George Orwell - The Essential Works of George Orwell

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Musaicum Books presents the George Orwell Collection -the greatest novels, poems, essays and autobiographical works of this great visionary in one volume:
Novels:
Burmese Days
A Clergyman's Daughter
Keep the Aspidistra Flying
Coming Up for Air
Animal Farm
1984
Poetry:
Awake! Young Men of England
Kitchener
Our Hearts Are Married, But We Are Too Young
The Pagan
Poem from Burma
The Lesser Evil
Romance
Summer-like for an Instant
The Italian Soldier Shook My Hand…
Reflections on War and Society:
Spilling the Spanish Beans
Not Counting Niggers
Prophecies of Fascism
Wells, Hitler and the World State
Looking Back on the Spanish War
Who Are the War Criminals?
Future of a Ruined Germany
Revenge is Sour
You and the Atomic Bomb
Notes on Nationalism
Catastrophic Gradualism
Freedom of the Park
How the Poor Die
In Front of Your Nose
Thoughts on England:
Democracy in the British Army
The Lion and the Unicorn
Antisemitism in Britain
In Defence of English Cooking
Decline of the English Murder
Politics and the English Language
Views on Literature, Art & Famous Men:
In Defence of the Novel
Notes on the Way
Charles Dickens
Literature and Totalitarianism
The Art of Donald Mcgill
Rudyard Kipling
W. B. Yeats
Mark Twain—the Licensed Jester
Lear, Tolstoy and the Fool
Writers and Leviathan
Reflections on Gandhi…
Book Reviews:
Mein Kampf
The Totalitarian Enemy…
Miscellaneous Writings:
A Farthing Newspaper
The Spike
Boys' Weeklies and Frank Richards's Reply
Poetry and the Microphone
The Sporting Spirit…
Autobiographical Works:
A Hanging
Down and Out in Paris and London
Bookshop Memories
Shooting an Elephant
The Road to Wigan Pier
Homage to Catalonia
Marrakech
Why I Write…

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The thin young man suddenly realised that he was alone and looked up guiltily. He was an habitué of bookshops, yet never stayed longer than ten minutes in any one shop. A passionate hunger for books, and the fear of being a nuisance, were constantly at war in him. After ten minutes in any shop he would grow uneasy, feel himself de trop, and take to flight, having bought something out of sheer nervousness. Without speaking he held out the copy of Lawrence's poems and awkwardly extracted three florins from his pocket. In handing them to Gordon he dropped one. Both dived for it simultaneously; their heads bumped against one another. The young man stood back, blushing sallowly.

'I'll wrap it up for you,' said Gordon.

But the shy young man shook his head—he stammered so badly that he never spoke when it was avoidable. He clutched his book to him and slipped out with the air of having committed some disgraceful action.

Gordon was alone. He wandered back to the door. The strawberry-nosed man glanced over his shoulder, caught Gordon's eye and moved off, foiled. He had been on the point of slipping Edgar Wallace into his pocket. The clock over the Prince of Wales struck a quarter past three.

Ding Dong! A quarter past three. Light up at half past. Four and three-quarter hours till closing time. Five and a quarter hours till supper. Twopence halfpenny in pocket. No tobacco tomorrow.

Suddenly a ravishing, irresistible desire to smoke came over Gordon. He had made up his mind not to smoke this afternoon. He had only four cigarettes left. They must be saved for tonight, when he intended to 'write'; for he could no more 'write' without tobacco than without air. Nevertheless, he had got to have a smoke. He took out his packet of Player's Weights and extracted one of the dwarfish cigarettes. It was sheer stupid indulgence; it meant half an hour off tonight's 'writing' time. But there was no resisting it. With a sort of shameful joy he sucked the papery smoke into his lungs.

The reflection of his own face looked back at him from the greyish pane. Gordon Comstock, author of Mice; en l'an trentiesme de son eage, and moth-eaten already. Only twenty-six teeth left. However, Villon at the same age was poxed, on his own showing. Let's be thankful for small mercies.

He watched the ribbon of torn paper whirling, fluttering on the QT Sauce advertisement. Our civilisation is dying. It must be dying. But it isn't going to die in its bed. Presently the aeroplanes are coming. Zoom—whizz—crash! The whole western world going up in a roar of high explosives.

He looked at the darkening street, at the greyish reflection of his face in the pane, at the shabby figures shuffling past. Almost involuntarily he repeated:

'C'est l'Ennui—l'œil chargé d'un pleur involontaire,

Il rêve d'échafauds en fumant son houka!'

Money, money! Roland Butta! The humming of the aeroplanes and the crash of the bombs.

