Ernest Haycox - The Greatest Westerns of Ernest Haycox

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Musaicum Books presents to you this meticulously edited western collection. Ernest Haycox is among the most successful writers of American western fiction. He is credited for raising western fiction up from the pulp fiction into the mainstream. His works influenced other writers of western fiction to the point of no return.
Novels and Novellas
A Rider of the High Mesa
Free Grass
The Octopus of Pilgrim Valley
Chaffee of Roaring Hors
Son of the West
Whispering Range
The Feudists
The Kid From River Red
The Roaring Hour
Starlight Rider
Riders West
The Silver Desert
Trail Smoke
Trouble Shooter
Sundown Jim
Man in the Saddle
The Border Trumpet
Saddle and Ride
Rim of the Desert
Trail Town
Alder Gulch
Action by Night
The Wild Bunch
Bugles in the Afternoon
Canyon Passage
Long Storm
Head of the Mountain
The Earthbreakers
The Adventurers
Stories From the American Revolution
Red Knives
A Battle Piece
Drums Roll
Burnt Creek Stories
A Burnt Creek Yuletide
Budd Dabbles in Homesteads
When Money Went to His Head
Stubborn People
Prairie Yule
False Face
Rockbound Honesty
Murder on the Frontier
Mcquestion Rides
Court Day
Officer's Choice
The Colonel's Daughter
Dispatch to the General
On Texas Street
In Bullhide Canyon
Wild Enough
When You Carry the Star
Other Short Stories
At Wolf Creek Tavern
Blizzard Camp
Born to Conquer
Breed of the Frontier
Custom of the Country
Dead-Man Trail
Dolorosa, Here I Come
Fourth Son
The Last Rodeo
The Silver Saddle
Things Remembered

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"I don't know as I'll take that, Beauty," Lestrade said, turning in the saddle. "Keep your talk to yourself."

"Keep hell!" Beauty retorted. "I'll talk how I please. You better sing low to me."

"Yes, listen, my friend, I can put you where you'll have a long time to think about your words."

Beauty's body swayed forward. "Don't you threaten me! I got a few secrets I could tell myself."

"Secrets!" Lestrade cried. "Why, you fool, do you think I'm a man to leave evidence against me in the hands of such scum as you? Oh, no! There's not a single scrap of paper or a single pen mark you've got to bind me with."

"Huh. There's other things besides paper. If Nig and me was ever caught we'd turn evidence. Two witnesses is enough to tie you in a knot. But I've had you figured as a double-crosser for a long spell. What about the brand irons that's hid away up by the six pines? And here's something else: Your foreman knows how many cows you shipped each time. I know how many I added to the East Flats pens each time. The stockyard man at Portland knows how many you sold him. Well, if it comes to a showdown, these things could be checked up by the cattle committee. That foreman of yours is a squealer for certain. He'd cross his grandma if he thought it'd save his hide."

"Figured it out to a fraction, didn't you," Lestrade said. '"Well, Beauty, you'll never squeal. It means your neck if you do."

"No more will you," Beauty said. "I'm just showing you where to head in. Don't try to hush me."

Nig, who seldom spoke, broke in at this point to act as peacemaker. "'Tain't no time for a quarrel. We got a job to do."

"Right," Lestrade said, turning to his horse. "Get it done. I'll see you boys taken care of. But don't come to town in company with any of the Double Jay outfit. I got to warn you on that." He started away.

Beauty had not yet got the whole of his grievance stated and he moved into the night, one hand on Lestrade's stirrup. "There's another matter I want to—" His words were lost as he strode off. Nig, as if fearful of trouble, followed.

Here was the golden opportunity Lin Ballou wished for. Slipping around the shanty, he stepped through the open door and into the ink-black room. He knew his way perfectly in these quarters, for he had spent many nights under the shelter of the battered, half-caved-in roof. To itinerant travelers or ranch hands bent on long journeys, it was a well known refuge when darkness found them short of their destination. Built many years ago by a homesteader with more courage than resources, it had been soon abandoned to its fate—a single-room stopover shelter with a few rough pieces of furniture, two bunks and an old cast-iron stove.

Once upon a time there had been an attic, but wayfarers in want of fuel had stripped most of the boards away from the rafters. A few still remained, however, and Lin, casting about for a means of hiding himself, struck upon this place as the best. He found a chair and stood on it, at the same time gripping a rafter. Swinging upward, he crawled over to a corner of the place and lay flat on the boards. It was concealment, but not much more.

He had no more than reached this vantage point when he heard the Chatto brothers moving back into the shanty, talking. One of them came cautiously through the door, silhouetted against the gray shadows.

