Rudyard Kipling - The Complete Works of Rudyard Kipling (Illustrated)

"I should be only half married to you. I should worry and fuss about my work, as I do now. Four days out of the seven I'm not fit to speak to."

"You talk as if no one else in the world had ever used a brush. D'you suppose that I don't know the feeling of worry and bother and can't-get-at-ness? You're lucky if you only have it four days out of the seven. What difference would that make?"

"A great deal—if you had it too."

"Yes, but I could respect it. Another man might not. He might laugh at you. But there's no use talking about it. If you can think in that way you can't care for me—yet."

The tide had nearly covered the mud-banks and twenty little ripples broke on the beach before Maisie chose to speak.

"Dick," she said slowly, "I believe very much that you are better than I am."

"This doesn't seem to bear on the argument—but in what way?"

"I don't quite know, but in what you said about work and things; and then you're so patient. Yes, you're better than I am."

Dick considered rapidly the murkiness of an average man's life. There was nothing in the review to fill him with a sense of virtue. He lifted the hem of the cloak to his lips.

"Why," said Maisie, making as though she had not noticed, "can you see things that I can't? I don't believe what you believe; but you're right, I believe."

"If I've seen anything, God knows I couldn't have seen it but for you, and I know that I couldn't have said it except to you. You seemed to make everything clear for a minute; but I don't practice what I preach. You would help me... There are only us two in the world for all purposes, and—and you like to have me with you?"

"Of course I do. I wonder if you can realise how utterly lonely I am!"

"Darling, I think I can."

"Two years ago, when I first took the little house, I used to walk up and down the back-garden trying to cry. I never can cry. Can you?"

"It's some time since I tried. What was the trouble? Overwork?"

"I don't know; but I used to dream that I had broken down, and had no money, and was starving in London. I thought about it all day, and it frightened me—oh, how it frightened me!"

"I know that fear. It's the most terrible of all. It wakes me up in the night sometimes. You oughtn't to know anything about it."

"How do you know?"

"Never mind. Is your three hundred a year safe?"

"It's in Consols."

"Very well. If any one comes to you and recommends a better investment,—even if I should come to you,—don't you listen. Never shift the money for a minute, and never lend a penny of it,—even to the red-haired girl."

"Don't scold me so! I'm not likely to be foolish."

"The earth is full of men who'd sell their souls for three hundred a year; and women come and talk, and borrow a five-pound note here and a ten-pound note there; and a woman has no conscience in a money debt. Stick to your money, Maisie, for there's nothing more ghastly in the world than poverty in London. It's scared me. By Jove, it put the fear into me! And one oughtn't to be afraid of anything."

To each man is appointed his particular dread,—the terror that, if he does not fight against it, must cow him even to the loss of his manhood. Dick's experience of the sordid misery of want had entered into the deeps of him, and, lest he might find virtue too easy, that memory stood behind him, tempting to shame, when dealers came to buy his wares. As the Nilghai quaked against his will at the still green water of a lake or a mill-dam, as Torpenhow flinched before any white arm that could cut or stab and loathed himself for flinching, Dick feared the poverty he had once tasted half in jest. His burden was heavier than the burdens of his companions.

Maisie watched the face working in the moonlight.

"You've plenty of pennies now," she said soothingly.

"I shall never have enough," he began, with vicious emphasis. Then, laughing, "I shall always be three-pence short in my accounts."

"Why threepence?"

"I carried a man's bag once from Liverpool Street Station to Blackfriar's Bridge. It was a sixpenny job,—you needn't laugh; indeed it was,—and I wanted the money desperately. He only gave me threepence; and he hadn't even the decency to pay in silver. Whatever money I make, I shall never get that odd threepence out of the world."

This was not language befitting the man who had preached of the sanctity of work. It jarred on Maisie, who preferred her payment in applause, which, since all men desire it, must be of the right. She hunted for her little purse and gravely took out a threepenny bit.

"There it is," she said. "I'll pay you, Dickie; and don't worry any more; it isn't worth while. Are you paid?"

"I am," said the very human apostle of fair craft, taking the coin. "I'm paid a thousand times, and we'll close that account. It shall live on my watch-chain; and you're an angel, Maisie."

"I'm very cramped, and I'm feeling a little cold. Good gracious! the cloak is all white, and so is your moustache! I never knew it was so chilly."

A light frost lay white on the shoulder of Dick's ulster. He, too, had forgotten the state of the weather. They laughed together, and with that laugh ended all serious discourse.

They ran inland across the waste to warm themselves, then turned to look at the glory of the full tide under the moonlight and the intense black shadows of the furze bushes. It was an additional joy to Dick that Maisie could see colour even as he saw it,—could see the blue in the white of the mist, the violet that is in gray palings, and all things else as they are,—not of one hue, but a thousand. And the moonlight came into Maisie's soul, so that she, usually reserved, chattered of herself and of the things she took interest in,—of Kami, wisest of teachers, and of the girls in the studio,—of the Poles, who will kill themselves with overwork if they are not checked; of the French, who talk at great length of much more than they will ever accomplish; of the slovenly English, who toil hopelessly and cannot understand that inclination does not imply power; of the Americans, whose rasping voices in the hush of a hot afternoon strain tense-drawn nerves to breaking-point, and whose suppers lead to indigestion; of tempestuous Russians, neither to hold nor to bind, who tell the girls ghost-stories till the girls shriek; of stolid Germans, who come to learn one thing, and, having mastered that much, stolidly go away and copy pictures for evermore. Dick listened enraptured because it was Maisie who spoke. He knew the old life.

"It hasn't changed much," he said. "Do they still steal colours at lunch-time?"

"Not steal. Attract is the word. Of course they do. I'm good—I only attract ultramarine; but there are students who'd attract flake-white."

"I've done it myself. You can't help it when the palettes are hung up. Every colour is common property once it runs down,—even though you do start it with a drop of oil. It teaches people not to waste their tubes."

"I should like to attract some of your colours, Dick. Perhaps I might catch your success with them."

"I mustn't say a bad word, but I should like to. What in the world, which you've just missed a lovely chance of seeing, does success or want of success, or a three-storied success, matter compared with——No, I won't open that question again. It's time to go back to town."

"I'm sorry, Dick, but——"

"You're much more interested in that than you are in me."

"I don't know, I don't think I am."

"What will you give me if I tell you a sure short-cut to everything you want,—the trouble and the fuss and the tangle and all the rest? Will you promise to obey me?"

"Of course."

"In the first place, you must never forget a meal because you happen to be at work. You forgot your lunch twice last week," said Dick, at a venture, for he knew with whom he was dealing.