George Orwell - The Essential Works of George Orwell

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Musaicum Books presents the George Orwell Collection -the greatest novels, poems, essays and autobiographical works of this great visionary in one volume:
Novels:
Burmese Days
A Clergyman's Daughter
Keep the Aspidistra Flying
Coming Up for Air
Animal Farm
1984
Poetry:
Awake! Young Men of England
Kitchener
Our Hearts Are Married, But We Are Too Young
The Pagan
Poem from Burma
The Lesser Evil
Romance
Summer-like for an Instant
The Italian Soldier Shook My Hand…
Reflections on War and Society:
Spilling the Spanish Beans
Not Counting Niggers
Prophecies of Fascism
Wells, Hitler and the World State
Looking Back on the Spanish War
Who Are the War Criminals?
Future of a Ruined Germany
Revenge is Sour
You and the Atomic Bomb
Notes on Nationalism
Catastrophic Gradualism
Freedom of the Park
How the Poor Die
In Front of Your Nose
Thoughts on England:
Democracy in the British Army
The Lion and the Unicorn
Antisemitism in Britain
In Defence of English Cooking
Decline of the English Murder
Politics and the English Language
Views on Literature, Art & Famous Men:
In Defence of the Novel
Notes on the Way
Charles Dickens
Literature and Totalitarianism
The Art of Donald Mcgill
Rudyard Kipling
W. B. Yeats
Mark Twain—the Licensed Jester
Lear, Tolstoy and the Fool
Writers and Leviathan
Reflections on Gandhi…
Book Reviews:
Mein Kampf
The Totalitarian Enemy…
Miscellaneous Writings:
A Farthing Newspaper
The Spike
Boys' Weeklies and Frank Richards's Reply
Poetry and the Microphone
The Sporting Spirit…
Autobiographical Works:
A Hanging
Down and Out in Paris and London
Bookshop Memories
Shooting an Elephant
The Road to Wigan Pier
Homage to Catalonia
Marrakech
Why I Write…

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The fact was that the parents were growing perturbed by the tales their children brought home about Dorothy’s methods. They saw no sense whatever in these new-fangled ideas of making plasticine maps and reading poetry, and the old mechanical routine which had so horrified Dorothy struck them as eminently sensible. They became more and more restive, and their letters were peppered with the word “practical,” meaning in effect more handwriting lessons and more arithmetic. And even their notion of arithmetic was limited to addition, subtraction, multiplication and “practice,” with long division thrown in as a spectacular tour de force of no real value. Very few of them could have worked out a sum in decimals themselves, and they were not particularly anxious for their children to be able to do so either.

However, if this had been all, there would probably never have been any serious trouble. The parents would have nagged at Dorothy, as all parents do; but Dorothy would finally have learned—as, again, all teachers finally learn—that if one showed a certain amount of tact one could safely ignore them. But there was one fact that was absolutely certain to lead to trouble, and that was the fact that the parents of all except three children were Nonconformists, whereas Dorothy was an Anglican. It was true that Dorothy had lost her faith—indeed, for two months past, in the press of varying adventures, had hardly thought either of her faith or of its loss. But that made very little difference; Roman or Anglican, Dissenter, Jew, Turk or infidel, you retain the habits of thought that you have been brought up with. Dorothy, born and bred in the precincts of the Church, had no understanding of the Nonconformist mind. With the best will in the world, she could not help doing things that would cause offence to some of the parents.

Almost at the beginning there was a skirmish over the Scripture lessons—twice a week the children used to read a couple of chapters from the Bible. Old Testament and New Testament alternately—several of the parents writing to say, would Miss Millborough please not answer the children when they asked questions about the Virgin Mary; texts about the Virgin Mary were to be passed over in silence, or, if possible, missed out altogether. But it was Shakespeare, that immoral writer, who brought things to a head. The girls had worked their way through Macbeth, pining to know how the witches’ prophecy was to be fulfilled. They reached the closing scenes. Birnam Wood had come to Dunsinane—that part was settled, anyway; now what about the man who was not of woman born? They came to the fatal passage:

Macbeth:“Thou losest labour:

As easy may’st thou the intrenchant air

With they keen sword impress, as make me bleed:

Let fall thy blade on vulnerable crests;

I bear a charmed life, which must not yield

To one of woman born.”

