Nicola Cornick - The Woman In The Golden Dress

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For fans of Kate Morton and Tracy Rees comes a captivating novel about two women, separated by centuries, whose fates are bound together by one haunting secret.***‘I see it all again: the silver moon swimming beneath the water and the golden gown billowing out about her…’1765: Lady Isabella Gerard asks her maid to take her new golden gown and destroy it. Its shimmering beauty has been tainted by the actions of her husband the night before.Three months later: Lord Eustace Gerard stands beside the lake looking down at the woman in the golden gown. As the body slowly rolls over to reveal her face, it’s clear this is not his intended victim…1996: Fenella Brightwell steals a stunning gown from a stately home. Twenty years later and reeling from the end of an abusive marriage, she wonders if it has cursed her all this time. Now she’s determined to discover the history behind the beautiful golden dress…‘A fascinating tale with intriguing twists.’ Barbara Erskine ‘I was hooked from the first pages.’ Gill Paul ‘Atmospheric and compelling’ Sarah Morgan ‘You just can’t put it down. Brilliant!’ Katie FfordeThe captivating new novel by Nicola Cornick, THE LAST DAUGHTER, is available to pre-order now.*Previously published as The Woman in the Lake*

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In time I almost came to believe those stories myself.

Except that for as long as the gown is with me, I will remember the truth. I will remember Binks, who disappeared like a will-o’-the-wisp once the deed was done, and I will remember Binks’s men, the Moonrakers, hard men, smugglers, criminals. I have lived in fear of them these past twenty years for I know they hate me for killing one of their own. My life is so much more precious, infinitely more important than theirs, and yet I live in fear of a gang of felons.

From the drawing room window I can see the lake here at Lydiard Park glittering in the morning sun. On the days when I am too drink-sodden and addled to walk, the steward places me here, telling me that it will raise my spirits to see the world outside. Little does he know that nothing could cause me more pain than to look upon the shining water. Or perhaps he does know it, and places me here to torment me. Perhaps he hates me too.

The Moonrakers will come for me soon. This morning I received a token from their leader. It was such a beautiful gift, an inlaid box. I unwrapped it with greedy excitement until I saw the tiepin inside with the design of a hanged man, the word ‘remember’, and the initials C. L. Then I dropped it and it went skittering away across the floor propelled by my revulsion.

She need have no fear. I shall never forget that day. The gown will remind me. It will possess me to my last breath.

The sun swims under the rippling water and the day turns dark. The Moonrakers are ready. Ready to fish for their fortunes again, ready for time to repeat itself, ready for the secrets to be told.

Chapter 1

Fenella 2004 She could never forget the day she stole the gown Twentythree of - фото 5

Fenella

2004

She could never forget the day she stole the gown.

Twenty-three of them visited Lydiard Park that day. It should have been twenty-five but Emily Dunn had chickenpox and Lauren Featherstone’s parents had taken her on holiday to Greece despite the fact that it was still term time, and Mrs Holmes, the headmistress, disapproved. Mr Featherstone paid the fees, though, so Mrs Holmes kept quiet.

There were three teachers as well, not that many to keep them all under control. Two of them looked harassed – Miss Littlejohn always looked harassed, and Mr Cash didn’t really like children much – they all knew it even though he never said so – but Miss French was all relaxed and smiley. Miss French was cool, more like a big sister than a teacher.

‘Just one more room to visit, girls,’ she coaxed, when they all started to drag their heels due to heat and tiredness and endless stately home corridors, ‘and then we can go to the tearoom and the shop.’

Fen didn’t have any money to spend in the shop because her grandmother had forgotten again. She wasn’t sure if anyone remembered to pay her school fees either but until someone said something she was stuck at St Hilda’s and that was fine. She’d been to worse schools, plenty of them, some of them boarding, some not. She made friends quickly and easily because she’d learned how. It was either that or forever be the loner, the outsider, the one who came and went without leaving a trace.