"You suppose we can light up?" queried a voice which he recognized as Nig's.

Beauty, unsaddling the horses, thought it was safe enough and said so. "Lin, he's ten miles east of here by now. That boy likes the mesa. We'll follow his tracks in the morning till we hit rock. After that I got a good idea."

"You're always full of ideas," Nig muttered. He was the milder and more practical of the two. Standing directly under Ballou, he lit a match and applied it to the wick of a lamp that from time to time had been supplied with kerosene by thoughtful ranch hands. The dim rays flared out, doing little more than cast the upper half of the shanty into a still blacker gloom. Beauty tramped in with the gear and threw it on the floor.

"Light a fire, Nig. It's getting chilly."

"What with? Ain't nothing to bum unless we take the table."

Beauty raised his eyes toward the few remaining attic boards and Lin saw the dark, surly face explore the reaches of his hiding place. But the lamp light's glare blinded the man for the time. Moving forward, he stretched his arm, trying to reach the rafters.

"We'll bring down one of them boards."

"Too much trouble," Nig said. "Roll up in your blanket. We got to get a night's sleep if we aim to travel hard in the morning."

Beauty changed his mind and planted himself on a bunk. "That Lestrade jasper better not pull anything on me. I'll take a shot at him. Sometimes I think it'd be a damn good idea. His head's too full of schemes. Nig, he'd sell you or me for a plugged nickel if he thought it'd help him."

Nig was not without a certain impartiality. "So'd you and me sell him if it'd help us. It don't do for us to fall out with him. Means money. You always got a chip on your shoulder lately. What's eating you?"

Beauty took off his gunbelt and draped it over the corner of his bunk, making sure that the butt of the weapon was within easy reach. Removing his boots, he wrapped himself as tightly as he could in the saddle blanket and settled himself at full length on the bunk.

"I tell you, Nig, this coimtry is sure getting civilized. 'Taint no place for you and me any more. I been feeling it in my bones there's going to be a big bust pretty soon. Know why? I'll tell you. When W. W. Offut gets to dickering with gents like Ballou it means there's something wrong. Ballou knows about us. He's prob'ly told Offut. I ain't anxious to attract Offut's attention, nohow."

"I'd as lief tackle a nest of snakes myself," Nig confessed.

Beauty raised himself on an elbow, face settling in brutal lines. "First we're going to drill Ballou. Then we move to new range. If it should happen you and me is lassoed before we move, then I swear I'll put a bullet through Lestrade somehow."

Lin gripped his revolver and with infinite care raised himself inch by inch. He had full view of Beauty, but Nig was out of his vision, still near the stove. As he moved, Nig crossed over to the door and closed it, belt in one arm and a boot in the other. At that moment Lin stood on his knees and threw down the muzzle of his gun, issuing a sharp metallic warning.

"Stay put, both of youl Don't move an inch! Nig—drop that belt!"

Nig obeyed instantly, his body assuming the rigidity of a statue. But Beauty was of tougher disposition. In a flash he had rolled from the bunk, hand yanking the gun from its holster. He struck the floor with a resounding thud and tried to bring his weapon into play. But the blanket he had wrapped himself in was his undoing.

Ballou sent a bullet within a foot of the broad easy mark on the floor.

"Steady now, or I'll let you have it. Drag that hand away. That's the boy. Seeing as you're so good at rolling, just roll right on toward the door. Uh-huh. Keep going, Beauty. Now stand up beside your handsome brother."

Lin dropped out of the attic and scooped Beauty's weapon from the floor. "Now both of you slide around toward the stove."

Beauty's face was a battleground of emotion. His thin lips drew back from long, yellow teeth and his eyes were wide and flaring. "You can't get away with it," he challenged. "You can't handle me and Nig. Better clear out peaceful before we kill you."

"Always making a bluff of it, eh, Beauty? Don't you know me better than that? I don't scare easy. Now cut out that fiddling with your hands. Step around toward the stove. Lift your feet! I want you alive, amigo, but if I can't take you that way I'll shoot you dead."

Nig moved docilely, but Beauty's every motion was a protest. He scowled with each step, stopped to curse his captor and had to be prompted with the gun muzzle before he'd move again. The wide, bold eyes raced around the room as if seeking a way to challenge Ballou's attention. He stared at the rafters and squinted shrewdly at the smoky lamp on the table. It was plain to see that he had set his mind against being taken. Ballou watched him closely. There was no more dangerous character in the breadth and length of the valley than this ugly, stubborn Chatto. Suddenly the man's swart face broke into a grin and he looked past Ballou to the door.

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