Rudyard Kipling - The Complete Works of Rudyard Kipling (Illustrated)

Здесь есть возможность читать онлайн «Rudyard Kipling - The Complete Works of Rudyard Kipling (Illustrated)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Complete Works of Rudyard Kipling (Illustrated): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Complete Works of Rudyard Kipling (Illustrated)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

This carefully crafted ebook: «The Complete Works of Rudyard Kipling (Illustrated)» is formatted for your eReader with a functional and detailed table of contents.
Table of Contents:
Novels:
The Light That Failed
Captain Courageous: A Story of the Grand Banks
Kim
The Naulahka: A Story of West and East
Stalky and Co.
Short Story Collections:
The City of Dreadful Night
Plain Tales from the Hills
Soldier's Three (The Story of the Gadsbys)
Soldier's Three – Part II
The Phantom 'Rickshaw and Other Ghost Stories
Under the Deodars
Wee Willie Winkie
Life's Handicap
Many Inventions
The Jungle Book
The Second Jungle Book
The Day's Work
Just So Stories
Traffics and Discoveries
Puck of Pook's Hill
Actions and Reactions
Abaft the Funnel
Rewards and Fairies
The Eyes of Asia
A Diversity of Creatures
Land and Sea Tales
Debits and Credits
Thy Servant a Dog
Limits and Renewals
Poetry Collections:
Departmental Ditties
Ballads and Barrack-Room Ballads
The Seven Seas
An Almanac of Twelve Sports
The Five Nations
Songs from Books
The Years Between
Military Collections:
A Fleet in Being
France at War
The New Army in Training
Sea Warfare
The War in the Mountains
The Graves of the Fallen
The Irish Guards in the Great War I & II
Travel Collections:
American Notes
From Sea to Sea
Letters of Travel: 1892 – 1913
Souvenirs of France
Brazilian Sketches: 1927
How Shakespeare Came to Write the 'Tempest'
Autobiographies:
A Book of Words
Something of Myself
Joseph Rudyard Kipling (1865-1936) was an English short-story writer, poet, and novelist. He wrote tales and poems of British soldiers in India and stories for children. He is regarded as a major innovator in the art of the short story; his children's books are classics of children's literature; and one critic described his work as exhibiting «a versatile and luminous narrative gift».

The Complete Works of Rudyard Kipling (Illustrated) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Complete Works of Rudyard Kipling (Illustrated)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

It is time to escape from Chowringhi Road and get among the long-shore folk, who have no prejudices against tobacco, and who all use very much the same sort of hat.

Chapter 3.

The Council of the Gods

Table of Contents

He set up conclusions to the number of nine thousand seven hundred and sixty-four . . . he went afterwards to the Sorbonne, where he maintained argument against the theologians for the space of six weeks, from four o’clock in the morning till six in the evening, except for an interval of two hours to refresh themselves and take their repasts, and at this were present the greatest part of the lords of the court, the masters of request, presidents, counsellors, those of the accompts, secretaries, advocates, and others; as also the sheriffs of the said town.

Pantagruel.

‘The Bengal Legislative Council is sitting now. You will find it in an octagonal wing of Writers’ Buildings: straight across the maidân . It’s worth seeing.’ ‘What are they sitting on?’ ‘Municipal business. No end of a debate.’ So much for trying to keep low company. The long-shore loafers must stand over. Without doubt this Council is going to hang some one for the state of the City, and Sir Steuart Bayley will be chief executioner. One does not come across councils every day.

Writers’ Buildings are large. You can trouble the busy workers of half a dozen departments before you stumble upon the black-stained staircase that leads to an upper chamber looking out over a populous street. Wild orderlies block the way. The Councillor Sahibs are sitting, but any one can enter. ‘To the right of the Lât Sahib’s chair, and go quietly.’ Ill-mannered minion! Does he expect the awe-stricken spectator to prance in with a war-whoop or turn Catherine-wheels round that sumptuous octagonal room with the blue-domed roof? There are gilt capitals to the half pillars and an Egyptian-patterned lotus-stencil makes the walls gay. A thick-piled carpet covers all the floor, and must be delightful in the hot weather. On a black wooden throne, comfortably cushioned in green leather, sits Sir Steuart Bayley, Ruler of Bengal. The rest are all great men, or else they would not be there. Not to know them argues oneself unknown. There are a dozen of them, and sit six aside at two slightly curved lines of beautifully polished desks. Thus Sir Steuart Bayley occupies the frog of a badly made horse-shoe split at the toe. In front of him, at a table covered with books and pamphlets and papers, toils a secretary. There is a seat for the Reporters, and that is all. The place enjoys a chastened gloom, and its very atmosphere fills one with awe. This is the heart of Bengal, and uncommonly well upholstered. If the work matches the first-class furniture, the inkpots, the carpet, and the resplendent ceilings, there will be something worth seeing. But where is the criminal who is to be hanged for the stench that runs up and down Writers’ Buildings staircases; for the rubbish heaps in the Chitpore Road; for the sickly savour of Chowringhi; for the dirty little tanks at the back of Belvedere; for the street full of smallpox; for the reeking gharri-stand outside the Great Eastern; for the state of the stone and dirt pavements; for the condition of the gullies of Shampooker, and for a hundred other things?