Macduff:“Despair thy charm;

And let the angel, whom thou still hast served,

Tell thee, Macduff was from his mother’s womb

Untimely ripp’d!”

The girls looked puzzled. There was a momentary silence, and then a chorus of voices round the room:

“Please, Miss, what does that mean?”

Dorothy explained. She explained haltingly and incompletely, with a sudden horrid misgiving—a premonition that this was going to lead to trouble—but still, she did explain. And after that, of course, the fun began.

About half the children in the class went home and asked their parents the meaning of the word “womb.” There was a sudden commotion, a flying to and fro of messages, an electric thrill of horror through fifteen decent Nonconformist homes. That night the parents must have held some kind of conclave, for the following evening, about the time when school ended, a deputation called upon Mrs. Creevy. Dorothy heard them arriving by ones and twos, and guessed what was going to happen. As soon as she had dismissed the children, she heard Mrs. Creevy call sharply down the stairs:

“Come up here a minute, Miss Millborough!”

Dorothy went up, trying to control the trembling of her knees. In the gaunt drawing-room Mrs. Creevy was standing grimly beside the piano, and six parents were sitting round on horsehair chairs like a circle of inquisitors. There was the Mr. Geo. Briggs who had written the letter about Mabel’s arithmetic—he was an alert-looking greengrocer with a dried-up, shrewish wife—and there was a large, buffalo-like man with drooping moustaches and a colourless, peculiarly flat wife who looked as though she had been flattened out by the pressure of some heavy object—her husband, perhaps. The names of these two Dorothy did not catch. There was also Mrs. Williams, the mother of the congenital idiot, a small, dark, very obtuse woman who always agreed with the last speaker, and there was a Mr. Poynder, a commercial traveller. He was a youngish to middle-aged man with a grey face, mobile lips and a bald scalp across which some strips of rather nasty-looking damp hair were carefully plastered. In honour of the parents’ visit, a fire composed of three large coals was sulking in the grate.

“Sit down there, Miss Millborough,” said Mrs. Creevy, pointing to a hard chair which stood like a stool of repentance in the middle of the ring of parents.

Dorothy sat down.

“And now,” said Mrs. Creevy, “just you listen to what Mr. Poynder’s got to say to you.”

Mr. Poynder had a great deal to say. The other parents had evidently chosen him as their spokesman, and he talked till flecks of yellowish foam appeared at the corners of his mouth. And what was remarkable, he managed to do it all—so nice was his regard for the decencies—without ever once repeating the word that had caused all the trouble.

“I feel that I’m voicing the opinion of all of us,” he said with his facile bagman’s eloquence, “in saying that if Miss Millborough knew that this play—Macduff, or whatever its name is—contained such words as—well, such words as we’re speaking about, she never ought to have given it to the children to read at all. To my mind it’s a disgrace that school-books can be printed with such words in them. I’m sure if any of us had ever known that Shakespeare was that kind of stuff, we’d have put our foot down at the start. It surprises me, I must say. Only the other morning I was reading a piece in my News Chronicle about Shakespeare being the father of English Literature; well, if that’s Literature, let’s have a bit less Literature, say I! I think everyone’ll agree with me there. And on the other hand, if Miss Millborough didn’t know that the word—well, the word I’m referring to—was coming, she just ought to have gone straight on and taken no notice when it did come. There wasn’t the slightest need to go explaining it to them. Just tell them keep quiet and not get asking questions—that’s the proper way with children.”

“But the children wouldn’t have understood the play if I hadn’t explained!” protested Dorothy for the third or fourth time.

“Of course they wouldn’t! You don’t seem to get my point, Miss Millborough! We don’t want them to understand. Do you think we want them to go picking up dirty ideas out of books? Quite enough of that already with all these dirty films and these twopenny girls’ papers that they get hold of—all these filthy, dirty love-stories with pictures of—well, I won’t go into it. We don’t send our children to school to have ideas put into their heads. I’m speaking for all the parents in saying this. We’re all of us decent God-fearing folk—some of us are Baptists and some of us are Methodists, and there’s even one or two Church of England among us; but we can sink our differences when it comes to a case like this—and we try to bring our children up decent and save them from knowing anything about the Facts of Life. If I had my way, no child—at any rate, no girl—would know anything about the Facts of Life till she was twenty-one.”

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