Literatur
Allen, Richard: Projecting Illusion: Film Spectatorship and the Impression of Reality, Cambridge: Cambridge University Press 1997.
Arango, Tim/Carr, David: »Netflix a Fast-Growing Rival to Hollywood« in: New York Times vom 24. November 2010, http://www.nytimes.com/2010/11/25/business/25netflix.html
Balio, Tino: »›A Major Presence in All the World Markets‹: The Globalization of Hollywood in the 1990s« in: Steve Neale/Murray Smith (Hg.), Contemporary Hollywood Cinema, London: Routledge 1998, S. 58-73.
Barker, Jennifer M.: The tactile eye: touch and the cinematic experience, Berkeley: University of California Press 2009.
Belting, Hans: The End of Art History?, Chicago: University of Chicago Press 1987.
Benjamin, Walter: »Kaiserpanorama«, in: Ders., Berliner Kindheit um 1900 (1932/33). Gesammelte Schriften IV.1, Frankfurt am Main: Suhrkamp 1980, S. 240.
Bluemlinger, Christa: »Harun Farocki: Critical Strategies«, in: Thomas Elsaesser (Hg.), Harun Farocki: Working on the Sight-Lines, Amsterdam: Amsterdam University Press 2004, S. 318-20.
Bordwell, David: »Coraline Cornered«: http://www.davidbordwell.net/blog/2009/02/23/coraline-cornered/
Ders.: »Pandora's digital box: In the multiplex«, http://www.davidbordwell.net/blog/2011/12/01/pandoras-digital-box-in-the-multiplex/
Brewster, Ben/Jacobs, Lea: Theatre to Cinema: Stage Pictorialism and the Early Feature Film, Oxford: Oxford University Press 1997.
Bryson, Norman: Vision and Painting: The Logic of the Gaze, New Haven: Yale University Press 1989.
Cartwright, Lisa: »›Experiments of Destruction‹: Cinematic Inscriptions of Physiology«, Representations 40 (1992), S. 129-152.
Dies.: Screening the Body: Tracing Medicine's Visual Culture, Minneapolis, London: University of Minnesota Press 1995.
Coppola, Francis Ford: »3D is ›Tiresome‹«, http://www.electronichouse.com/article/francis_ford_coppola_3d_is_tiresome/
Crary, Jonathan: Techniques of the Observer, Cambridge, Mass.: MIT Press 1990.
Deleuze, Gilles: Kino 1. Das Bewegungs-Bild, Frankfurt am Main: Suhrkamp 1989.
Ders.: Kino 2. Das Zeit-Bild, Frankfurt am Main: Suhrkamp 1991.
Derrida, Jacques: L'écriture et la différence, Paris: Editions du Seuil 1967.
Deslandes, Jacques: Histoire comparée du cinema, vol. 1, Tournai: Casterman 1966.
Duttlinger, Carolin: »Die Ruhe des Blickes: Brod, Kafka, Benjamin and the Kaiserpanorama« in: Christian Emden/David Midgley (Hg.), Science, Technology and the German Cultural Imagination, Oxford: Lang 2005, S. 231–55.
Ebert, Roger: »Why I Hate 3-D (And You Should Too)« in Newsweek vom 10. Mai 2010, http://www.thedailybeast.com/newsweek/2010/04/30/why-i-hate-3-d-and-you-should-too.html
Ders.: »Why 3D doesn't work and never will. Case closed.« in Chicago Sun-Times vom 23. Januar 2011, http://blogs.suntimes.com/ebert/2011/01/post_4.html
Ehmann, Antje/Eshun, Kodwo (Hg.): Harun Farocki: Against What Against Whom, Köln: Walther König 2010.
Elkins, James: The Object Stares Back: On the Nature of Seeing, New York: Simon & Schuster 1996.
Elsaesser, Thomas: »World Cinema: Realism, Evidence, Presence«, in: Lucía Nagib/Cecília Mello (Hg.), Realism and the Audiovisual Media, Basingstoke: Palgrave 2009, S. 3-19.
Ders.: »Access for All: Avatar« in: New Review of Film and Television Studies, 9:3 (2011), S. 247-264.
Engber, Daniel: »Is 3-D dead in the water? A box office analysis.«, http://www.slate.com/id/2264927/pagenum/all/.
Finley, Gerald: Angel in the Sun, Turner's Vision of History, Montreal: McGill-Queen's University Press 1999.
Fritz, Ben: »Company defends itself to Hollywood« in: Los Angeles Times vom 5. April 2011, http://latimesblogs.latimes.com/entertainmentnewsbuzz/2011/04/netflix-fast-growth-contines-in-first-quarter-as-company-defends-itself-to-hollywood.html
Gage, John: Turner: Rain, Steam and Speed, London: Viking Press 1972.
