Edith Nesbit - 30 Occult and Supernatural Masterpieces in One Book

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This book contains several tables of HTML content for easy reading.
The novels are sorted in chronological order.
content:
The Legend of Sleepy Hollow by Washington Irving
On Ghosts by Mary Shelley
The Haunted Man and the Ghost's Bargain by Charles Dickens
Schalken the Painter by Joseph Sheridan Le Fanu
An Account of Some Strange Disturbances in Aungier Street by Joseph Sheridan Le Fanu
Curious, If True: Strange Tales by Elizabeth Cleghorn Gaskell
The Haunted House by Charles Dickens
Ultor De Lacy: A Legend of Cappercullen by Joseph Sheridan Le Fanu
An Authentic Narrative of a Haunted House by Joseph Sheridan Le Fanu
The Abbot's Ghost, or Maurice Treherne's Temptation by Louisa May Alcott
Wicked Captain Walshawe, Of Wauling by Joseph Sheridan Le Fanu
The Child That Went With The Fairies by Joseph Sheridan Le Fanu
The Haunted Baronet by Joseph Sheridan Le Fanu
Madam Crowl's Ghost and the Dead Sexton by Joseph Sheridan Le Fanu
Laura Silver Bell by Joseph Sheridan Le Fanu
The Canterville Ghost by Oscar Wilde
The Phantom Rickshaw and Other Ghost Stories by Rudyard Kipling
The Mystery of the Semi-Detached by Edith Nesbit
The Ebony Frame by Edith Nesbit
Man-Size in Marble by Edith Nesbit
The Lost Stradivarius by John Meade Falkner
The Turn of the Screw by Henry James
The Story of the Inexperienced Ghost by H. G. Wells
Ghost Stories of an Antiquary by Montague Rhodes James
The Ghost by Arnold Bennett
The Ghost Kings by Henry Rider Haggard
The Ghost Pirates by William Hope Hodgson
Carnacki, The Ghost Finder by William Hope Hodgson
A Thin Ghost and Others by Montague Rhodes James
A Haunted House by Virginia Woolf

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'Alas, alas!' said she, 'you too accurately describe a miserable passage in my life, which has often been represented in a false light. The best of husbands' — here she sobbed, and became slightly inarticulate with her grief — 'will sometimes be displeased. I was young and curious, he was justly angry with my disobedience — my brothers were too hasty — the consequence is, I became a widow!'

After due respect for her tears, I ventured to suggest some commonplace consolation. She turned round sharply: —

'No, monsieur: my only comfort is that I have never forgiven the brothers who interfered so cruelly, in such an uncalled-for manner, between my dear husband and myself. To quote my friend Monsieur Sganarelle — "Ce sont petites choses qui sont de temps en temps nécessaires dans l'amitié; et cinq ou six coups d'épée entre gens qui s'aiment ne font que ragaillardir l'affection." You observe the colouring is not quite what it should be?'

'In this light the beard is of rather a peculiar tint,' said I.

'Yes: the painter did not do it justice. It was most lovely, and gave him such a distinguished air, quite different from the common herd. Stay, I will show you the exact colour, if you will come near this flambeau!' And going near the light, she took off a bracelet of hair, with a magnificent clasp of pearls. It was peculiar, certainly. I did not know what to say. 'His precious lovely beard!' said she. 'And the pearls go so well with the delicate blue!'

Her husband, who had come up to us, and waited till her eye fell upon him before venturing to speak, now said, 'It is strange Monsieur Ogre is not yet arrived!'

'Not at all strange,' said she, tartly. 'He was always very stupid, and constantly falls into mistakes, in which he comes worse off; and it is very well he does, for he is credulous and cowardly fellow. Not at all strange! If you will' — turning to her husband, so that I hardly heard her words, until I caught — 'Then everybody would have their rights, and we should have no more trouble. Is it not, monsieur?' addressing me.

'If I were in England, I should imagine madame was speaking of the reform bill, or the millennium, — but I am in ignorance.'

And just as I spoke, the great folding-doors were thrown open wide, and every one started to their feet to greet a little old lady, leaning on a thin black wand — and —

'Madame la Féemarraine,' was announced by a chorus of sweet shrill voices.

And in a moment I was lying in the grass close by a hollow oak-tree, with the slanting glory of the dawning day shining full in my face, and thousands of little birds and delicate insects piping and warbling out their welcome to the ruddy splendour.

