George Orwell - The Essential Works of George Orwell

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Musaicum Books presents the George Orwell Collection -the greatest novels, poems, essays and autobiographical works of this great visionary in one volume:
Novels:
Burmese Days
A Clergyman's Daughter
Keep the Aspidistra Flying
Coming Up for Air
Animal Farm
1984
Poetry:
Awake! Young Men of England
Kitchener
Our Hearts Are Married, But We Are Too Young
The Pagan
Poem from Burma
The Lesser Evil
Romance
Summer-like for an Instant
The Italian Soldier Shook My Hand…
Reflections on War and Society:
Spilling the Spanish Beans
Not Counting Niggers
Prophecies of Fascism
Wells, Hitler and the World State
Looking Back on the Spanish War
Who Are the War Criminals?
Future of a Ruined Germany
Revenge is Sour
You and the Atomic Bomb
Notes on Nationalism
Catastrophic Gradualism
Freedom of the Park
How the Poor Die
In Front of Your Nose
Thoughts on England:
Democracy in the British Army
The Lion and the Unicorn
Antisemitism in Britain
In Defence of English Cooking
Decline of the English Murder
Politics and the English Language
Views on Literature, Art & Famous Men:
In Defence of the Novel
Notes on the Way
Charles Dickens
Literature and Totalitarianism
The Art of Donald Mcgill
Rudyard Kipling
W. B. Yeats
Mark Twain—the Licensed Jester
Lear, Tolstoy and the Fool
Writers and Leviathan
Reflections on Gandhi…
Book Reviews:
Mein Kampf
The Totalitarian Enemy…
Miscellaneous Writings:
A Farthing Newspaper
The Spike
Boys' Weeklies and Frank Richards's Reply
Poetry and the Microphone
The Sporting Spirit…
Autobiographical Works:
A Hanging
Down and Out in Paris and London
Bookshop Memories
Shooting an Elephant
The Road to Wigan Pier
Homage to Catalonia
Marrakech
Why I Write…

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Sir Thomas came home very pleased with this suggestion, which struck him as highly suitable. (Privately, he thought that Dorothy had just the kind of face that a schoolmistress ought to have.) But Dorothy was momentarily aghast when she heard of it.

“A schoolmistress!” she said. “But I couldn’t possibly! I’m sure no school would give me a job. There isn’t a single subject I can teach.”

“What? What’s that? Can’t teach. Oh, dash it! Of course you can! Where’s the difficulty?”

“But I don’t know enough! I’ve never taught anybody anything, except cooking to the Girl Guides. You have to be properly qualified to be a teacher.”

“Oh, nonsense! Teaching’s the easiest job in the world. Good thick ruler—rap ’em over the knuckles. They’ll be glad enough to get hold of a decently brought up young woman to teach the youngsters their ABC. That’s the line for you, m’dear—schoolmistress. You’re just cut out for it.”

And sure enough, a schoolmistress Dorothy became. The invisible solicitor had made all the arrangements in less than three days. It appeared that a certain Mrs. Creevy, who kept a girls’ day school in the suburb of Southbridge, was in need of an assistant, and was quite willing to give Dorothy the job. How it had all been settled so quickly, and what kind of school it could be that would take on a total stranger, and unqualified at that, in the middle of the term, Dorothy could hardly imagine. She did not know, of course, that a bribe of five pounds, miscalled a premium, had changed hands.

So, just ten days after her arrest for begging, Dorothy set out for Ringwood House Academy, Brough Road, Southbridge, with a small trunk decently full of clothes and four pounds ten in her purse—for Sir Thomas had made her a present of ten pounds. When she thought of the ease with which this job had been found for her, and then of her miserable struggles of three weeks ago, the contrast amazed her. It brought home to her, as never before, the mysterious power of money. In fact, it reminded her of a favourite saying of Mr. Warburton’s, that if you took I Corinthians, chapter thirteen, and in every verse wrote “money” instead of “charity,” the chapter had ten times as much meaning as before.

II

Table of Contents

Southbridge was a repellent suburb ten or a dozen miles from London. Brough Road lay somewhere at the heart of it, amid labyrinths of meanly decent streets, all so indistinguishably alike, with their ranks of semi-detached houses, their privet and laurel hedges and plots of ailing shrubs at the cross-roads, that you could lose yourself there almost as easily as in a Brazilian forest. Not only the houses themselves, but even their names were the same over and over again. Reading the names on the gates as you came up Brough Road, you were conscious of being haunted by some half-remembered passage of poetry; and when you paused to identify it, you realised that it was the first two lines of Lycidas.

