Rafael Sabatini - The Greatest Works of Rafael Sabatini

Здесь есть возможность читать онлайн «Rafael Sabatini - The Greatest Works of Rafael Sabatini» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Greatest Works of Rafael Sabatini: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Greatest Works of Rafael Sabatini»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Musaicum Books presents to you this unique Rafael Sabatini collection, formatted for your eReader with a functional and detailed table of contents:
Novels:
Scaramouche
Captain Blood
The Lovers of Yvonne
The Tavern Knight
Bardelys the Magnificent
The Trampling of the Lilies
Love-at-Arms
The Shame of Motley
St. Martin's Summer
Mistress Wilding
The Lion's Skin
The Strolling Saint
The Gates of Doom
The Sea Hawk
The Snare
Fortune's Fool
The Carolinian
Short Stories:
The Justice of the Duke:
The Honour of Varano
The Test
Ferrante's jest
Gismondi's wage
The Snare
The Lust of Conquest
The pasquinade
The Banner of the Bull:
The Urbinian
The Perugian
The Venetian
Other Stories:
The Red Mask
The Curate and the Actress
The Fool's Love Story
The Sacrifice
The Spiritualist
Mr. Dewbury's Consent
The Baker of Rousillon
Wirgman's Theory
The Abduction
Monsieur Delamort
The Foster Lover
The Blackmailer
The Justice of the Duke
The Ordeal
The Tapestried Room
The Wedding Gift
The Camisade
In Destiny's Clutch
The Vicomte's Wager
Sword and Mitre
The Dupes
The Malediction
The Red Owl
Out of the Dice Box
The Marquis' Coach
Tommy
The Lottery Ticket
The Duellist's Wife
The Ducal Rival
The Siege of Savigny
The Locket
The Devourer of Hearts
The Matamorphasis of Colin
Annabel's Wager
The Act of The Captain of the Guard
The Copy Hunter
Sequestration
Gismondi's Wage
Playing with Fire
The Scourge
Intelligence
The Night of Doom
The Driver of the Hearse
The Plague of Ghosts
The Risen Dead
The Bargain
Kynaston's Reckoning
Duroc
The Poachers
The Opportunist
The Sentimentalist
Casanova's Alibi
The Augmentation of Mercury
The Priest of Mars
The Oracle
Under the Leads
The Rooks and the Hawk
The Polish Duel
Casanova in Madrid
The Outlaw of Falkensteig
D'Aubeville's Enterprise
The Nuptials of Lindenstein
The Outlaw and the Lady
The Jealousy of Delventhal
The Shriving of Felsheim
Loaded Dice
Of What Befel at Bailienochy
After Worcester Field
The Chancellor's Daughter…
Historical Works:
The Life of Cesare Borgia
Torquemada and the Spanish Inquisition
The Historical Nights' Entertainment – 1st and 2nd Series

The Greatest Works of Rafael Sabatini — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Greatest Works of Rafael Sabatini», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Again there was a spell of silence. At last—“I have been thinking, Monsieur,” she said, “of that other occasion on which you rode with me. I remember that you said you had killed a man, and when I asked you why, you said that you had done it because he sought to kill you. Was that the truth?”

“Assuredly, Mademoiselle. We fought a duel, and it is customary in a duel for each to seek to kill the other.”

“But why was this duel fought?” she cried, with some petulance.

“I fear me, Mademoiselle, that I may not answer you,” I said, recalling the exact motives, and thinking how futile appeared the quarrel which Eugène de Canaples had sought with Andrea when viewed in the light of what had since befallen.

“Was the quarrel of your seeking?”

“In a measure it was, Mademoiselle.”

“In a measure!” she echoed. Then persisting, as women will—“Will you not tell me what this measure was?”

“Tenez, Mademoiselle,” I answered in despair; “I will tell you just so much as I may. Your brother had occasion to be opposed to certain projects that were being formed in Paris by persons high in power around a beardless boy. Himself of too small importance to dare wage war against those powerful ones who would have crushed him, your brother sought to gain his ends by sending a challenge to this boy. The lad was high-spirited and consented to meet M. de Canaples, by whom he would assuredly have been murdered—'t is the only word, Mademoiselle—had I not intervened as I did.”

She was silent for a moment. Then—“I believe you, Monsieur,” she said simply. “You fought, then, to shield another—but why?”

“For three reasons, Mademoiselle. Firstly, those persons high in power chose to think it my fault that the quarrel had arisen, and threatened to hang me if the duel took place and the boy were harmed. Secondly, I myself felt a kindness for the boy. Thirdly, because, whatever sins Heaven may record against me, it has at least ever been my way to side against men who, confident of their superiority, seek, with the cowardly courage of the strong, to harm the weak. It is, Mademoiselle, the courage of the man who knows no fear when he strikes a woman, yet who will shake with a palsy when another man but threatens him.”

“Why did you not tell me all this before?” she whispered, after a pause. And methought I caught a quaver in her voice.

I laughed for answer, and she read my laugh aright; presently she pursued her questions and asked me the name of the boy I had defended. But I evaded her, telling her that she must need no further details to believe me.

