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This collection contains an active table of contents (HTML), which makes reading easier to make it more enjoyable.
The Stories included are:
–The Nameless City
–The Festival
–The Colour Out of Space
–The Call of Cthulhu
–The Dunwich Horror
–The Whisperer in Darkness
–The Dreams in the Witch House
–The Haunter of the Dark
–The Shadow Over Innsmouth
–Discarded Draft of «The Shadow Over Innsmouth»
–The Shadow Out of Time
–At the Mountains of Madness
–The Case of Charles Dexter Ward
–Azathoth
–Beyond the Wall of Sleep
–Celephaïs
–Cool Air
–Dagon
–Ex Oblivione
–Facts Concerning the Late Arthur Jermyn and His Family
–From Beyond
–He
–Herbert West-Reanimator
–Hypnos
–In the Vault
–Memory
–Nyarlathotep
–Pickman's Model
–The Book
–The Cats of Ulthar
–The Descendant
–The Doom That Came to Sarnath
–The Dream-Quest of Unknown Kadath
–The Evil Clergyman
–The Horror at Red Hook
–The Hound
–The Lurking Fear
–The Moon-Bog
–The Music of Erich Zann
–The Other Gods
–The Outsider
–The Picture in the House
–The Quest of Iranon
–The Rats in the Walls
–The Shunned House
–The Silver Key
–The Statement of Randolph Carter
–The Strange High House in the Mist
–The Street
–The Temple
–The Terrible Old Man
–The Thing on the Doorstep
–The Tomb
–The Transition of Juan Romero
–The Tree
–The Unnamable
–The White Ship
–What the Moon Brings
–Polaris
–The Very Old Folk
–Ibid
–Old Bugs
–Sweet Ermengarde, or, The Heart of a Country Girl
–A Reminiscence of Dr. Samuel Johnson
–The History of the Necronomicon

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Without warning came those deep, cracked, raucous vocal sounds which will never leave the memory of the stricken group who heard them. Not from any human throat were they born, for the organs of man can yield no such acoustic perversions. Rather would one have said they came from the pit itself, had not their source been so unmistakably the altar-stone on the peak. It is almost erroneous to call them sounds at all, since so much of their ghastly, infra-bass timbre spoke to dim seats of consciousness and terror far subtler than the ear; yet one must do so, since their form was indisputably though vaguely that of half-articulate words. They were loud—loud as the rumblings and the thunder above which they echoed—yet did they come from no visible being. And because imagination might suggest a conjectural source in the world of non-visible beings, the huddled crowd at the mountain’s base huddled still closer, and winced as if in expectation of a blow.

“Ygnaiih… ygnaiih… thflthkh’ngha… Yog-Sothoth…” rang the hideous croaking out of space. “Y’bthnk… h’ehye—n’grkdl’lh…”

The speaking impulse seemed to falter here, as if some frightful psychic struggle were going on. Henry Wheeler strained his eye at the telescope, but saw only the three grotesquely silhouetted human figures on the peak, all moving their arms furiously in strange gestures as their incantation drew near its culmination. From what black wells of Acherontic fear or feeling, from what unplumbed gulfs of extra-cosmic consciousness or obscure, long-latent heredity, were those half-articulate thunder-croakings drawn? Presently they began to gather renewed force and coherence as they grew in stark, utter, ultimate frenzy.

“Eh-ya-ya-ya-yahaah—e’yayayayaaaa… ngh’aaaaa… ngh’aaaa… h’yuh… h’yuh… HELP! HELP!… ff—ff—ff —FATHER! FATHER! YOG-SOTHOTH!…”

But that was all. The pallid group in the road, still reeling at the indisputably English syllables that had poured thickly and thunderously down from the frantic vacancy beside that shocking altar-stone, were never to hear such syllables again. Instead, they jumped violently at the terrific report which seemed to rend the hills; the deafening, cataclysmic peal whose source, be it inner earth or sky, no hearer was ever able to place. A single lightning-bolt shot from the purple zenith to the altar-stone, and a great tidal wave of viewless force and indescribable stench swept down from the hill to all the countryside. Trees, grass, and underbrush were whipped into a fury; and the frightened crowd at the mountain’s base, weakened by the lethal foetor that seemed about to asphyxiate them, were almost hurled off their feet. Dogs howled from the distance, green grass and foliage wilted to a curious, sickly yellow-grey, and over field and forest were scattered the bodies of dead whippoorwills.

