Edith Nesbit - 30 Occult and Supernatural Masterpieces in One Book

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This book contains several tables of HTML content for easy reading.
The novels are sorted in chronological order.
content:
The Legend of Sleepy Hollow by Washington Irving
On Ghosts by Mary Shelley
The Haunted Man and the Ghost's Bargain by Charles Dickens
Schalken the Painter by Joseph Sheridan Le Fanu
An Account of Some Strange Disturbances in Aungier Street by Joseph Sheridan Le Fanu
Curious, If True: Strange Tales by Elizabeth Cleghorn Gaskell
The Haunted House by Charles Dickens
Ultor De Lacy: A Legend of Cappercullen by Joseph Sheridan Le Fanu
An Authentic Narrative of a Haunted House by Joseph Sheridan Le Fanu
The Abbot's Ghost, or Maurice Treherne's Temptation by Louisa May Alcott
Wicked Captain Walshawe, Of Wauling by Joseph Sheridan Le Fanu
The Child That Went With The Fairies by Joseph Sheridan Le Fanu
The Haunted Baronet by Joseph Sheridan Le Fanu
Madam Crowl's Ghost and the Dead Sexton by Joseph Sheridan Le Fanu
Laura Silver Bell by Joseph Sheridan Le Fanu
The Canterville Ghost by Oscar Wilde
The Phantom Rickshaw and Other Ghost Stories by Rudyard Kipling
The Mystery of the Semi-Detached by Edith Nesbit
The Ebony Frame by Edith Nesbit
Man-Size in Marble by Edith Nesbit
The Lost Stradivarius by John Meade Falkner
The Turn of the Screw by Henry James
The Story of the Inexperienced Ghost by H. G. Wells
Ghost Stories of an Antiquary by Montague Rhodes James
The Ghost by Arnold Bennett
The Ghost Kings by Henry Rider Haggard
The Ghost Pirates by William Hope Hodgson
Carnacki, The Ghost Finder by William Hope Hodgson
A Thin Ghost and Others by Montague Rhodes James
A Haunted House by Virginia Woolf

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The creature lay in such a fiery heat, that, as the Chemist stooped to rouse him, it scorched his head. So soon as he was touched, the boy, not half awake, clutching his rags together with the instinct of flight upon him, half rolled and half ran into a distant corner of the room, where, heaped upon the ground, he struck his foot out to defend himself.

“Get up!” said the Chemist. “You have not forgotten me?”

“You let me alone!” returned the boy. “This is the woman’s house — not yours.”

The Chemist’s steady eye controlled him somewhat, or inspired him with enough submission to be raised upon his feet, and looked at.

“Who washed them, and put those bandages where they were bruised and cracked?” asked the Chemist, pointing to their altered state.

“The woman did.”

“And is it she who has made you cleaner in the face, too?”

“Yes, the woman.”

Redlaw asked these questions to attract his eyes towards himself, and with the same intent now held him by the chin, and threw his wild hair back, though he loathed to touch him. The boy watched his eyes keenly, as if he thought it needful to his own defence, not knowing what he might do next; and Redlaw could see well that no change came over him.

“Where are they?” he inquired.

“The woman’s out.”

“I know she is. Where is the old man with the white hair, and his son?”

“The woman’s husband, d’ye mean?” inquired the boy.

“Ay. Where are those two?”

“Out. Something’s the matter, somewhere. They were fetched out in a hurry, and told me to stop here.”

“Come with me,” said the Chemist, “and I’ll give you money.”

“Come where? and how much will you give?”

“I’ll give you more shillings than you ever saw, and bring you back soon. Do you know your way to where you came from?”

“You let me go,” returned the boy, suddenly twisting out of his grasp. “I’m not a going to take you there. Let me be, or I’ll heave some fire at you!”

He was down before it, and ready, with his savage little hand, to pluck the burning coals out.

What the Chemist had felt, in observing the effect of his charmed influence stealing over those with whom he came in contact, was not nearly equal to the cold vague terror with which he saw this baby-monster put it at defiance. It chilled his blood to look on the immovable impenetrable thing, in the likeness of a child, with its sharp malignant face turned up to his, and its almost infant hand, ready at the bars.