‘Fen,’ Jessie, her best friend, all brown curls and bossiness, was pulling on her sleeve. ‘Come on.’

But Fen lingered in the state bedroom as the gaggle of schoolgirls in their red and white summer dresses and red blazers went chattering through the doorway into the drawing room. As soon as they were gone the silence swept back in like a tide, cutting her off. It was odd, as though a thick door had slammed somewhere separating her from the rest of the world. She could hear her own breathing, feel the sun on her face as it fell through the high windows to speckle the wooden floor.

It wasn’t a room that appealed to her at all. Her bedroom in her grandmother Sarah’s house in West Swindon was quite small, painted pale green and had an accumulation of vintage bits of china and glass and other small pieces that Sarah had encouraged her to buy on their trips to the flea markets and car boot sales. This huge space with its flock wallpaper, soaring white pillars and four poster bed with its embroidered hangings seemed completely lifeless. It was no one’s room, merely a museum. The whole place felt empty to her and a bit creepy; the other rooms held waxwork figures in period dress that had made her shudder. The other girls had giggled over them but Fen had imagined them as zombies or automatons come to life, stalking the corridors of the old house.

There was a door in the corner and beyond it a room that looked to be full of light. It beckoned to her. Fen peeped inside. It was small, oval-shaped, painted in blue and white like the Wedgwood vases that her grandmother collected. What caught her eye, though, was the stained glass window with its tiny little painted panels depicting colourful pictures of fruit, flowers, animals – was that an elephant? – something that looked half-man half-goat, a ship to sail away in, a mermaid… The window enchanted her.

She stretched out a hand towards the light, wanting to touch those bright panes and experience that vivid world but before her fingers touched the glass there was the sound of running footsteps behind her.

‘Fen! Fenella! Where are you?’

It was Jessie’s voice, anxious and breathless now. Fen dropped her hand and turned quickly, hurrying back through the door of the closet into the bedroom beyond. Jessie was not there. Everything looked the same, as empty and lifeless as before. And yet on second glance it did not. It took Fen a moment to realise what was different. The shutters at the windows were now closed and the lamps were lit; they smelled unpleasantly of oil and heat. Perhaps one of the curators had come in whilst she was in the blue closet and had decided to block out the bright sun in case it damaged the furnishings.

That was not the only difference though. The bed was rumpled, covers thrown back, and the wardrobe door was half-open, revealing shelves of clothes within that looked as though they had been tossed aside by an impatient hand. All of a sudden the place looked lived in rather than frozen in time. It was an unsettling feeling; instead of making the house seem more real, it gave Fen the creeps. Looking straight ahead, she was aware that her heart was suddenly beating hard but was not quite sure why. She walked quickly through into the drawing room to find the rest of the pupils.

In the drawing room the differences were even more marked. There was a fire burning fiercely in the grate even though here the shutters were thrown back and the room was in full sunlight. It was so hot and airless that Fen felt the sweat spring on the back of her neck and trickle uncomfortably beneath her collar. The whole house was as quiet as a sepulchre. It was uncanny.

Over the high back of one chair, shimmering in the light with a soft, golden glow, was the most beautiful dress Fen had ever seen. She stared at it. It felt almost impossible to tear her gaze away. She did not even realise that she had started to move towards it; her hand was on the material and it felt as soft as clouds, lighter than air, a trail of silver and gold spangled with stars.

‘Pound? Where the hell are you, man?’

Fen had not seen the figure sitting before the window, almost hidden by the high curved back of a wing chair. She jumped at the crack of his voice and spun around. He was fair, florid, dressed in a wig and poorly fitting jacket with some sort of scarf wound carelessly about his neck and a waistcoat flapping open. He looked bad-tempered and drunk. Fen was only thirteen but she knew an alcoholic when she saw one. She could smell the fumes on him from where she was standing. Nevertheless she opened her mouth to apologise. He was probably a re-enactor of some sort, or a room steward, although really it didn’t seem appropriate to have drunks in costume wandering about the place.

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