George Orwell - The Essential Works of George Orwell

'It's bloody,' he murmured several times, impotently. In his heart he wondered—it was his invariable reaction—whether Gordon would accept a tenner if you offered to lend it to him.

They had another drink, which Ravelston again paid for, and went out into the street. It was almost time to part. Gordon never spent more than an hour or two with Ravelston. One's contacts with rich people, like one's visits to high altitudes, must always be brief. It was a moonless, starless night, with a damp wind blowing. The night air, the beer and the watery radiance of the lamps induced in Gordon a sort of dismal clarity. He perceived that it is quite impossible to explain to any rich person, even to anyone so decent as Ravelston, the essential bloodiness of poverty. For this reason it became all the more important to explain it. He said suddenly:

'Have you read Chaucer's Man of Lawe's Tale?'

'The Man of Lawe's Tale? Not that I remember. What's it about?'

'I forget. I was thinking of the first six stanzas. Where he talks about poverty. The way it gives everyone the right to stamp on you! The way everyone wants to stamp on you! It makes people hate you, to know that you've no money. They insult you just for the pleasure of insulting you and knowing that you can't hit back.'

Ravelston was pained. 'Oh, no, surely not! People aren't so bad as all that.'

'Ah, but you don't know the things that happen!'

Gordon did not want to be told that 'people aren't so bad'. He clung with a sort of painful joy to the notion that because he was poor everyone must want to insult him. It fitted in with his philosophy of life. And suddenly, with the feeling that he could not stop himself, he was talking of the thing that had been rankling in his mind for two days past—the snub he had had from the Dorings on Thursday. He poured the whole story out quite shamelessly. Ravelston was amazed. He could not understand what Gordon was making such a fuss about. To be disappointed at missing a beastly literary tea-party seemed to him absurd. He would not have gone to a literary tea-party if you had paid him. Like all rich people, he spent far more time in avoiding human society than in seeking it. He interrupted Gordon:

'Really, you know, you ought not to take offence so easily. After all, a thing like that doesn't really matter.'

'It isn't the thing itself that matters, it's the spirit behind it. The way they snub you as a matter of course, just because you've got no money.'

'But quite possibly it was all a mistake, or something. Why should anyone want to snub you?'

'"If thou be poure, thy brother hateth thee,"' quoted Gordon perversely.

Ravelston, deferential even to the opinions of the dead, rubbed his nose. 'Does Chaucer say that? Then I'm afraid I disagree with Chaucer. People don't hate you, exactly.'

'They do. And they're quite right to hate you. You are hateful. It's like those ads for Listerine. "Why is he always alone? Halitosis is ruining his career." Poverty is spiritual halitosis.'

Ravelston sighed. Undoubtedly Gordon was perverse. They walked on, arguing, Gordon vehemently, Ravelston deprecatingly. Ravelston was helpless against Gordon in an argument of this kind. He felt that Gordon exaggerated, and yet he never liked to contradict him. How could he? He was rich and Gordon was poor. And how can you argue about poverty with someone who is genuinely poor?

'And then the way women treat you when you've no money!' Gordon went on. 'That's another thing about this accursed money-business—women!'

Ravelston nodded rather gloomily. This sounded to him more reasonable than what Gordon had been saying before. He thought of Hermione Slater, his own girl. They had been lovers two years but had never bothered to get married. It was 'too much fag', Hermione always said. She was rich, of course, or rather her people were. He thought of her shoulders, wide, smooth and young, that seemed to rise out of her clothes like a mermaid rising from the sea; and her skin and hair, which were somehow warm and sleepy, like a wheatfield in the sun. Hermione always yawned at the mention of Socialism, and refused even to read Antichrist. 'Don't talk to me about the lower classes,' she used to say. 'I hate them. They smell.' And Ravelston adored her.

'Of course women are a difficulty,' he admitted.

'They're more than a difficulty, they're a bloody curse. That is, if you've got no money. A woman hates the sight of you if you've got no money.'

'I think that's putting it a little too strongly. Things aren't so crude as all that.'

Gordon did not listen. 'What rot it is to talk about Socialism or any other ism when women are what they are! The only thing a woman ever wants is money; money for a house of her own and two babies and Drage furniture and an aspidistra. The only sin they can imagine is not wanting to grab money. No woman ever judges a man by anything except his income. Of course she doesn't put it to herself like that. She says he's such a nice man—meaning that he's got plenty of money. And if you haven't got money you aren't nice. You're dishonoured, somehow. You've sinned. Sinned against the aspidistra.'

'You talk a great deal about aspidistras,' said Ravelston.

'They're a dashed important subject,' said Gordon.

Ravelston rubbed his nose and looked away uncomfortably.

'Look here, Gordon, you don't mind my asking—have you got a girl of your own?'

'Oh, Christ! Don't speak of her!'

He began, nevertheless, to talk about Rosemary. Ravelston had never met Rosemary. At this moment Gordon could not even remember what Rosemary was like. He could not remember how fond he was of her and she of him, how happy they always were together on the rare occasions when they could meet, how patiently she put up with his almost intolerable ways. He remembered nothing save that she would not sleep with him and that it was now a week since she had even written. In the dank night air, with beer inside him, he felt himself a forlorn, neglected creature. Rosemary was 'cruel' to him—that was how he saw it. Perversely, for the mere pleasure of tormenting himself and making Ravelston uncomfortable, he began to invent an imaginary character for Rosemary. He built up a picture of her as a callous creature who was amused by him and yet half despised him, who played with him and kept him at arm's length, and who would nevertheless fall into his arms if only he had a little more money. And Ravelston, who had never met Rosemary, did not altogether disbelieve him. He broke in:

'But I say, Gordon, look here. This girl, Miss—Miss Waterlow, did you say her name was?—Rosemary; doesn't she care for you at all, really?'

Gordon's conscience pricked him, though not very deeply. He could not say that Rosemary did not care for him.

'Oh, yes, she does care for me. In her own way, I dare say she cares for me quite a lot. But not enough, don't you see. She can't, while I've got no money. It's all money.'

'But surely money isn't so important as all that? After all, there are other things.'

'What other things? Don't you see that a man's whole personality is bound up with his income? His personality is his income. How can you be attractive to a girl when you've got no money? You can't wear decent clothes, you can't take her out to dinner or to the theatre or away for week-ends, you can't carry a cheery, interesting atmosphere about with you. And it's rot to say that kind of thing doesn't matter. It does. If you haven't got money there isn't even anywhere where you can meet. Rosemary and I never meet except in the streets or in picture galleries. She lives in some foul women's hostel, and my bitch of a landlady won't allow women in the house. Wandering up and down beastly wet streets—that's what Rosemary associates me with. Don't you see how it takes the gilt off everything?'