The stench left quickly, but the vegetation never came right again. To this day there is something queer and unholy about the growths on and around that fearsome hill. Curtis Whateley was only just regaining consciousness when the Arkham men came slowly down the mountain in the beams of a sunlight once more brilliant and untainted. They were grave and quiet, and seemed shaken by memories and reflections even more terrible than those which had reduced the group of natives to a state of cowed quivering. In reply to a jumble of questions they only shook their heads and reaffirmed one vital fact.

“The thing has gone forever,” Armitage said. “It has been split up into what it was originally made of, and can never exist again. It was an impossibility in a normal world. Only the least fraction was really matter in any sense we know. It was like its father—and most of it has gone back to him in some vague realm or dimension outside our material universe; some vague abyss out of which only the most accursed rites of human blasphemy could ever have called him for a moment on the hills.”

There was a brief silence, and in that pause the scattered senses of poor Curtis Whateley began to knit back into a sort of continuity; so that he put his hands to his head with a moan. Memory seemed to pick itself up where it had left off, and the horror of the sight that had prostrated him burst in upon him again.

“Oh, oh, my Gawd, that haff face—that haff face on top of it… that face with the red eyes an’ crinkly albino hair, an’ no chin, like the Whateleys… It was a octopus, centipede, spider kind o’ thing, but they was a haff-shaped man’s face on top of it, an’ it looked like Wizard Whateley’s, only it was yards an’ yards acrost…”

He paused exhausted, as the whole group of natives stared in a bewilderment not quite crystallised into fresh terror. Only old Zebulon Whateley, who wanderingly remembered ancient things but who had been silent heretofore, spoke aloud.

“Fifteen year’ gone,” he rambled, “I heerd Ol’ Whateley say as haow some day we’d hear a child o’ Lavinny’s a-callin’ its father’s name on the top o’ Sentinel Hill…”

But Joe Osborn interrupted him to question the Arkham men anew.

What was it anyhaow , an’ haowever did young Wizard Whateley call it aout o’ the air it come from?”

Armitage chose his words very carefully.

“It was—well, it was mostly a kind of force that doesn’t belong in our part of space; a kind of force that acts and grows and shapes itself by other laws than those of our sort of Nature. We have no business calling in such things from outside, and only very wicked people and very wicked cults ever try to. There was some of it in Wilbur Whateley himself—enough to make a devil and a precocious monster of him, and to make his passing out a pretty terrible sight. I’m going to burn his accursed diary, and if you men are wise you’ll dynamite that altar-stone up there, and pull down all the rings of standing stones on the other hills. Things like that brought down the beings those Whateleys were so fond of—the beings they were going to let in tangibly to wipe out the human race and drag the earth off to some nameless place for some nameless purpose.

“But as to this thing we’ve just sent back—the Whateleys raised it for a terrible part in the doings that were to come. It grew fast and big from the same reason that Wilbur grew fast and big—but it beat him because it had a greater share of the outsideness in it. You needn’t ask how Wilbur called it out of the air. He didn’t call it out. It was his twin brother, but it looked more like the father than he did .”

The Whisperer in Darkness

* * * * *

Written: 24th February-26th September 1930

First Published in Weird Tales , Vol. 18, No. 1 (August 1931), Pages 32-73

Chapter I Bear in mind closely that I did not see any actual visual horror at - фото 7

Chapter I

Bear in mind closely that I did not see any actual visual horror at the end. To say that a mental shock was the cause of what I inferred—that last straw which sent me racing out of the lonely Akeley farmhouse and through the wild domed hills of Vermont in a commandeered motor at night—is to ignore the plainest facts of my final experience. Notwithstanding the deep extent to which I shared the information and speculations of Henry Akeley, the things I saw and heard, and the admitted vividness of the impression produced on me by these things, I cannot prove even now whether I was right or wrong in my hideous inference. For after all, Akeley’s disappearance establishes nothing. People found nothing amiss in his house despite the bullet-marks on the outside and inside. It was just as though he had walked out casually for a ramble in the hills and failed to return. There was not even a sign that a guest had been there, or that those horrible cylinders and machines had been stored in the study. That he had mortally feared the crowded green hills and endless trickle of brooks among which he had been born and reared, means nothing at all, either; for thousands are subject to just such morbid fears. Eccentricity, moreover, could easily account for his strange acts and apprehensions toward the last.

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