“Listen, boy!” he said. “You shall take me where you please, so that you take me where the people are very miserable or very wicked. I want to do them good, and not to harm them. You shall have money, as I have told you, and I will bring you back. Get up! Come quickly!” He made a hasty step towards the door, afraid of her returning.

“Will you let me walk by myself, and never hold me, nor yet touch me?” said the boy, slowly withdrawing the hand with which he threatened, and beginning to get up.

“I will!”

“And let me go, before, behind, or anyways I like?”

“I will!”

“Give me some money first, then, and go.”

The Chemist laid a few shillings, one by one, in his extended hand. To count them was beyond the boy’s knowledge, but he said “one,” every time, and avariciously looked at each as it was given, and at the donor. He had nowhere to put them, out of his hand, but in his mouth; and he put them there.

Redlaw then wrote with his pencil on a leaf of his pocket-book, that the boy was with him; and laying it on the table, signed to him to follow. Keeping his rags together, as usual, the boy complied, and went out with his bare head and naked feet into the winter night.

Preferring not to depart by the iron gate by which he had entered, where they were in danger of meeting her whom he so anxiously avoided, the Chemist led the way, through some of those passages among which the boy had lost himself, and by that portion of the building where he lived, to a small door of which he had the key. When they got into the street, he stopped to ask his guide — who instantly retreated from him — if he knew where they were.

The savage thing looked here and there, and at length, nodding his head, pointed in the direction he designed to take. Redlaw going on at once, he followed, something less suspiciously; shifting his money from his mouth into his hand, and back again into his mouth, and stealthily rubbing it bright upon his shreds of dress, as he went along.

Three times, in their progress, they were side by side. Three times they stopped, being side by side. Three times the Chemist glanced down at his face, and shuddered as it forced upon him one reflection.

The first occasion was when they were crossing an old churchyard, and Redlaw stopped among the graves, utterly at a loss how to connect them with any tender, softening, or consolatory thought.

The second was, when the breaking forth of the moon induced him to look up at the Heavens, where he saw her in her glory, surrounded by a host of stars he still knew by the names and histories which human science has appended to them; but where he saw nothing else he had been wont to see, felt nothing he had been wont to feel, in looking up there, on a bright night.

The third was when he stopped to listen to a plaintive strain of music, but could only hear a tune, made manifest to him by the dry mechanism of the instruments and his own ears, with no address to any mystery within him, without a whisper in it of the past, or of the future, powerless upon him as the sound of last year’s running water, or the rushing of last year’s wind.

At each of these three times, he saw with horror that, in spite of the vast intellectual distance between them, and their being unlike each other in all physical respects, the expression on the boy’s face was the expression on his own.

They journeyed on for some time — now through such crowded places, that he often looked over his shoulder thinking he had lost his guide, but generally finding him within his shadow on his other side; now by ways so quiet, that he could have counted his short, quick, naked footsteps coming on behind — until they arrived at a ruinous collection of houses, and the boy touched him and stopped.

“In there!” he said, pointing out one house where there were shattered lights in the windows, and a dim lantern in the doorway, with “Lodgings for Travellers” painted on it.

Redlaw looked about him; from the houses to the waste piece of ground on which the houses stood, or rather did not altogether tumble down, unfenced, undrained, unlighted, and bordered by a sluggish ditch; from that, to the sloping line of arches, part of some neighbouring viaduct or bridge with which it was surrounded, and which lessened gradually towards them, until the last but one was a mere kennel for a dog, the last a plundered little heap of bricks; from that, to the child, close to him, cowering and trembling with the cold, and limping on one little foot, while he coiled the other round his leg to warm it, yet staring at all these things with that frightful likeness of expression so apparent in his face, that Redlaw started from him.

“In there!” said the boy, pointing out the house again. “I’ll wait.”

“Will they let me in?” asked Redlaw.

“Say you’re a doctor,” he answered with a nod. “There’s plenty ill here.”

Looking back on his way to the house-door, Redlaw saw him trail himself upon the dust and crawl within the shelter of the smallest arch, as if he were a rat. He had no pity for the thing, but he was afraid of it; and when it looked out of its den at him, he hurried to the house as a retreat.

“Sorrow, wrong, and trouble,” said the Chemist, with a painful effort at some more distinct remembrance, “at least haunt this place darkly. He can do no harm, who brings forgetfulness of such things here!”

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