Gordon squinted up at the leaden sky. Those aeroplanes are coming. In imagination he saw them coming now; squadron after squadron, innumerable, darkening the sky like clouds of gnats. With his tongue not quite against his teeth he made a buzzing, bluebottle-on-the-window-pane sound to represent the humming of the aeroplanes. It was a sound which, at that moment, he ardently desired to hear.

II

Table of Contents

Gordon walked homeward against the rattling wind, which blew his hair backward and gave him more of a 'good' forehead than ever. His manner conveyed to the passers-by—at least, he hoped it did—that if he wore no overcoat it was from pure caprice. His overcoat was up the spout for fifteen shillings, as a matter of fact.

Willowbed Road, NW, was not definitely slummy, only dingy and depressing. There were real slums hardly five minutes' walk away. Tenement houses where families slept five in a bed, and, when one of them died, slept every night with the corpse until it was buried; alleyways where girls of fifteen were deflowered by boys of sixteen against leprous plaster walls. But Willowbed Road itself contrived to keep up a kind of mingy, lower-middle-class decency. There was even a dentist's brass plate on one of the houses. In quite two-thirds of them, amid the lace curtains of the parlour window, there was a green card with 'Apartments' on it in silver lettering, above the peeping foliage of an aspidistra.

Mrs Wisbeach, Gordon's landlady, specialised in 'single gentlemen'. Bed-sitting-rooms, with gaslight laid on and find your own heating, baths extra (there was a geyser), and meals in the tomb-dark dining-room with the phalanx of clotted sauce-bottles in the middle of the table. Gordon, who came home for his midday dinner, paid twenty-seven and six a week.

The gaslight shone yellow through the frosted transom above the door of Number 31. Gordon took out his key and fished about in the keyhole—in that kind of house the key never quite fits the lock. The darkish little hallway—in reality it was only a passage—smelt of dishwater, cabbage, rag mats and bedroom slops. Gordon glanced at the japanned tray on the hall-stand. No letters, of course. He had told himself not to hope for a letter, and nevertheless had continued to hope. A stale feeling, not quite a pain, settled upon his breast. Rosemary might have written! It was four days now since she had written. Moreover, there were a couple of poems that he had sent out to magazines and had not yet had returned to him. The one thing that made the evening bearable was to find a letter waiting for him when he got home. But he received very few letters—four or five in a week at the very most.

On the left of the hall was the never-used parlour, then came the staircase, and beyond that the passage ran down to the kitchen and to the unapproachable lair inhabited by Mrs Wisbeach herself. As Gordon came in, the door at the end of the passage opened a foot or so. Mrs Wisbeach's face emerged, inspected him briefly but suspiciously, and disappeared again. It was quite impossible to get in or out of the house, at any time before eleven at night, without being scrutinised in this manner. Just what Mrs Wisbeach suspected you of it was hard to say; smuggling women into the house, possibly. She was one of those malignant respectable women who keep lodging-houses. Age about forty-five, stout but active, with a pink, fine-featured, horribly observant face, beautiful grey hair and a permanent grievance.

Gordon halted at the foot of the narrow stairs. Above, a coarse rich voice was singing, 'Who's afraid of the Big Bad Wolf?' A very fat man of thirty-eight or -nine came round the angle of the stairs, with the light dancing step peculiar to fat men, dressed in a smart grey suit, yellow shoes, a rakish trilby hat and a belted blue overcoat of startling vulgarity. This was Flaxman, the first-floor lodger and travelling representative of the Queen of Sheba Toilet Requisites Co. He saluted Gordon with a lemon-coloured glove as he came down.

'Hullo, chappie!' he said blithely. (Flaxman called everyone 'chappie'.) 'How's life with you?'

'Bloody,' said Gordon shortly.

Flaxman had reached the bottom of the stairs. He threw a roly-poly arm affectionately round Gordon's shoulders.

'Cheer up, old man, cheer up! You look like a bloody funeral. I'm off down to the Crichton. Come on down and have a quick one.'

'I can't. I've got to work.'

'Oh, hell! Be matey, can't you? What's the good of mooning about up here? Come on down to the Cri and we'll pinch the barmaid's bum.'

Gordon wriggled free of Flaxman's arm. Like all small frail people, he hated being touched. Flaxman merely grinned, with the typical fat man's good humour. He was really horribly fat. He filled his trousers as though he had been melted and then poured into them. But of course, like other fat people, he never admitted to being fat. No fat person ever uses the word 'fat' if there is any way of avoiding it. 'Stout' is the word they use—or, better still, 'robust'. A fat man is never so happy as when he is describing himself as 'robust'. Flaxman, at his first meeting with Gordon, had been on the point of calling himself 'robust', but something in Gordon's greenish eye had deterred him. He compromised on 'stout' instead.

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