Goodale, Gloria: »Hollywood's foreign booty: New ›Pirates‹ film earned over $250 million abroad« in: Christian Science Monitor vom 23. Mai 2011. http://www.csmonitor.com/USA/Society/2011/0523/Hollywood-s-foreign-booty-New-Pirates-film-earned-over-250-million-abroad.
Gunning, Tom: »Phantasmagoria and the Manufacturing of Illusions and Wonder: Towards a Cultural Optics of the Cinematic Apparatus«, in: Andre Gaudreault/Catherine Russell/Pierre Veronneau (Hg.), The Cinema, A New Technology for the 20th Century, Lausanne: Editions Payot 2004, S. 31-44.
Ders.: »The Long and the Short of it: Centuries of Projecting Shadows from Natural Magic to the Avant-Garde«, in: Stan Douglas/Christopher Eamon (Hg.), The Art of Projection, Ostfildern: Hatje Canz 2009, S. 23-35.
Haines, Richard W.: The Moviegoing Experience, 1968-2001, Jefferson, NC: McFarland 2003.
Hediger, Vinzenz/Vonderau, Patrick (Hg.): Films that Work, Amsterdam: Amsterdam University Press 2011.
James, Nick: »Berlin Film Festival – Review« in: The Observer vom 19. Februar 2011, http://www.guardian.co.uk/film/2011/feb/20/berlin-film-festival-review
Joseph, Branden Wayne/Walley, Jonathan/Eamon, Christopher (Hg.): Anthony McCall: The Solid Light Films and Related Works, Evanston, Illinois: Northwestern University Press 2005.
Kermode, Mark: »Come in Number 3D, your time is up« BBC Beitrag vom 23. Dezember 2009. http://www.bbc.co.uk/blogs/markkermode/2009/12/come_in_number_3d_your_time_is.html
Lenoir, Tim: »All but war is simulation: The military–entertainment complex«, Configurations 8:3 (2000), S. 289–335.
Lippit, Akira Mizuta: »Three Phantasies of Cinema – Reproduction Mimesis Annihilation«, Paragraph, 22:3 (1999), S. 213-227.
Lorenz, Dieter: Das Kaiserpanorama. Ein Unternehmen des August Fuhrmann, München: Münchner Stadtmuseum 2010.
Manovich, Lev: »To Lie and to Act: Cinema and Telepresence«, in: Thomas Elsaesser/Kay Hoffmann (Hg.), Cinema Futures: Cain, Abel or Cable? The Screen Arts in the Digital Age, Amsterdam, Amsterdam University Press 1998, S. 189-99.
McHugh, Molly: »The 2012 London Olympics is 3D TVs' big opportunity«, in: Yahoo News vom 15. Februar 2012, http://news.yahoo.com/2012-london-olympics-3d-tvs-big-opportunity-011206230.html
Melvin, Don: »Activists Present Anti-ACTA petition to EU«, in: Associated Press vom 28. Februar 2011, http://www.google.com/hostednews/ap/article/ALeqM5goN98YMyvwPqQiW31gBs8U-xnvIg?docId=7afd9eef4f6b44acbb43b1029820bc87
Metz, Christian: »Aural Objects«, Yale French Studies No. 60, Cinema/Sound (1980), S. 24-32.
Michaelis, Anthony: Research Films in Biology, Anthropology, Psychology and Medicine, New York: Academic Press 1955.
Mitchell, W. J. T.: Picture Theory, Chicago und London: University of Chicago Press 1994.
Mitchell, W.J.T.: What do Pictures Want, Chicago: University of Chicago Press 2006.
Musser, Charles: The Emergence of Cinema, New York: Scribner 1990.
N.N.: http://aamgroup.com/products/k2vi.cfm
N.N.: http://www.artcyclopedia.com/hot/tilt-shift-van-gogh-1.htm
N.N.: http://www.consumerreports.org/cro/electronics-computers/tvs-services/hdtv/3d-tvs/overview/index.htm
N.N.: http://www.dailymail.co.uk/sciencetech/article-1258336/Titanic-3D-James-Camerons-Avatar-followup-2012.html
N.N.: http://content.usatoday.com/communities/technologylive/post/2010/03/james-cameron/1 - .T1fGVsyzWUc
N.N.: http://digitalcinemablog.blogspot.com/2009/04/jeffrey-katzenberg-jerry-falwell-of-3-d.html
N.N.: http://www.expcinema.com/site/index.php?option=com_virtuemart&page=shop.product_details&flypage=shop.flypage&product_id=363
N.N.: http://www.fastcompany.com/1731055/oscars-avatar-neurocinema-neuromarketing
N.N.: http://www.gizmag.com/boeing-3d-imaging-camera/14489
N.N.: http://www.hamburgerbahnhof.de/exhibition.php?id=32936&lang=de
Читать дальше