Table of Contents

The Haunted House

Charles Dickens

Chapter 1 The Mortals in the House

Chapter 2 The Ghost in Master B.'s Room

The Haunted House

Charles Dickens

Published:1859 Categorie(s):Fiction, Occult & Supernatural, Supernatural Creatures, Ghost, Short Stories

Chapter 1 The Mortals in the House

Under none of the accredited ghostly circumstances, and environed by none of the conventional ghostly surroundings, did I first make acquaintance with the house which is the subject of this Christmas piece. I saw it in the daylight, with the sun upon it. There was no wind, no rain, no lightning, no thunder, no awful or unwonted circumstance, of any kind, to heighten its effect. More than that: I had come to it direct from a railway station: it was not more than a mile distant from the railway station; and, as I stood outside the house, looking back upon the way I had come, I could see the goods train running smoothly along the embankment in the valley. I will not say that everything was utterly commonplace, because I doubt if anything can be that, except to utterly commonplace people- -and there my vanity steps in; but, I will take it on myself to say that anybody might see the house as I saw it, any fine autumn morning.

The manner of my lighting on it was this.

I was travelling towards London out of the North, intending to stop by the way, to look at the house. My health required a temporary residence in the country; and a friend of mine who knew that, and who had happened to drive past the house, had written to me to suggest it as a likely place. I had got into the train at midnight, and had fallen asleep, and had woke up and had sat looking out of window at the brilliant Northern Lights in the sky, and had fallen asleep again, and had woke up again to find the night gone, with the usual discontented conviction on me that I hadn’t been to sleep at all;—upon which question, in the first imbecility of that condition, I am ashamed to believe that I would have done wager by battle with the man who sat opposite me. That opposite man had had, through the night—as that opposite man always has—several legs too many, and all of them too long. In addition to this unreasonable conduct (which was only to be expected of him), he had had a pencil and a pocket-book, and had been perpetually listening and taking notes. It had appeared to me that these aggravating notes related to the jolts and bumps of the carriage, and I should have resigned myself to his taking them, under a general supposition that he was in the civil-engineering way of life, if he had not sat staring straight over my head whenever he listened. He was a goggle-eyed gentleman of a perplexed aspect, and his demeanour became unbearable.

It was a cold, dead morning (the sun not being up yet), and when I had out-watched the paling light of the fires of the iron country, and the curtain of heavy smoke that hung at once between me and the stars and between me and the day, I turned to my fellow-traveller and said:

“I beg your pardon, sir, but do you observe anything particular in me”? For, really, he appeared to be taking down, either my travelling-cap or my hair, with a minuteness that was a liberty.

The goggle-eyed gentleman withdrew his eyes from behind me, as if the back of the carriage were a hundred miles off, and said, with a lofty look of compassion for my insignificance:

“In you, sir?—B.”

“B, sir?” said I, growing warm.

“I have nothing to do with you, sir,” returned the gentleman; “pray let me listen—O.”

He enunciated this vowel after a pause, and noted it down.

At first I was alarmed, for an Express lunatic and no communication with the guard, is a serious position. The thought came to my relief that the gentleman might be what is popularly called a Rapper: one of a sect for (some of) whom I have the highest respect, but whom I don’t believe in. I was going to ask him the question, when he took the bread out of my mouth.

“You will excuse me,” said the gentleman contemptuously, “if I am too much in advance of common humanity to trouble myself at all about it. I have passed the night—as indeed I pass the whole of my time now—in spiritual intercourse.”

“O!” said I, somewhat snappishly.

“The conferences of the night began,” continued the gentleman, turning several leaves of his note-book, “with this message: ‘Evil communications corrupt good manners.’”

“Sound,” said I; “but, absolutely new?”

“New from spirits,” returned the gentleman.

I could only repeat my rather snappish “O!” and ask if I might be favoured with the last communication.

“‘A bird in the hand,’” said the gentleman, reading his last entry with great solemnity, “‘is worth two in the Bosh.’”

“Truly I am of the same opinion,” said I; “but shouldn’t it be Bush?”

“It came to me, Bosh,” returned the gentleman.

The gentleman then informed me that the spirit of Socrates had delivered this special revelation in the course of the night. “My friend, I hope you are pretty well. There are two in this railway carriage. How do you do? There are seventeen thousand four hundred and seventy-nine spirits here, but you cannot see them. Pythagoras is here. He is not at liberty to mention it, but hopes you like travelling.” Galileo likewise had dropped in, with this scientific intelligence. “I am glad to see you, amico. Come sta? Water will freeze when it is cold enough. Addio!” In the course of the night, also, the following phenomena had occurred. Bishop Butler had insisted on spelling his name, “Bubler,” for which offence against orthography and good manners he had been dismissed as out of temper. John Milton (suspected of wilful mystification) had repudiated the authorship of Paradise Lost, and had introduced, as joint authors of that poem, two Unknown gentlemen, respectively named Grungers and Scadgingtone. And Prince Arthur, nephew of King John of England, had described himself as tolerably comfortable in the seventh circle, where he was learning to paint on velvet, under the direction of Mrs. Trimmer and Mary Queen of Scots.

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