Edith Nesbit - 30 Occult and Supernatural Masterpieces in One Book

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This book contains several tables of HTML content for easy reading.
The novels are sorted in chronological order.
content:
The Legend of Sleepy Hollow by Washington Irving
On Ghosts by Mary Shelley
The Haunted Man and the Ghost's Bargain by Charles Dickens
Schalken the Painter by Joseph Sheridan Le Fanu
An Account of Some Strange Disturbances in Aungier Street by Joseph Sheridan Le Fanu
Curious, If True: Strange Tales by Elizabeth Cleghorn Gaskell
The Haunted House by Charles Dickens
Ultor De Lacy: A Legend of Cappercullen by Joseph Sheridan Le Fanu
An Authentic Narrative of a Haunted House by Joseph Sheridan Le Fanu
The Abbot's Ghost, or Maurice Treherne's Temptation by Louisa May Alcott
Wicked Captain Walshawe, Of Wauling by Joseph Sheridan Le Fanu
The Child That Went With The Fairies by Joseph Sheridan Le Fanu
The Haunted Baronet by Joseph Sheridan Le Fanu
Madam Crowl's Ghost and the Dead Sexton by Joseph Sheridan Le Fanu
Laura Silver Bell by Joseph Sheridan Le Fanu
The Canterville Ghost by Oscar Wilde
The Phantom Rickshaw and Other Ghost Stories by Rudyard Kipling
The Mystery of the Semi-Detached by Edith Nesbit
The Ebony Frame by Edith Nesbit
Man-Size in Marble by Edith Nesbit
The Lost Stradivarius by John Meade Falkner
The Turn of the Screw by Henry James
The Story of the Inexperienced Ghost by H. G. Wells
Ghost Stories of an Antiquary by Montague Rhodes James
The Ghost by Arnold Bennett
The Ghost Kings by Henry Rider Haggard
The Ghost Pirates by William Hope Hodgson
Carnacki, The Ghost Finder by William Hope Hodgson
A Thin Ghost and Others by Montague Rhodes James
A Haunted House by Virginia Woolf

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"Let this youth witness the covenant," said the old man; and Godfrey Schalken unconsciously attested the instrument which for ever bereft him of his dear Rose Velderkaust.

The compact being thus completed, the strange visitor folded up the paper, and stowed it safely in an inner pocket.

"I will visit you to-morrow night at nine o'clock, at your own house, Gerard Douw, and will see the object of our contract;" and so saying Wilken Vanderhausen moved stiffly, but rapidly, out of the room.

Schalken, eager to resolve his doubts, had placed himself by the window, in order to watch the street entrance; but the experiment served only to support his suspicions, for the old man did not issue from the door. This was very strange, odd, nay fearful. He and his master returned together, and talked but little on the way, for each had his own subjects of reflection, of anxiety, and of hope. Schalken, however, did not know the ruin which menaced his dearest projects.

Gerard Douw knew nothing of the attachment which had sprung up between his pupil and his niece; and even if he had, it is doubtful whether he would have regarded its existence as any serious obstruction to the wishes of Minheer Vanderhausen. Marriages were then and there matters of traffic and calculation; and it would have appeared as absurd in the eyes of the guardian to make a mutual attachment an essential element in a contract of the sort, as it would have been to draw up his bonds and receipts in the language of romance.

The painter, however, did not communicate to his niece the important step which he had taken in her behalf, a forebearance caused not by any anticipated opposition on her part, but solely by a ludicrous consciousness that if she were to ask him for a description of her destined bridegroom, he would be forced to confess that he had not once seen his face, and if called upon, would find it absolutely impossible to identify him. Upon the next day, Gerard Douw, after dinner, called his niece to him and having scanned her person with an air of satisfaction, he took her hand, and looking upon her pretty innocent face with a smile of kindness, he said:——

"Rose, my girl, that face of yours will make your fortune." Rose blushed and smiled. "Such faces and such tempers seldom go together, and when they do, the compound is a love charm, few heads or hearts can resist; trust me, you will soon be a bride, girl. But this is trifling, and I am pressed for time, so make ready the large room by eight o'clock to-night, and give directions for supper at nine. I expect a friend; and observe me, child, do you trick yourself out handsomely. I will not have him think us poor or sluttish."

With these words he left her, and took his way to the room in which his pupils worked.

