Baroness Emmuska Orczy - Scarlet Pimpernel

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This carefully crafted ebook: «The Scarlet Pimpernel + The League of the Scarlet Pimpernel + The Elusive Pimpernel + The Triumph of the Scarlet Pimpernel (4 Unabridged Classics)» is formatted for your eReader with a functional and detailed table of contents. The Scarlet Pimpernel is a play and adventure novel by Baroness Orczy set during the Reign of Terror following the start of the French Revolution. The title character, Sir Percy Blakeney, represents the original «hero with a secret identity» that inspired subsequent literary creations such as Don Diego de la Vega (El Zorro) and Bruce Wayne (Batman). The League of the Scarlet Pimpernel is a sequel book to the classic adventure tale, The Scarlet Pimpernel. First published in 1919, the book consists of short stories about Sir Percy Blakeney's exploits in rescuing various aristos and French citizens from the clutches of the guillotine. First published in 1908, The Elusive Pimpernel is the 4th book in the classic adventure series about the Scarlet Pimpernel. The Triumph of the Scarlet Pimpernel, first published in 1922, is the last book in the series about the Scarlet Pimpernel's adventures. Again Orczy interweaves historic fact with fiction, this time through the real life figures of Thérésa Cabarrus, and Jean-Lambert Tallien. Baroness «Emmuska» Orczy ( 1865 – 1947) was a Hungarian-born British novelist, playwright and artist of noble origin. She is most known for her series of novels featuring the Scarlet Pimpernel. Some of her paintings were exhibited at the Royal Academy in London.

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"Time enough to learn its contents?" asked Chauvelin, quietly.

She nodded. Then continued in the same even, mechanical tone of voice—

"In the corner of the paper there was the usual rough device of a small star-shaped flower. Above it I read two lines, everything else was scorched and blackened by the flame."

"And what were the two lines?"

Her throat seemed suddenly to have contracted. For an instant she felt that she could not speak the words, which might send a brave man to his death.

"It is lucky that the whole paper was not burned," added Chauvelin, with dry sarcasm, "for it might have fared ill with Armand St. Just. What were the two lines citoyenne?"

"One was, 'I start myself to-morrow,'" she said quietly, "the other—'If you wish to speak to me, I shall be in the supper-room at one o'clock precisely.'"

Chauvelin looked up at the clock just above the mantelpiece.

"Then I have plenty of time," he said placidly.

"What are you going to do?" she asked.

She was pale as a statue, her hands were icy cold, her head and heart throbbed with the awful strain upon her nerves. Oh, this was cruel! cruel! What had she done to have deserved all this? Her choice was made: had she done a vile action or one that was sublime? The recording angel, who writes in the book of gold, alone could give an answer.

"What are you going to do?" she repeated mechanically.

"Oh, nothing for the present. After that it will depend."

"On what?"

"On whom I shall see in the supper-room at one o'clock precisely."

"You will see the Scarlet Pimpernel, of course. But you do not know him."

"No. But I shall presently."

"Sir Andrew will have warned him."

"I think not. When you parted from him after the minuet he stood and watched you, for a moment or two, with a look which gave me to understand that something had happened between you. It was only natural, was it not? that I should make a shrewd guess as to the nature of that 'something.' I thereupon engaged the young man in a long and animated conversation—we discussed Herr Gluck's singular success in London—until a lady claimed his arm for supper."

"Since then?"

"I did not lose sight of him through supper. When we all came upstairs again, Lady Portarles buttonholed him and started on the subject of pretty Mlle. Suzanne de Tournay. I knew he would not move until Lady Portarles had exhausted on the subject, which will not be for another quarter of an hour at least, and it is five minutes to one now."

He was preparing to go, and went up to the doorway where, drawing aside the curtain, he stood for a moment pointing out to Marguerite the distant figure of Sir Andrew Ffoulkes in close conversation with Lady Portarles.

"I think," he said, with a triumphant smile, "that I may safely expect to find the person I seek in the dining-room, fair lady."

"There may be more than one."

