A to Z Classics - Complete Works Of Oscar Wilde (Best Navigation) (A to Z Classics)

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This ebook contains all of Oscar Wilde's plays (including the fragments), his only novel, his fairy tales and short stories, the poems, all of his essays, lectures, reviews, and other newspaper articles, based on the 1909 edition of his works.
For easier navigation, there are tables of contents for each section and one for the whole volume. At the end of each text there are links bringing you back to the respective contents tables. I have also added an alphabetical index for the poems and a combined one for all the essays, lectures, articles, and reviews.
Contents:
THE PLAYS.
Vera or the Nihilists, The Duchess of Padua, Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, The Importance of Being Earnest, Salomé (the French original and Bosie's translation, and the fragments of La Sainte Courtisane and A Florentine Tragedy.
THE NOVEL.
The Picture of Dorian Gray.
THE STORIES.
All the stories and tales from The Happy Prince and Other Tales, Lord Arthur Savile's Crime and Other Stories (incl. The Portrait of Mr. W.H.), and A House of Pomegranates.
THE POEMS.
The Collected Poems of O.W.
THE ESSAYS etc.
The four essays from 'Intentions', The Soul of Man under Socialism, De Profundis (the unabridged version!), The Rise of Historical Criticism, the lectures (The English Renaissance in Art, House Decoration, Art and the Handicraftsman, Lecture to Art Students)

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lady chiltern

[ Sadly .] One’s past is what one is. It is the only way by which people should be judged.

sir robert chiltern

That is a hard saying, Gertrude!

lady chiltern

It is a true saying, Robert. And what did she mean by boasting that she had got you to lend your support, your name to a thing I have heard you describe as the most dishonest and fraudulent scheme there has ever been in political life?

·55· sir robert chiltern

[ Biting his lip .] I was mistaken in the view I took. We all may make mistakes.

lady chiltern

But you told me yesterday that you had received the report from the Commission, and that it entirely condemned the whole thing.

sir robert chiltern

[ Walking up and down .] I have reasons now to believe that the Commission was prejudiced, or, at any rate, misinformed. Besides, Gertrude, public and private life are different things. They have different laws, and move on different lines.

lady chiltern

They should both represent man at his highest. I see no difference between them.

sir robert chiltern

[ Stopping .] In the present case, on a matter of practical politics, I have changed my mind. That is all.

lady chiltern

All!

sir robert chiltern

[ Sternly .] Yes!

·56· lady chiltern

Robert! Oh! it is horrible that I should have to ask you such a question—Robert, are you telling me the whole truth?

sir robert chiltern

Why do you ask me such a question?

lady chiltern

[ After a pause .] Why do you not answer it?

sir robert chiltern

[ Sitting down .] Gertrude, truth is a very complex thing, and politics is a very complex business. There are wheels within wheels. One may be under certain obligations to people that one must pay. Sooner or later in political life one has to compromise. Everyone does.

lady chiltern

Compromise? Robert, why do you talk so differently to-night from the way I have always heard you talk? Why are you changed?

sir robert chiltern

I am not changed. But circumstances alter things.

lady chiltern

Circumstances should never alter principles!

·57· sir robert chiltern

But if I told you——

lady chiltern

What?

sir robert chiltern

That it was necessary, vitally necessary.

lady chiltern

It can never be necessary to do what is not honourable. Or if it be necessary, then what is it that I have loved! But it is not, Robert; tell me it is not. Why should it be? What gain would you get? Money? We have no need of that! And money that comes from a tainted source is a degradation. Power? But power is nothing in itself. It is power to do good that is fine—that, and that only. What is it, then? Robert, tell me why you are going to do this dishonourable thing!

sir robert chiltern

Gertrude, you have no right to use that word. I told you it was a question of rational compromise. It is no more than that.

lady chiltern

Robert, that is all very well for other men, for men who treat life simply as a sordid speculation; but not for you, Robert, not for you. You are ·58· different. All your life you have stood apart from others. You have never let the world soil you. To the world, as to myself, you have been an ideal always. Oh! be that ideal still. That great inheritance throw not away—that tower of ivory do not destroy. Robert, men can love what is beneath them—things unworthy, stained, dishonoured. We women worship when we love; and when we lose our worship, we lose everything. Oh! don’t kill my love for you, don’t kill that!

sir robert chiltern

Gertrude!

lady chiltern

I know that there are men with horrible secrets in their lives—men who have done some shameful thing, and who in some critical moment have to pay for it, by doing some other act of shame—oh! don’t tell me you are such as they are! Robert, is there in your life any secret dishonour or disgrace? Tell me, tell me at once, that——

sir robert chiltern

That what?

lady chiltern

[ Speaking very slowly .] That our lives may drift apart.

sir robert chiltern

Drift apart?

·59· lady chiltern

That they may be entirely separate. It would be better for us both.

sir robert chiltern

Gertrude, there is nothing in my past life that you might not know.

lady chiltern

I was sure of it, Robert, I was sure of it. But why did you say those dreadful things, things so unlike your real self? Don’t let us ever talk about the subject again. You will write, won’t you, to Mrs. Cheveley, and tell her that you cannot support this scandalous scheme of hers? If you have given her any promise you must take it back, that is all!

sir robert chiltern

Must I write and tell her that?

lady chiltern

Surely, Robert! What else is there to do?

sir robert chiltern

I might see her personally. It would be better.

lady chiltern

You must never see her again, Robert. She is not a woman you should ever speak to. She is not worthy to talk to a man like you. No; you must ·60· write to her at once, now, this moment, and let your letter show her that your decision is quite irrevocable!

sir robert chiltern

Write this moment!

lady chiltern

Yes.

sir robert chiltern

But it is so late. It is close on twelve.

lady chiltern

That makes no matter. She must know at once that she has been mistaken in you—and that you are not a man to do anything base or underhand or dishonourable. Write here, Robert. Write that you decline to support this scheme of hers, as you hold it to be a dishonest scheme. Yes—write the word dishonest. She knows what that word means. [ Sir Robert Chiltern sits down and writes a letter. His wife takes it up and reads it .] Yes; that will do. [ Rings bell .] And now the envelope. [ He writes the envelope slowly. Enter Mason .] Have this letter sent at once to Claridge’s Hotel. There is no answer. [ Exit Mason. Lady Chiltern kneels down beside her husband and puts her arms round him .] Robert, love gives one a sort of instinct to things. I feel to-night that I have saved you from ·61· something that might have been a danger to you, from something that might have made men honour you less than they do. I don’t think you realize sufficiently, Robert, that you have brought into the political life of our time a nobler atmosphere, a finer attitude towards life, a freer air of purer aims and higher ideals—I know it, and for that I love you, Robert.

sir robert chiltern

Oh, love me always, Gertrude, love me always!

lady chiltern

I will love you always, because you will always be worthy of love. We needs must love the highest when we see it! [ Kisses him and rises and goes out .]

[ Sir Robert Chiltern walks up and down for a moment; then sits down and buries his face in his hands. The Servant enters and begins putting out the lights. Sir Robert Chiltern looks up .]

sir robert chiltern

Put out the lights, Mason, put out the lights!

[ The Servant puts out the lights. The room becomes almost dark. The only light there is comes from the great chandelier that hangs over the staircase and illumines the tapestry of the Triumph of Love .]

Act-drop.

·63· Second Act.

·65· SCENE—Morning-room at Sir Robert Chiltern’s house.

[ Lord Goring, dressed in the height of fashion, is lounging in an armchair. Sir Robert Chiltern is standing in front of the fireplace. He is evidently in a state of great mental excitement and distress. As the scene progresses he paces nervously up and down the room .]

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