When the evening closed in, Gerard called Schalken, who was about to take his departure to his own obscure and comfortless lodgings, and asked him to come home and sup with Rose and Vanderhausen. The invitation was, of course, accepted and Gerard Douw and his pupil soon found themselves in the handsome and, even then, antique chamber, which had been prepared for the reception of the stranger. A cheerful wood fire blazed in the hearth, a little at one side of which an old-fashioned table, which shone in the fire-light like burnished gold, was awaiting the supper, for which preparations were going forward; and ranged with exact regularity, stood the tall-backed chairs, whose ungracefulness was more than compensated by their comfort. The little party, consisting of Rose, her uncle, and the artist, awaited the arrival of the expected visitor with considerable impatience. Nine o'clock at length came, and with it a summons at the street door, which being speedily answered, was followed by a slow and emphatic tread upon the staircase; the steps moved heavily across the lobby, the door of the room in which the party we have described were assembled slowly opened, and there entered a figure which startled, almost appalled, the phlegmatic Dutchmen, and nearly made Rose scream with terror. It was the form, and arrayed in the garb of Minheer Vanderhausen; the air, the gait, the height were the same, but the features had never been seen by any of the party before. The stranger stopped at the door of the room, and displayed his form and face completely. He wore a dark-coloured cloth cloak, which was short and full, not falling quite to his knees; his legs were cased in dark purple silk stockings, and his shoes were adorned with roses of the same colour. The opening of the cloak in front showed the under-suit to consist of some very dark, perhaps sable material, and his hands were enclosed in a pair of heavy leather gloves, which ran up considerably above the wrist, in the manner of a gauntlet. In one hand he carried his walking-stick and his hat, which he had removed, and the other hung heavily by his side. A quantity of grizzled hair descended in long tresses from his head, and rested upon the plaits of a stiff ruff, which effectually concealed his neck. So far all was well; but the face!—all the flesh of the face was coloured with the bluish leaden hue, which is sometimes produced by metallic medicines, administered in excessive quantities; the eyes showed an undue proportion of muddy white, and had a certain indefinable character of insanity; the hue of the lips bearing the usual relation to that of the face, was, consequently, nearly black; and the entire character of the face was sensual, malignant, and even satanic. It was remarkable that the worshipful stranger suffered as little as possible of his flesh to appear, and that during his visit he did not once remove his gloves. Having stood for some moments at the door, Gerard Douw at length found breath and collectedness to bid him welcome, and with a mute inclination of the head, the stranger stepped forward into the room. There was something indescribably odd, even horrible, about all his motions, something undefinable, that was unnatural, unhuman; it was as if the limbs were guided and directed by a spirit unused to the management of bodily machinery. The stranger spoke hardly at all during his visit, which did not exceed half an hour; and the host himself could scarcely muster courage enough to utter the few necessary salutations and courtesies; and, indeed, such was the nervous terror which the presence of Vanderhausen inspired, that very little would have made all his entertainers fly in downright panic from the room. They had not so far lost all self-possession, however, as to fail to observe two strange peculiarities of their visitor. During his stay his eyelids did not once close, or, indeed, move in the slightest degree; and farther, there was a deathlike stillness in his whole person, owing to the absence of the heaving motion of the chest, caused by the process of respiration. These two peculiarities, though when told they may appear trifling, produced a very striking and unpleasant effect when seen and observed. Vanderhausen at length relieved the painter of Leyden of his inauspicious presence; and with no trifling sense of relief the little party heard the street door close after him.

"Dear uncle," said Rose, "what a frightful man! I would not see him again for the wealth of the States."

"Tush, foolish girl," said Douw, whose sensations were anything but comfortable. "A man may be as ugly as the devil, and yet, if his heart and actions are good, he is worth all the pretty-faced perfumed puppies that walk the Mall. Rose, my girl, it is very true he has not thy pretty face, but I know him to be wealthy and liberal; and were he ten times more ugly, these two virtues would be enough to counter balance all his deformity, and if not sufficient actually to alter the shape and hue of his features, at least enough to prevent one thinking them so much amiss."

"Do you know, uncle," said Rose, "when I saw him standing at the door, I could not get it out of my head that I saw the old painted wooden figure that used to frighten me so much in the Church of St. Laurence at Rotterdam."

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