Rudyard Kipling - The Complete Works of Rudyard Kipling (Illustrated)

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This carefully crafted ebook: «The Complete Works of Rudyard Kipling (Illustrated)» is formatted for your eReader with a functional and detailed table of contents.
Table of Contents:
Novels:
The Light That Failed
Captain Courageous: A Story of the Grand Banks
Kim
The Naulahka: A Story of West and East
Stalky and Co.
Short Story Collections:
The City of Dreadful Night
Plain Tales from the Hills
Soldier's Three (The Story of the Gadsbys)
Soldier's Three – Part II
The Phantom 'Rickshaw and Other Ghost Stories
Under the Deodars
Wee Willie Winkie
Life's Handicap
Many Inventions
The Jungle Book
The Second Jungle Book
The Day's Work
Just So Stories
Traffics and Discoveries
Puck of Pook's Hill
Actions and Reactions
Abaft the Funnel
Rewards and Fairies
The Eyes of Asia
A Diversity of Creatures
Land and Sea Tales
Debits and Credits
Thy Servant a Dog
Limits and Renewals
Poetry Collections:
Departmental Ditties
Ballads and Barrack-Room Ballads
The Seven Seas
An Almanac of Twelve Sports
The Five Nations
Songs from Books
The Years Between
Military Collections:
A Fleet in Being
France at War
The New Army in Training
Sea Warfare
The War in the Mountains
The Graves of the Fallen
The Irish Guards in the Great War I & II
Travel Collections:
American Notes
From Sea to Sea
Letters of Travel: 1892 – 1913
Souvenirs of France
Brazilian Sketches: 1927
How Shakespeare Came to Write the 'Tempest'
Autobiographies:
A Book of Words
Something of Myself
Joseph Rudyard Kipling (1865-1936) was an English short-story writer, poet, and novelist. He wrote tales and poems of British soldiers in India and stories for children. He is regarded as a major innovator in the art of the short story; his children's books are classics of children's literature; and one critic described his work as exhibiting «a versatile and luminous narrative gift».

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"If I give you three days more will you promise me to stop work and—the other thing, whether the picture's finished or not?"

"I can't. You don't know what that picture means to me. But surely you could get the Nilghai to help you, and knock me down and tie me up. I shouldn't fight for the whiskey, but I should for the work."

"Go on, then. I give you three days; but you're nearly breaking my heart."

Dick returned to his work, toiling as one possessed; and the yellow devil of whiskey stood by him and chased away the spots in his eyes. The Melancolia was nearly finished, and was all or nearly all that he had hoped she would be. Dick jested with Bessie, who reminded him that he was "a drunken beast"; but the reproof did not move him.

"You can't understand, Bess. We are in sight of land now, and soon we shall lie back and think about what we've done. I'll give you three months' pay when the picture's finished, and next time I have any more work in hand—but that doesn't matter. Won't three months' pay make you hate me less?"

"No, it won't! I hate you, and I'll go on hating you. Mr. Torpenhow won't speak to me any more. He's always looking at maps."

Bessie did not say that she had again laid siege to Torpenhow, or that at the end of our passionate pleading he had picked her up, given her a kiss, and put her outside the door with the recommendation not to be a little fool. He spent most of his time in the company of the Nilghai, and their talk was of war in the near future, the hiring of transports, and secret preparations among the dockyards. He did not wish to see Dick till the picture was finished.

"He's doing first-class work," he said to the Nilghai, "and it's quite out of his regular line. But, for the matter of that, so's his infernal soaking."

"Never mind. Leave him alone. When he has come to his senses again we'll carry him off from this place and let him breathe clean air. Poor Dick! I don't envy you, Torp, when his eyes fail."

"Yes, it will be a case of 'God help the man who's chained to our Davie.' The worst is that we don't know when it will happen, and I believe the uncertainty and the waiting have sent Dick to the whiskey more than anything else."

"How the Arab who cut his head open would grin if he knew!"

"He's at perfect liberty to grin if he can. He's dead. That's poor consolation now."

In the afternoon of the third day Torpenhow heard Dick calling for him.

"All finished!" he shouted. "I've done it! Come in! Isn't she a beauty? Isn't she a darling? I've been down to hell to get her; but isn't she worth it?"

Torpenhow looked at the head of a woman who laughed,—a full-lipped, hollow-eyed woman who laughed from out of the canvas as Dick had intended she would.

"Who taught you how to do it?" said Torpenhow. "The touch and notion have nothing to do with your regular work. What a face it is! What eyes, and what insolence!" Unconsciously he threw back his head and laughed with her. "She's seen the game played out,—I don't think she had a good time of it,—and now she doesn't care. Isn't that the idea?"

