Ernest Haycox - The Greatest Westerns of Ernest Haycox

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Musaicum Books presents to you this meticulously edited western collection. Ernest Haycox is among the most successful writers of American western fiction. He is credited for raising western fiction up from the pulp fiction into the mainstream. His works influenced other writers of western fiction to the point of no return.
Novels and Novellas
A Rider of the High Mesa
Free Grass
The Octopus of Pilgrim Valley
Chaffee of Roaring Hors
Son of the West
Whispering Range
The Feudists
The Kid From River Red
The Roaring Hour
Starlight Rider
Riders West
The Silver Desert
Trail Smoke
Trouble Shooter
Sundown Jim
Man in the Saddle
The Border Trumpet
Saddle and Ride
Rim of the Desert
Trail Town
Alder Gulch
Action by Night
The Wild Bunch
Bugles in the Afternoon
Canyon Passage
Long Storm
Head of the Mountain
The Earthbreakers
The Adventurers
Stories From the American Revolution
Red Knives
A Battle Piece
Drums Roll
Burnt Creek Stories
A Burnt Creek Yuletide
Budd Dabbles in Homesteads
When Money Went to His Head
Stubborn People
Prairie Yule
False Face
Rockbound Honesty
Murder on the Frontier
Mcquestion Rides
Court Day
Officer's Choice
The Colonel's Daughter
Dispatch to the General
On Texas Street
In Bullhide Canyon
Wild Enough
When You Carry the Star
Other Short Stories
At Wolf Creek Tavern
Blizzard Camp
Born to Conquer
Breed of the Frontier
Custom of the Country
Dead-Man Trail
Dolorosa, Here I Come
Fourth Son
The Last Rodeo
The Silver Saddle
Things Remembered

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Sand and rain swirled about the group. Tom heard the tempo of the wind rising. Thunder rumbled away off. Things movable began to shiver and strain, and the old cook slid around his wagon, battening down the canvas. Quagmire, true to his ingrained habit, hovered by the fire and nursed it jealously.

"Talk about soprano," mused Quagmire, "that wind will shore be singin' it in a minute. I hope them cow critters have got a clear conscience this night."

"Stampede?"

It was Lispenard speaking. He had come out of darkness and squatted across from Quagmire. Tom Gillette, studying the man, had difficulty in realizing it was the same gay and debonair classmate he had once so freely confided in. In the flickering light the Blond Giant looked as ragged and unkempt as any other of the party. The soft protecting flesh had quite disappeared; under the stubble of his whiskers his jaw bones ran grimly to the jutting button of his chin. And since the night San Saba had brought him back from Ogallala, both drunk and viciously angry, he had adopted a kind of brooding reserve. The man was in splendid shape. At every gesture he made Tom saw the muscles rippling and flexing. Otherwise, Tom was not so certain. It occurred to him that Blondy's big and rolling eyes no longer attracted him, nor did he like the way Blondy's lips now and then slid back from his teeth. In school, his friend had cut quite a swath; sundered from that atmosphere, he seemed never yet to have shaken himself together.

"Stampede?" echoed Quagmire. "Well, I ain't wishin' to draw down any lightnin' by speakin' that word too loud. Who knows what goes on inside a critter's mind? I've seen 'em stand through weather so plumb bad yo' couldn't draw breath. Turn right around on a ca'm peaceful night an' they'd roll tails if a leaf budged. Critters ain't reasonable—no more'n a man."

The crew, unable to sleep, had drawn near the fire. San Saba, a mere silhouette in his gleaming slicker, stood in the background while all the others squatted on their haunches. Tom, himself a little removed from the fire, saw the foreman's small red eyes dart from man to man. Billy, the skeptic who adjoined Quagmire, thrust a sidling glance at Lispenard and of a sudden he chuckled, slapping one hand across his knee.

"Quagmire, yo'-all remember that twister we bucked down by the Nueces? I wouldn't ever have believed sech a thing could happen if I hadn't seen it with my own two eyes."

The rest of the crew, almost in unison, nodded confirmation. Quagmire studied Billy with a long, mild glance before replying. "Mean the time it picked up Anse Loving's herd an' carried it acrost the river?"

"Wasn't Loving's herd atall," denied Billy. "It was a bunch o' Hogpen stock."

"No such thing. It was Loving's outfit we worked for that year."

"Why, by..."

Lispenard threw in his contribution. "You trying to fool me again? Some dam' fish story about wind picking up cattle bodily..."

Profound silence. Quagmire vainly stirred the fire. "Ever hear of a twister? Don't they teach it in Eastern gee-og-ruffies?"

"Certainly, but..."

"Ever hear of 'em liftin' buildin's offen the ground?"

Lispenard raised his shoulders. "Well, go on, then. That's straight enough. But a whole herd doesn't sound possible."

