Phoebe Morgan - The Girl Next Door

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The Girl Next Door: краткое содержание, описание и аннотация

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One little lie just became deadly…'Utterly absorbing, I couldn't put this thrilling whodunnit down' C.L. Taylor Sunday Times bestselling author of Strangers***Don’t miss Phoebe Morgan’s next exciting thriller The Wild Girls. Pre-order now!***Perfect mother. Perfect wife. Jane Goodwin has spent years building her picture-perfect life in the quiet town of Ashdon.So when the girl next door, sixteen-year-old Clare Edwards, is found murdered, Jane knows she must first protect her family.Every marriage has a few white lies and hers is no exception. Jane’s worked hard to cover up her dark secret from all those years ago – and she’ll do anything to keep it hidden…Praise for The Girl Next Door:‘A compelling page-turner about the nature of suspicion, hidden secrets, and claustrophobic local communities’ Fiona Cummins, bestselling author of Rattle'Utterly absorbing, I couldn't put this thrilling whodunnit down.' C.L. Taylor, Sunday Times bestselling author of Sleep and Strangers‘A compelling plot which keeps the reader captivated until the final twist’ Jane Corry, Sunday Times bestselling author of I Looked Away‘Gripping, manipulative and thrilling. I couldn’t put it down’ Claire Allan, bestselling author of Her Name Was Rose‘Skilfully plotted and with a twist I never saw coming…a terrific read!’ Cass Green, bestselling author of In a Cottage in a Wood‘Absolutely loved it. So claustrophobic and unsettling!’ Lisa Hall, bestselling author of Between You and Me‘Domestic noir and police procedural served up in one delicious helping’ Rachel Sargeant, author of The Perfect Neighbours‘Unsettling…I read this with a growing sense of dread’ Louise Jensen, author of The Sister‘A beautifully written and pacy tale which crackles with twists and turns’ Amanda Jennings, author of The Cliff House and The Storm‘An enthralling, sharply observed thriller…impossible to put down!’ Isabel Ashdown, author of Little Sister‘Kept me guessing until its chilling conclusion’ Lucy Clarke, author of You Let Me In

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It’s so cold outside; I can see misted condensation on the windows of our house and the room has a filmy, damp feel because Ian’s so bloody tight about the heating. Under the duvet, I wiggle my toes to warm up and reach an arm out for my iPhone, on charge by the side of the bed like it always is. Three new messages – two from Lauren, and one from him. The smile cracks open my face as I read it, and I feel a little shiver of anticipation run through me. Today’s the day. I have been keeping my secret to myself all weekend, but tonight, I’m going to tell him. He’s waited long enough.

‘Clare? Are you out of bed yet?’

Mum’s calling me from downstairs, I can hear Ian thudding around, making too much noise as he always does. Their bedroom is down the corridor from mine, but I never go in there. I hear the shower spray on, the sound of water hitting tiles, then his whistling begins – out of tune, like always. It’ll be like this until the front door slams and he goes to work; until then, the house is full of his loud voice and Mum’s anxious fussing. I’ve got an alarm, of course, but she insists on shouting for me every morning as though I’m six, not sixteen. Reluctantly, I swing my legs over the edge of the bed, wincing as the freezing floorboards touch my feet. My phone, still in my hand, vibrates again and I feel another bubble of excitement, deep in my stomach. Just the day to get through and then it’ll be time. I can’t wait to see his face.

Chapter One

Jane

Monday 4th February, 7.45 p.m.

I’m sitting in the window with a glass of cool white wine, watching as one by one, the lights in the house next door to ours flicker on. It’s dark outside, the February night giving nothing away, and the Edwards’ house glows against the gloom. Their walls are cream – not a colour I’d choose – and their front garden runs down to the road, parallel to ours. Inside, I imagine their house to be a mirror image of my own: four spacious bedrooms, a wide, gleaming kitchen, beams that date from the fifteenth century framing the stairway. I’ve never been inside, not properly, but everybody knows our properties are the most sought-after in the town – the biggest, the most expensive, the ones they all want.

There’s a creaking sound from upstairs – my husband Jack, moving around in our room, loosening his tie, the clunk of his shoes dropping onto the floor of the wardrobe. He’s been drinking tonight – the open bottle of whiskey sits on the counter, sticky drops spilling onto the surface.

Quietly, so as not to wake the children, I stand, move away from the window and begin clearing it up, putting the bottle back in the cupboard, wiping the little circle of stain off the marble countertop. Wiping away the evidence of the night, of the things he said to me that I want to forget. I’m good at forgetting. Blanking the slate. Practice makes perfect, after all.