"Whoever is there, as the clock strikes one, will be shadowed by one of my men; of these, one, or perhaps two, or even three, will leave for France to-morrow. ONE of these will be the 'Scarlet Pimpernel.'"

"Yes?—And?"

"I also, fair lady, will leave for France to-morrow. The papers found at Dover upon the person of Sir Andrew Ffoulkes speak of the neighborhood of Calais, of an inn which I know well, called 'Le Chat Gris,' of a lonely place somewhere on the coast—the Pere Blanchard's hut—which I must endeavor to find. All these places are given as the point where this meddlesome Englishman has bidden the traitor de Tournay and others to meet his emissaries. But it seems that he has decided not to send his emissaries, that 'he will start himself to-morrow.' Now, one of these persons whom I shall see anon in the supper-room, will be journeying to Calais, and I shall follow that person, until I have tracked him to where those fugitive aristocrats await him; for that person, fair lady, will be the man whom I have sought for, for nearly a year, the man whose energies has outdone me, whose ingenuity has baffled me, whose audacity has set me wondering—yes! me!—who have seen a trick or two in my time—the mysterious and elusive Scarlet Pimpernel."

"And Armand?" she pleaded.

"Have I ever broken my word? I promise you that the day the Scarlet Pimpernel and I start for France, I will send you that imprudent letter of his by special courier. More than that, I will pledge you the word of France, that the day I lay hands on that meddlesome Englishman, St. Just will be here in England, safe in the arms of his charming sister."

And with a deep and elaborate bow and another look at the clock, Chauvelin glided out of the room.

It seemed to Marguerite that through all the noise, all the din of music, dancing, and laughter, she could hear his cat-like tread, gliding through the vast reception-rooms; that she could hear him go down the massive staircase, reach the dining-room and open the door. Fate HAD decided, had made her speak, had made her do a vile and abominable thing, for the sake of the brother she loved. She lay back in her chair, passive and still, seeing the figure of her relentless enemy ever present before her aching eyes.

When Chauvelin reached the supper-room it was quite deserted. It had that woebegone, forsaken, tawdry appearance, which reminds one so much of a ball-dress, the morning after.

Half-empty glasses littered the table, unfolded napkins lay about, the chairs—turned towards one another in groups of twos and threes—very close to one another—in the far corners of the room, which spoke of recent whispered flirtations, over cold game-pie and champagne; there were sets of three and four chairs, that recalled pleasant, animated discussions over the latest scandal; there were chairs straight up in a row that still looked starchy, critical, acid, like antiquated dowager; there were a few isolated, single chairs, close to the table, that spoke of gourmands intent on the most RECHERCHE dishes, and others overturned on the floor, that spoke volumes on the subject of my Lord Grenville's cellars.

It was a ghostlike replica, in fact, of that fashionable gathering upstairs; a ghost that haunts every house where balls and good suppers are given; a picture drawn with white chalk on grey cardboard, dull and colourless, now that the bright silk dresses and gorgeously embroidered coats were no longer there to fill in the foreground, and now that the candles flickered sleepily in their sockets.

Chauvelin smiled benignly, and rubbing his long, thin hands together, he looked round the deserted supper-room, whence even the last flunkey had retired in order to join his friends in the hall below. All was silence in the dimly-lighted room, whilst the sound of the gavotte, the hum of distant talk and laughter, and the rumble of an occasional coach outside, only seemed to reach this palace of the Sleeping Beauty as the murmur of some flitting spooks far away.

It all looked so peaceful, so luxurious, and so still, that the keenest observer—a veritable prophet—could never have guessed that, at this present moment, that deserted supper-room was nothing but a trap laid for the capture of the most cunning and audacious plotter those stirring times had ever seen.

Chauvelin pondered and tried to peer into the immediate future. What would this man be like, whom he and the leaders of the whole revolution had sworn to bring to his death? Everything about him was weird and mysterious; his personality, which he so cunningly concealed, the power he wielded over nineteen English gentlemen who seemed to obey his every command blindly and enthusiastically, the passionate love and submission he had roused in his little trained band, and, above all, his marvellous audacity, the boundless impudence which had caused him to beard his most implacable enemies, within the very walls of Paris.

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