‘This, I submit, is an artificial scheme in supersession of Nature’s unit, the individual.’ The speaker is a slight, spare native in a flat hat-turban, and a black alpaca frock-coat. He looks like a scribe to the boot-heels, and, with his unvarying smile and regulated gesticulation, recalls memories of up-country courts. He never hesitates, is never at a loss for a word, and never in one sentence repeats himself. He talks and talks and talks in a level voice, rising occasionally half an octave when a point has to be driven home. Some of his periods sound very familiar. This, for instance, might be a sentence from the Mirror : ‘So much for the principle. Let us now examine how far it is supported by precedent.’ This sounds bad. When a fluent native is discoursing of ‘principles’ and ‘precedents,’ the chances are that he will go on for some time. Moreover, where is the criminal, and what is all this talk about abstractions? They want shovels not sentiments, in this part of the world.

A friendly whisper brings enlightenment: ‘They are ploughing through the Calcutta Municipal Bill — plurality of votes, you know. Here are the papers.’ And so it is! A mass of motions and amendments on matters relating to ward votes. Is A to be allowed to give two votes in one ward and one in another? Is section 10 to be omitted, and is one man to be allowed one vote and no more? How many votes does three hundred rupees’ worth of landed property carry? Is it better to kiss a post or throw it in the fire? Not a word about carbolic acid and gangs of sweepers. The little man in the black dressing-gown revels in his subject. He is great on principles and precedents, and the necessity of ‘popularising our system.’ He fears that under certain circumstances ‘the status of the candidates will decline.’ He riots in ‘self-adjusting majorities,’ and ‘the healthy influence of the educated middle classes.’

For a practical answer to this, there steals across the council chamber just one faint whiff of the Stink. It is as though some one laughed low and bitterly. But no man heeds. The Englishmen look supremely bored, the native members stare stolidly in front of them. Sir Steuart Bayley’s face is as set as the face of the Sphinx. For these things he draws his pay — low wage for heavy labour. But the speaker, now adrift, is not altogether to be blamed. He is a Bengali, who has got before him just such a subject as his soul loveth — an elaborate piece of academical reform leading nowhere. Here is a quiet room full of pens and papers, and there are men who must listen to him. Apparently there is no time limit to the speeches. Can you wonder that he talks? He says ‘I submit’ once every ninety seconds, varying the form with ‘I do submit, the popular element in the electoral body should have prominence.’ Quite so. He quotes one John Stuart Mill to prove it. There steals over the listener a numbing sense of nightmare. He has heard all this before somewhere — yea; even down to J.S. Mill and the references to the ‘true interests of the ratepayers.’ He sees what is coming next. Yes, there is the old Sabha, Anjuman, journalistic formula: ‘Western education is an exotic plant of recent importation.’ How on earth did this man drag Western education into this discussion? Who knows? Perhaps Sir Steuart Bayley does. He seems to be listening. The others are looking at their watches. The spell of the level voice sinks the listener yet deeper into a trance. He is haunted by the ghosts of all the cant of all the political platforms of Great Britain. He hears all the old, old vestry phrases, and once more he smells the Smell. That is no dream. Western education is an exotic plant. It is the upas tree, and it is all our fault. We brought it out from England exactly as we brought out the ink-bottles and the patterns for the chairs. We planted it and it grew — monstrous as a banian. Now we are choked by the roots of it spreading so thickly in this fat soil of Bengal. The speaker continues. Bit by bit we builded this dome, visible and invisible, the crown of Writers’ Buildings, as we have built and peopled the buildings. Now we have gone too far to retreat, being ‘tied and bound with the chain of our own sins.’ The speech continues. We made that florid sentence. That torrent of verbiage is Ours. We taught him what was constitutional and what was unconstitutional in the days when Calcutta smelt. Calcutta smells still, but We must listen to all that he has to say about the plurality of votes and the threshing of wind and the weaving of ropes of sand It is Our own fault.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Complete Works of Rudyard Kipling (Illustrated)»

Представляем Вашему вниманию похожие книги на «The Complete Works of Rudyard Kipling (Illustrated)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Complete Works of Rudyard Kipling (Illustrated)»

Обсуждение, отзывы о книге «The Complete Works of Rudyard Kipling (Illustrated)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x