glad Connie and I weren't alone when we found it out. Something nasty might have been said."

"We'll back you up with pleasure," Knight replied. "What was the miniature like? I wonder if we saw it when we were here the other day, Anita? I remember these, but can't recall any other."