Ringwood House was a dark-looking, semi-detached house of yellow brick, three storeys high, and its lower windows were hidden from the road by ragged and dusty laurels. Above the laurels, on the front of the house, was a board inscribed in faded gold letters:

RINGWOOD HOUSE ACADEMY FOR GIRLS

Ages 5 to 18

MUSIC AND DANCING TAUGHT

Apply within for Prospectus.

Edge to edge with this board, on the other half of the house, was another board which read:

RUSHINGTON GRANGE HIGH SCHOOL FOR BOYS

Ages 6 to 16

Book-keeping and Commercial Arithmetic a Speciality

Apply within for Prospectus.

The district pullulated with small private schools; there were four of them in Brough Road alone. Mrs. Creevy, the principal of Ringwood House, and Mr. Boulger, the principal of Rushington Grange, were in a state of warfare, though their interests in no way clashed with one another. Nobody knew what the feud was about, not even Mrs. Creevy or Mr. Boulger themselves; it was a feud that they had inherited from earlier proprietors of the two schools. In the mornings after breakfast they would stalk up and down their respective back gardens, beside the very low wall that separated them, pretending not to see one another and grinning with hatred.

Dorothy’s heart sank at the sight of Ringwood House. She had not been expecting anything very magnificent or attractive, but she had expected something a little better than this mean, gloomy house, not one of whose windows was lighted, though it was after 8 o’clock in the evening. She knocked at the door, and it was opened by a woman, tall and gaunt-looking in the dark hallway, whom Dorothy took for a servant, but who was actually Mrs. Creevy herself. Without a word, except to enquire Dorothy’s name, the woman led the way up some dark stairs to a twilit, fireless drawing-room, where she turned up a pinpoint of gas, revealing a black piano, stuffed horsehair chairs, and a few yellowed, ghostly photos on the walls.

Mrs. Creevy was a woman somewhere in her forties, lean, hard and angular, with abrupt decided movements that indicated a strong will and probably a vicious temper. Though she was not in the least dirty or untidy there was something discoloured about her whole appearance, as though she lived all her life in a bad light; and the expression of her mouth, sullen and ill-shaped with the lower lip turned down, recalled that of a toad. She spoke in a sharp, commanding voice, with a bad accent and occasional vulgar turns of speech. You could tell her at a glance for a person who knew exactly what she wanted, and would grasp it as ruthlessly as any machine; not a bully exactly—you could somehow infer from her appearance that she would not take enough interest in you to want to bully you—but a person who would make use of you and then throw you aside with no more compunction than if you had been a worn-out scrubbing-brush.

Mrs. Creevy did not waste any words on greetings. She motioned Dorothy to a chair, with the air rather of commanding than of inviting her to sit down, and then sat down herself, with her hands clasped on her skinny forearms.

“I hope you and me are going to get on well together, Miss Millborough,” she began in her penetrating, sub-hectoring voice. (On the advice of Sir Thomas’s everwise solicitor, Dorothy had stuck to the name of Ellen Millborough.) “And I hope I’m not going to have the same nasty business with you as I had with my last two assistants. You say you haven’t had any experience of teaching before this?”

“Not in a school,” said Dorothy—there had been a tarradiddle in her letter of introduction, to the effect that she had had experience of “private teaching.”

Mrs. Creevy looked Dorothy over as though wondering whether to induct her into the inner secrets of school-teaching, and then appeared to decide against it.

“Well, we shall see,” she said. “I must say,” she added complainingly, “it’s not easy to get hold of good hardworking assistants nowadays. You give them good wages and good treatment, and you get no thanks for it. The last one I had—the one I’ve just had to get rid of—Miss Strong, wasn’t so bad so far as the teaching part went; in fact, she was a B.A., and I don’t know what you could have better than a B.A., unless it’s an M.A. You don’t happen to be a B.A. or an M.A., do you, Miss Millborough?”

“No, I’m afraid not,” said Dorothy.

“Well, that’s a pity. It looks so much better on the prospectus if you’ve got a few letters after your name. Well! Perhaps it doesn’t matter. I don’t suppose many of our parents’d know what B.A. stands for; and they aren’t so keen on showing their ignorance. I suppose you can talk French, of course?”

“Well—I’ve learnt French.”

“Oh, that’s all right, then. Just so as we can put it on the prospectus. Well, now, to come back to what I was saying, Miss Strong was all right as a teacher, but she didn’t come up to my ideas on what I call the moral side. We’re very strong on the moral side at Ringwood House. It’s what counts most with the parents, you’ll find. And the one before Miss Strong, Miss Brewer—well, she had what I call a weak nature. You don’t get on with girls if you’ve got a weak nature. The end of it all was that one morning one little girl crept up to the desk with a box of matches and set fire to Miss Brewer’s skirt. Of course I wasn’t going to keep her after that. In fact I had her out of the house the same afternoon—and I didn’t give her any refs either, I can tell you!”

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