The house is tidy and still. The bunch of lilies Jack bought me last week stand stiff on the windowsill, their large pink petals overseeing the room. Apology flowers. I could open up a florist, if it wasn’t such a tacky idea.

There’s a sound outside and, curious, I move to the front window, lift the thick, dove-grey curtain to one side so that I can see the Edwards’ front garden. Their porch light has come on, lighting up the gravel driveway, the edge of their garage on the far side, and the stone bird bath at the front, frozen over in the February chill. I’ve always thought a birdbath was a little too much, but each to their own. Rachel Edwards’ tastes have never quite aligned with mine.

We’ve never been close, Rachel and I. Not particularly. I tried, of course. When she and her first husband Mark moved in a few years ago, I went round with a bottle of wine – white, expensive. It was hot, July, and I imagined us sitting out in the back garden together, me filling her in about who’s who in the town, her nodding along admiringly when I showed her the wisteria that climbs up our back wall, the pretty garden furniture that sits around the chinenea on the large flagged patio. I thought we’d be friends as well as neighbours. I pictured her looking at me and Jack wistfully, envying us even – popping round for dinner, exclaiming at the shine of the kitchen, running a hand over the beautiful silver candlesticks when she thought I wasn’t looking. We’d laugh together about the goings-on at the school, the lascivious husbands in the town, the children. She’d join our book club, maybe even the PTA. We’d swap recipes, babysitter numbers; shoes, at a push.

But we didn’t do any of those things. She took the wine from me, naturally, but her expression was closed, cold even. My first thought was that she was very beautiful; the ice queen next door.

‘My husband’s inside,’ she’d said, ‘we’re just about to have dinner, so… Perhaps I can pop round another time?’

Behind her, I caught a glimpse of her daughter, Clare – she looked about the same age as my eldest son, Harry. I saw the flash of blonde hair, the long legs as she stood still on the stairs, watching her mother. She never did pop round, of course. For weeks afterwards I felt hurt by it, and then I felt irritated. Did she think she was too good for us? The other women told me not to worry, that we didn’t need her in our little mothers’ group anyway. ‘You can’t force it,’ my friend Sandra said. Over time, I let it go. Well, sort of.

When Mark died, I went round to see Rachel, tried again. I thought she must be terribly lonely, rattling around in that big house, just her and Clare. But even then, there remained a distance between us, a bridge I couldn’t quite cross. Something odd in her smile.

And then, of course, she met Ian. Husband number two. After that, I stopped trying altogether.

I see Clare every now and then, grown even prettier in the last few years. Jack thinks I don’t notice the way his eyes follow her as she walks by, but I do. I notice everything.

I hear footsteps on the gravel, and recoil from the window as a figure appears, striding purposely towards our front door. I open it before they can knock, thinking of my younger children, Finn and Sophie, tucked away upstairs, dreaming, oblivious.

Rachel is standing on our doorstep, but she doesn’t look like Rachel. Her eyes are wide, her hair all over her face, whipped by the wind.

‘Jane,’ she says, ‘I’m sorry to bother you, I just—’ She’s peering around me, her eyes darting into our porch, where our coats are hanging neatly on the ornate black pegs. My Barbour, Jack’s winter coat, Harry’s scruffy hoodie that I wish he’d get rid of. Finn and Sophie’s little duffels, red and blue with wooden toggles up the front. Our perfect little family. The thought makes me smile. It’s so far from the truth.

‘Have you seen Clare? Is she here?’

I stare at her, taken aback. Clare is sixteen, a pupil at Ashdon Secondary. The year below Harry, Year Eleven. I see her in the mornings, leaving for school, wearing one of those silky black rucksacks with impractically thin straps. She can’t possibly get all her books in there.

Like I said, we don’t mix with the Edwards much. I don’t know Clare well at all.

‘Jane?’ Rachel’s voice is desperate, panicked.

‘No!’ I say, ‘no, Rachel, I’m sorry, I haven’t. Why would she be here?’

She lets out a moan, almost animalistic. There are tears forming in her eyes, threatening to spill down her cheeks. For a moment, I almost feel a flicker of satisfaction at seeing the icy mask melt, then squash the thought down immediately. Just because she’s never been neighbourly doesn’t mean I have to be the same.

‘She’s not with Harry or something?’

I stare at her. My son is out, a post-match pizza night with the boys from his football team. He took Sophie and Finn to school today for me; the night out is his reward. If I’m honest, I’ve always thought he might have a bit of a crush on Clare, like father like son, but as far as I know she’s never given him the time of day. Not that he’d tell me if she had, I suppose. His main communication these days is through grunts.

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