“It is not that, Monsieur! I do believe you; I do indeed, but—”

“Hark, Mademoiselle!” I cried suddenly, as the clatter of many hoofs sounded near at hand. “What is that?”

A shout rang out at that moment. “Halt! Who goes there?”

“Mon Dieu!” exclaimed Mademoiselle, drawing close up to me, and again the voice sounded, this time more sinister.

“Halt, I say—in the King's name!”

The coach came to a standstill, and through the window I beheld the shadowy forms of several mounted men, and the feeble glare of a lantern.

“Who travels in the carriage, knave?” came the voice again.

“Mademoiselle de Canaples,” answered Michelot; then, like a fool, he must needs add: “Have a care whom you knave, my master, if you would grow old.”

“Pardieu! let us behold this Mademoiselle de Canaples who owns so fearful a warrior for a coachman.”

The door was flung rudely open, and the man bearing the lantern—whose rays shone upon a uniform of the Cardinal's guards—confronted us.

With a chuckle he flashed the light in my face, then suddenly grew serious.

“Peste! Is it indeed you, M. de Luynes?” quoth he; adding, with stern politeness, “It grieves me to disturb you, but I have a warrant for your arrest.”

He was fumbling in his doublet as he spoke, and during the time I had leisure to scan his countenance, recognising, to my surprise, a young lieutenant of the guards who had but recently served with me, and with whom I had been on terms almost of friendship. His words, “I have a warrant for your arrest,” came like a bolt from the blue to enlighten me, and to remind me of what St. Auban had that morning told me, and which for the nonce I had all but forgotten.

Upon hearing those same words, Yvonne, methought, grew pale, and her eyes were bent upon me with a look of surprise and pity.

“Upon what charge am I arrested?” I enquired, with forced composure.

“My warrant mentions none, M. de Luynes. It is here.” And he thrust before me a paper, whose purport I could have read in its shape and seals. Idly my eye ran along the words:

“By these presents I charge and empower my lieutenant, Jean de Montrésor, to seize where'er he may be found, hold, and conduct to Paris the Sieur Gaston de Luynes—”

And so further, until the Cardinal's signature ended the legal verbiage.

“In the King's name, M. de Luynes,” said Montrésor, firmly yet deferentially, “your sword!”

It would have been madness to do aught but comply with his request, and so I surrendered my rapier, which he in his turn delivered to one of his followers. Next I stepped down from the coach and turned to take leave of Mademoiselle, whereupon Montrésor, thinking that peradventure matters were as they appeared to be between us, and, being a man of fine feelings, signed to his men to fall back, whilst he himself withdrew a few paces.

“Adieu, Mademoiselle!” I said simply. “I shall carry with me for consolation the memory that I have been of service to you, and I shall ever—during the little time that may be left me—be grateful to Heaven for the opportunity that it has afforded me of causing you—perchance without sufficient reason—to think better of me. Adieu, Mademoiselle! God guard you!”

It was too dark to see her face, but my heart bounded with joy to catch in her voice a quaver that argued, methought, regret for me.

“What does it mean, M. de Luynes? Why are they taking you?”

“Because I have displeased my Lord Cardinal, albeit, Mademoiselle, I swear to you that I have no cause for shame at the reasons for which I am being arrested.”

“My father is Monseigneur de Mazarin's friend,” she cried. “He is also yours. He shall exert for you what influence he possesses.”

“'T were useless, Mademoiselle. Besides, what does it signify? Again, adieu!”

She spoke no answering word, but silently held out her hand. Silently I took it in mine, and for a moment I hesitated, thinking of what I was—of what she was. At last, moved by some power that was greater than my will, I stooped and pressed those shapely fingers to my lips. Then I stepped suddenly back and closed the carriage door, oppressed by a feeling akin to that of having done an evil deed.

“Have I your permission to say a word to my servant, M. le Lieutenant?” I inquired.

He bowed assent, whereat, stepping close up to the horror-stricken Michelot—

“Drive straight to the Château de Canaples,” I said in a low voice. “Thereafter return to the Lys de France and there wait until you hear from me. Here, take my purse; there are some fifty pistoles in it.”

“Speak but the word, Monsieur,” he growled, “and I'll pistol a couple of these dogs.”

“Pah! You grow childish,” I laughed, “or can you not see that fellow's musket?”

“Pardieu! I'll risk his aim! I never yet saw one of these curs shoot straight.”

“No, no, obey me, Michelot. Think of Mademoiselle. Go! Adieu! If we should not meet again, mon brave,” I finished, as I seized his loyal hand, “what few things of mine are at the hostelry shall belong to you, as well as what may be left of this money. It is little enough payment, Michelot, for all your faithfulness—”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Greatest Works of Rafael Sabatini»

Представляем Вашему вниманию похожие книги на «The Greatest Works of Rafael Sabatini» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Greatest Works of Rafael Sabatini»

Обсуждение, отзывы о книге «The Greatest Works of Rafael Sabatini» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x