"Exactly."

"Where did you get the mouth and chin from? They don't belong to Bess."

"They're—some one else's. But isn't it good? Isn't it thundering good? Wasn't it worth the whiskey? I did it. Alone I did it, and it's the best I can do." He drew his breath sharply, and whispered, "Just God! what could I not do ten years hence, if I can do this now!—By the way, what do you think of it, Bess?"

The girl was biting her lips. She loathed Torpenhow because he had taken no notice of her.

"I think it's just the horridest, beastliest thing I ever saw," she answered, and turned away.

"More than you will be of that way of thinking, young woman.—Dick, there's a sort of murderous, viperine suggestion in the poise of the head that I don't understand," said Torpenhow.

"That's trick-work," said Dick, chuckling with delight at being completely understood. "I couldn't resist one little bit of sheer swagger. It's a French trick, and you wouldn't understand; but it's got at by slewing round the head a trifle, and a tiny, tiny foreshortening of one side of the face from the angle of the chin to the top of the left ear. That, and deepening the shadow under the lobe of the ear. It was flagrant trick-work; but, having the notion fixed, I felt entitled to play with it,—Oh, you beauty!"

"Amen! She is a beauty. I can feel it."

"So will every man who has any sorrow of his own," said Dick, slapping his thigh. "He shall see his trouble there, and, by the Lord Harry, just when he's feeling properly sorry for himself he shall throw back his head and laugh,—as she is laughing. I've put the life of my heart and the light of my eyes into her, and I don't care what comes.... I'm tired,—awfully tired. I think I'll get to sleep. Take away the whiskey, it has served its turn, and give Bessie thirty-six quid, and three over for luck. Cover the picture."

He dropped asleep in the long chair, hid face white and haggard, almost before he had finished the sentence. Bessie tried to take Torpenhow's hand. "Aren't you never going to speak to me any more?" she said; but Torpenhow was looking at Dick.

"What a stock of vanity the man has! I'll take him in hand tomorrow and make much of him. He deserves it.—Eh! what was that, Bess?"

"Nothing. I'll put things tidy here a little, and then I'll go. You couldn't give Me that three months' pay now, could you? He said you were to."

Torpenhow gave her a check and went to his own rooms. Bessie faithfully tidied up the studio, set the door ajar for flight, emptied half a bottle of turpentine on a duster, and began to scrub the face of the Melancolia viciously. The paint did not smudge quickly enough. She took a palette-knife and scraped, following each stroke with the wet duster. In five minutes the picture was a formless, scarred muddle of colours. She threw the paint-stained duster into the studio stove, stuck out her tongue at the sleeper, and whispered, "Bilked!" as she turned to run down the staircase. She would never see Torpenhow any more, but she had at least done harm to the man who had come between her and her desire and who used to make fun of her. Cashing the check was the very cream of the jest to Bessie. Then the little privateer sailed across the Thames, to be swallowed up in the gray wilderness of South-the-Water.

Dick slept till late in the evening, when Torpenhow dragged him off to bed. His eyes were as bright as his voice was hoarse. "Let's have another look at the picture," he said, insistently as a child.

"You—go—to—bed," said Torpenhow. "You aren't at all well, though you mayn't know it. You're as jumpy as a cat."

"I reform tomorrow. Good night."

As he repassed through the studio, Torpenhow lifted the cloth above the picture, and almost betrayed himself by outcries: "Wiped out!—scraped out and turped out! He's on the verge of jumps as it is. That's Bess,—the little fiend! Only a woman could have done that!—with the ink not dry on the check, too! Dick will be raving mad tomorrow. It was all my fault for trying to help gutter-devils. Oh, my poor Dick, the Lord is hitting you very hard!"

Dick could not sleep that night, partly for pure joy, and partly because the well-known Catherine-wheels inside his eyes had given place to crackling volcanoes of many-coloured fire. "Spout away," he said aloud.

"I've done my work, and now you can do what you please." He lay still, staring at the ceiling, the long-pent-up delirium of drink in his veins, his brain on fire with racing thoughts that would not stay to be considered, and his hands crisped and dry. He had just discovered that he was painting the face of the Melancolia on a revolving dome ribbed with millions of lights, and that all his wondrous thoughts stood embodied hundreds of feet below his tiny swinging plank, shouting together in his honour, when something cracked inside his temples like an overstrained bowstring, the glittering dome broke inward, and he was alone in the thick night.

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