E. F. Benson - MAPP AND LUCIA

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MAPP AND LUCIA: краткое содержание, описание и аннотация

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Make Way For Lucia, also known as Mapp and Lucia, is a collective name for a series of novels by E. F. Benson about Emmeline «Lucia» Lucas and Elizabeth Mapp. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Several of them are set in the small seaside town of Tilling, closely based on Rye, East Sussex, where Benson lived for a number of years and served as mayor.
Contents:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.

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She paused on the pavement, and remembered that Diva had not yet expressed regret about the worsted, and that she still "popped" as much as ever. Thus Diva deserved a punishment of some sort, and happily, at that very moment she thought of a subject on which she might be able to make her uncomfortable. The street was full, and it would be pretty to call up to her, instead of ringing her bell, in order to save trouble to poor overworked Janet. (Diva only kept two servants, though of course poverty was no crime.)

"Diva darling!" she cooed.

Diva's head looked out like a cuckoo in a clock preparing to chime the hour.

"Hello!" she said. "Want me?"

"May I pop up for a moment, dear?" said Miss Mapp. "That's to say if you're not very busy."

"Pop away," said Diva. She was quite aware that Miss Mapp said "pop" in crude inverted commas, so to speak, for purposes of mockery, and so she said it herself more than ever. "I'll tell my maid to pop down and open the door."

While this was being done, Diva bundled her chintz curtains together and stored them and the roses she had cut out into her work-cupboard, for secrecy was an essential to the construction of these decorations. But in order to appear naturally employed, she pulled out the woollen scarf she was knitting for the autumn and winter, forgetting for the moment that the rose-madder stripe at the end on which she was now engaged was made of that fatal worsted which Miss Mapp considered to have been feloniously appropriated. That was the sort of thing Miss Mapp never forgot. Even among her sweet flowers. Her eye fell on it the moment she entered the room, and she tucked the two chintz roses more securely into her glove.

"I thought I would just pop across from the grocer's," she said. "What a pretty scarf, dear! That's a lovely shade of rose-madder. Where can I have seen something like it before?"

This was clearly ironical, and had best be answered by irony. Diva was no coward.

"Couldn't say, I'm sure," she said.

Miss Mapp appeared to recollect, and smiled as far back as her wisdom-teeth. (Diva couldn't do that.)

"I have it," she said. "It was the wool I ordered at Heynes's, and then he sold it you, and I couldn't get any more."

"So it was," said Diva. "Upset you a bit. There was the wool in the shop. I bought it."

"Yes, dear; I see you did. But that wasn't what I popped in about. This coal-strike, you know."

"Got a cellar-full," said Diva.

"Diva, you've not been hoarding, have you?" asked Miss Mapp with great anxiety. "They can take away every atom of coal you've got, if so, and fine you I don't know what for every hundredweight of it."

"Pooh!" said Diva, rather forcing the indifference of this rude interjection.

"Yes, love, pooh by all means, if you like poohing!" said Miss Mapp. "But I should have felt very unfriendly if one morning I found you were fined — found you were fined — quite a play upon words — and I hadn't warned you."

Diva felt a little less poohish.

"But how much do they allow you to have?" she asked.

"Oh, quite a little: enough to go on with. But I dare say they won't discover you. I just took the trouble to come and warn you."

Diva did remember something about hoarding; there had surely been dreadful exposures of prudent housekeepers in the papers which were very uncomfortable reading.

"But all these orders were only for the period of the war," she said.

"No doubt you're right, dear," said Miss Mapp brightly. "I'm sure I hope you are. Only if the coal-strike comes on, I think you'll find that the regulations against hoarding are quite as severe as they ever were. Food hoarding, too. Twemlow — such a civil man — tells me that he thinks we shall have plenty of food, or anyhow sufficient for everybody for quite a long time, provided that there's no hoarding. Not been hoarding food, too, dear Diva? You naughty thing: I believe that great cupboard is full of sardines and biscuits and Bovril."

"Nothing of the kind," said Diva indignantly. "You shall see for yourself" — and then she suddenly remembered that the cupboard was full of chintz curtains and little bunches of pink roses, neatly cut out of them, and a pair of nail scissors.

There was a perfectly perceptible pause, during which Miss Mapp noticed that there were no curtains over the window. There certainly used to be, and they matched with the chintz cover of the window seat, which was decorated with little bunches of pink roses peeping through trellis. This was in the nature of a bonus: she had not up till then connected the chintz curtains with the little things that had fluttered down upon her and were now safe in her glove; her only real object in this call had been to instill a general uneasiness into Diva's mind about the coal-strike and the danger of being well provided with fuel. That she humbly hoped that she had accomplished. She got up.

"Must be going," she said. "Such a lovely little chat! But what has happened to your pretty curtains?"

"Gone to the wash,' " said Diva firmly.

"Liar," thought Miss Mapp, as she tripped downstairs. "Diva would have sent the cover of the window seat too, if that was the case. Liar," she thought again as she kissed her hand to Diva, who was looking gloomily out of the window.

* * *

As soon as Miss Mapp had gained her garden-room, she examined the mysterious treasures in her left-hand glove. Without the smallest doubt Diva had taken down her curtains (and high time too, for they were sadly shabby), and was cutting the roses out of them. But what on earth was she doing that for? For what garish purpose could she want to use bunches of roses cut out of chintz curtains?

Miss Mapp had put the two specimens of which she had so providentially become possessed in her lap, and they looked very pretty against the navy-blue of her skirt. Diva was very ingenious: she used up all sorts of odds and ends in a way that did credit to her undoubtedly parsimonious qualities. She could trim a hat with a toothbrush and a banana in such a way that it looked quite Parisian till you firmly analysed its component parts, and most of her ingenuity was devoted to dress: the more was the pity that she had such a roundabout figure that her waistband always reminded you of the equator . . .

"Eureka!" said Miss Mapp aloud, and, though the telephone bell was ringing, and the postulant might be one of the servants' friends ringing them up at an hour when their mistress was usually in the High Street, she glided swiftly to the large cupboard underneath the stairs which was full of the things which no right-minded person could bear to throw away: broken basket-chairs, pieces of brown paper, cardboard boxes without lids, and cardboard lids without boxes, old bags with holes in them, keys without locks and locks without keys and worn chintz covers. There was one — it had once adorned the sofa in the garden-room — covered with red poppies (very easy to cut out), and Miss Mapp dragged it dustily from its corner, setting in motion a perfect cascade of cardboard lids and some door-handles.

Withers had answered the telephone, and came to announce that Twemlow the grocer regretted he had only two large tins of corned beef, but —

"Then say I will have the tongue as well, Withers," said Miss Mapp. "Just a tongue — and then I shall want you and Mary to do some cutting out for me."

The three went to work with feverish energy, for Diva had got a start, and by four o'clock that afternoon there were enough poppies cut out to furnish, when in seed, a whole street of opium dens. The dress selected for decoration was, apart from a few mildew-spots, the colour of ripe corn, which was superbly appropriate for September. "Poppies in the corn," said Miss Mapp over and over to herself, remembering some sweet verses she had once read by Bernard Shaw or Clement Shorter or somebody like that about a garden of sleep somewhere in Norfolk . . .

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