‘No problem, sweetheart. You don’t wanna get your boss’s drawings messed up.’
Her smile stiffens. ‘They’re my drawings.’
The man jabs his colleague with his elbow. ‘Hear that, Bob? You never would’a thought that, would you?’ He thrusts out his meaty hand to Sophie. ‘Mike O’Brien.’ He jabs a thumb at his companion. ‘This is Bob Roberts.’ He digs into his jacket pocket and pulls out a business card. ‘We’re in garbage. Biggest garbage contractors in Queens. Been talking to London. They like our methods.’ He rubs his sausage fingers together. ‘Very lucrative. Let me tell you, everybody makes garbage. The twenty-first century is gonna be the garbage century.’
***
Sophie hands the flight attendant her breakfast tray across Mike O’Brien’s head and rolls out a blueprint across the flip-down table. She scans the plans of London’s Millennium Pavilion, remembering inking every line, every vertical, diagonal and horizontal. A Point One pen for the glass and the finer details, Point Three for the interior structure, and the heftier Point Five for the concrete exterior structure.
She has to get this job. The teenage summers given up to advanced calculus courses at the expense of the art courses she’d preferred, the seven years of study and internships, the slog jobs making coffees and photocopies, then the better jobs, then winning the commission to design the Millennium Pavilion, and – she still can’t believe it’d actually happened – the call from Richard Niven’s New York office to come for an interview. Everything she’d ever done had led to this moment. Her life was about to change. She could feel it. All she had to do was ace the interview and the presentation. No pressure.
The plane drops suddenly and veers sharply to the right before levelling out. Sophie looks out the window. Blue sky, clouds and miles of white-tipped water. Just another ordinary day.
The intercom bell dings.
‘This is your captain. Sorry about that, ladies and gentlemen. An, um, an instrument problem has arisen and I’m afraid we need to divert to the nearest airport, in Gander, Newfoundland, to have it checked. It’s nothing serious, but regulations state we must have it looked at before continuing on our onward journey. We’ll give you more information once we land. The seatbelt signs have been switched on, so please buckle up. Apologies for the inconvenience. We’ll have you on your way as quickly as possible.’
An instrument problem? Seriously? Sophie glances at her watch. Nine forty-five. The interview wasn’t until tomorrow, but still. She’d planned everything so carefully to get there early so she’d have time to practise her presentation and get a good sleep.
‘Don’t worry, hon,’ Mike says, patting her on her knee. ‘These kinda things happen all the time. Nothin’ to worry about.’
‘It’s not that. I have an important meeting to get to.’
Bob leans across Mike’s girth. ‘Don’t worry, sweetheart. You’ll make it. We’ll be outta here in a shot. Like Mikey here says, nothin’ to worry about. We’ll be in New York by lunch, you can bet on it.’
‘Right. Thanks.’ She shuts her eyes, willing the butterflies bashing around her stomach to settle. Just a minor hiccup, Soph. Nothing to worry about. Take a chill pill.
Half an hour later the aeroplane begins its descent. Sophie peers out the window. The flat, grey roof of an airport building a fraction of the size of Heathrow comes into view below, a grey island in an ocean of trees. About twenty aeroplanes, parked in an orderly row, gleam like silver arrows on the tarmac.
The plane bounces onto the runway and breaks to a gradual stop. Sophie watches out the window as it taxis towards the queue of aeroplanes. Her eyes travel over the bright logos. British Airways, Alitalia, Delta, Virgin, United, Northwest, and others she can’t identify. Another plane, a Lufthansa, glides in to land, while far above, the sun glints on the silver wings of an airliner circling in the September sky.
She glances at Mike who is straining to look over her shoulder. ‘There are over twenty planes out there.’
The intercom bell dings again.
‘Ladies and gentlemen, you must be wondering if all these aeroplanes around us have the same instrument problem as we have. The reality is that we’re here for another reason. We have received a report through our communication lines that there is an armed threat at the World Trade Center in New York. We’ve been advised that international airspace over North America has been shut down and all flights diverted to the nearest airports. We’re to stay on the plane until further notice.’
The World Trade Center? Richard Niven’s office was only a few blocks away. Sophie pulls her phone out of her bag and taps out the number for the office. Nothing. She tries again. Not even a dial tone. She looks out the window. A faint breeze rustles through the green-black evergreens in the distance. The metallic aeroplanes waver under the bright sun like a mirage in a desert oasis. A blackbird lands on an aeroplane wing. It opens its beak, but the song is silent through the thick glass.
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