Quagmire pointed into the darkness. "It's only blowin' mild right now. But yo' go out there an' try to stand up in it. Then imagine a twister."

There was no answer. Quagmire brooded over the remnant of flame, water sluicing down his hat. He appeared to have forgotten the story, yet ever and anon he lifted his thin and wrinkled face to listen to what the wind told him. Slight uneasiness rode the shoulders of the crew.

"Anyhow, it was the Hogpen outfit," muttered Billy somberly.

That roused Quagmire. "Why, man, don't yo' recollect that wall-eyed buckskin I rode with the blaze?"

"Mebbe so," assented Billy, now dubious.

"Sho'" proceeded Quagmire. "I'm tellin' yo' I rode him that night. Black? Say, it was blacker'n the inside o' a crow's windpipe. Never saw a twister come up faster. We was on the east bank of the Nueces."

"West bank," corrected Billy.

"That's right—west bank. On the west bank when it come. Right by that barn, yo' remember? No time to shove the herd aside. Funnel bearin' down on us hell bent. Every man for himself. Me, I lights out on that buckskin. Hadn't gone fifty feet when it struck. Heard an awful crash—must've been the barn—and then I sorter feels like yo'd feel after too much mescal. Yo' understan'—kinda feather-headed. I digs in my spurs, but I wasn't on no horse atall. I was fifty feet offen the ground, goin' over the river. The buckskin had vamoosed. Thought I'd lost him. Figgered I was dead when that twister let me go an' I dropped. Sho', but it's a queer feelin' to get up with the birds."

There was a rumble in the outer darkness, and the crew, to a man, straightened. A puncher rode in, dripping wet. "Still peaceable," he announced briefly, and disappeared. Tom relaxed, grinning when he saw how Lispenard's attention fastened to Quagmire's tale.

"Must've been a mile farther along," continued Quagmire, "with me gettin' higher all the times when I hears a sound like an express train comin' by. It was that dam' barn, with the top ripped off. They was ten ton o' hay in that shebang, yet it sailed by me like a shot. Then I hears a mos' piteous nicker, an' it's the buckskin, right behin' the barn. I remember I sorter prayed the saddle wouldn't fall offen him. Silver inlay saddle, an' it cost a heap.

"Well, we was a good six miles east o' the river by then, an' the twister begins to slide away from me. Me, I falls faster'n a shot duck. Had a watch on me, an' I recalls I takes it out an' throws it clear, not wantin' to light on glass. I knowed I was as good as extinct right then, an' I figgered I'd better pray. But how's a man to pray what ain't never learned the Commandments? Anyhow, I was worryin' about that silver inlay saddle. Down I went, head first. Saw the ground smack below. But that barn had lit befo' me, an' me, I struck the top o' them ten tons o' hay, bounced a couple times, an' slid right down into a manger. An' you may chalk me up as a bald-faced liar if I didn't find..."

He stopped, shaking his head from side to side. Lispenard leaned across the fire. "Well?"

Quagmire spread his hands, palms upward. "The buckskin had ketched up with the barn while both was in the air. The cuss had walked inside to get a free ride. When I slides down to the manger there he was, munchin' oats."

Billy collapsed first, moaning. The crouching punchers swayed back and forth, arms flailing, like priests performing strange rites. Wild laughter ricochetted up and against the whirling air. Lispenard jumped to his feet. "I told you it'd be another cursed fish story!"

He had to shout to make himself heard above the shrilling tempest. Quagmire still sat cushioned on his heels, water pouring down his slicker and pooling at his feet; still a sober, bemused figure. Alone of the Circle G crew, San Saba had not joined the hilarity, and now he stepped into the waning arc of light, unfriendly, brittle-voiced.

"It's an old, stale yarn to tell a gent."

Laughter died. Quagmire looked up. "Old? What's new in this ancient universe? But seein' as yo' speak of old things, I reckon I could relate a few."

"Personal allusions, suh?"

Quagmire got to his feet, but the foreman's height made him tilt his wizened face; it was a face upon which solemnity loved to dwell, yet on occasion it could be as hard as granite, as bleak as death. So it was now. "Once upon a time, San Saba..."

Lispenard stepped ahead. "Thanks, San Saba, but this is my quarrel."

Quagmire snapped at him. "It only takes two oars to row a boat! Yo' ain't got no quarrel!"

The Blond Giant fell silent, full lips twitching. Quagmire's thin chest laboured to shove his words against the wind. "Once they was a bad night—like this one. Looked as if they might be trouble—like it does now. Boss comes up to the boys and says, 'Boys, we are apt to have a stampede. Somebody's like to get killed afo' mo'nin'. Now yo'-all better write yo' true names on a piece o' paper an' tuck in yo' shirts.' That's what he said. Mebbe we'll have trouble. But they's only one man here which needs to write his true name on a paper. An' that's yo'—San Saba!"

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