Karl Schlögel - The Scent of Empires

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Can a drop of perfume tell the story of the twentieth century? Can a smell bear the traces of history? What can we learn about the history of the twentieth century by examining the fate of perfumes?
In this remarkable book, Karl Schlögel unravels the interconnected histories of two of the world’s most celebrated perfumes. In tsarist Russia, two French perfumers – Ernest Beaux and Auguste Michel – developed related fragrances honouring Catherine the Great for the 300th anniversary of the Romanov dynasty. During the Russian Revolution and Civil War, Beaux fled Russia and took the formula for his perfume with him to France, where he sought to adapt it to his new French circumstances. He presented Coco Chanel with a series of ten fragrance samples in his laboratory and, after smelling each, she chose number five – the scent that would later go by the name Chanel No. 5. Meanwhile, as the perfume industry was being revived in Soviet Russia, Auguste Michel used his original fragrance to create Red Moscow for the tenth anniversary of the Revolution. Piecing together the intertwined histories of these two famous perfumes, which shared a common origin, Schlögel tells a surprising story of power, intrigue and betrayal that offers an altogether unique perspective on the turbulent events and high politics of the twentieth century.
This brilliant account of perfume and politics in twentieth-century Europe will be of interest to a wide general readership.

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CONTENTS

1 Cover

2 Title Page The Scent of Empires Chanel No. 5 and Red Moscow Karl Schlögel Translated by Jessica Spengler polity

3 Copyright

4 Dedication

5 Extracurricular activity Notes

6 The scent of the empire, or how Le Bouquet de Catherine from 1913 led to Chanel No. 5 and the Soviet perfume Red Moscow after the Russian Revolution Notes

7 Scentscapes: Proust’s madeleine and historiography Notes

8 When ‘the weakest link breaks in the imperialist chain’ (Lenin): the world of scents and the olfactory revolution Notes

9 Departure from the belle époque and clothes for the New Woman: Chanel’s and Lamanova’s double revolution Notes

10 Chanel’s Russian connection Notes

11 French connection in Moscow? The ‘fatherland of workers’ and traces of Mikhail Bulgakov Notes

12 Auguste Michel’s incomplete project: a Palace of Soviets perfume Notes

13 The seductive scent of power: Coco Chanel and Polina Zhemchuzhina Molotova – two careers in the twentieth century Notes

14 From another world: the smoke of the crematoria and the smell of Kolyma Notes

15 After the war: man cannot live on bread alone – the New Look and Stilyagi Notes

16 Excursus: the grande dame of German film Olga Chekhova, cosmetics and the dream of eternal youth Notes

17 How One World smells Notes

18 Not only the Black Square: Malevich’s perfume bottle Notes

19 Bibliography

20 Index

21 End User License Agreement

Guide

1 Cover

2 Table of Contents

3 Title Page

4 Copyright

5 Dedication

6 Begin Reading

7 Bibliography

8 Index

9 End User License Agreement

List of Illustrations

1 Chapter 2 Figure 1Le Bouquet Favori de l’Impératrice (1913) Figure 2Chanel No. 5 by Ernest Beaux, 1926 © akg-images / François Guénet Figure 3Brocard bottle © Philip Goutell, ‘Perfume Projects’, www.perfumeprojects.com

2 Chapter 4 Figure 4Konstantin Verigin, 1940. Irène Bizet Archive (France), from L’Émigration russe …

3 Chapter 5 Figure 5Nadezhda Lamanova, 1880s © Heritage Image Partnership Ltd / Alamy Stock Photo Figure 6Fashion design by Nadezhda Lamanova. From Tatiana Strizhenova, Soviet Costume an… Figure 7Scene from Le train bleu by Jean Cocteau. © AFP / Getty Images

4 Chapter 6 Figure 8Sergei Diaghilev painted by Léon Bakst, 1906. Saint Petersburg, State Russian Mu… Figure 9Kitmir Broderie poster

5 Chapter 8 Figure 10Paris World Expo 1937, Soviet pavilion on the right © AFP / Getty Images Figure 11Model of the Palace of Soviets by Boris Iofan © ITAR-TASS News Agency / Alamy St…

6 Chapter 9 Figure 12Polina Zhemchuzhina at her desk Figure 13Gabrielle Chanel in a sailor top with her dog © UtCon Collection / Alamy Stock P… Figure 14Polina Zhemchuzhina with her husband Vyacheslav Molotov, Moscow 1963 © TopFoto Figure 15Polina Zhemchuzhina’s grave in Moscow © Alexander Perepelitsyn / Alamy Stock Photo Figure 16Gabrielle Chanel’s grave in the Cimetière du Bois-de-Vaux, Lausanne © Phil Rees…

7 Chapter 12 Figure 17Olga Chekhova Figure 18Alexander A. Bogomolets Figure 19Edition of the book by Alexander A. Bogomolets, The Prolongation of Life, Kiev, …

8 Chapter 14 Figure 20Kazimir Malevich’s bottle for Severny (‘North’) eau de cologne with polar bear, … Figure 21Bottle of Rallet No. 1 © Philip Goutell, ‘Perfume Projects’, www.perfumeprojects… Figure 22Shtof bottles: Universe of Water Museum, Saint Petersburg. Photographer: Georg S…

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The Scent of Empires

Chanel No. 5 and Red Moscow

Karl Schlögel

Translated by Jessica Spengler

polity

Originally published in German as Der Duft der Imperien. “Chanel No 5” und “Rotes Moskau” by Karl Schlögel © 2020 Carl Hanser Verlag GmbH & Co. KG, München

This English edition © 2021 by Polity Press

The Scent of Empires - изображение 1

The translation of this work was supported by a grant from the Goethe-Institut.

Polity Press

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Cambridge CB2 1UR, UK

Polity Press

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Medford, MA 02155, USA

All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.

ISBN-13: 978-1-5095-4660-2

A catalogue record for this book is available from the British Library.

Library of Congress Cataloging-in-Publication Data

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