Ford Madox Ford - The Parade's End Tetralogy - Some Do Not, No More Parades, A Man Could Stand Up & Last Post

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Parade's End is a tetralogy by Ford Madox. The four novels were originally published under the titles: Some Do Not … (1924), No More Parades (1925), A Man Could Stand Up – (1926), and Last Post (or The Last Post in the USA) (1928). It is set mainly in England and on the Western Front in World War I, where Ford served as an officer in the Welsh Regiment, a life vividly depicted in the novels. The novels chronicle the life of Christopher Tietjens, a brilliant government statistician from a wealthy landowning family who is serving in the British Army during World War I. His wife Sylvia is a flippant socialite who seems intent on ruining him. Tietjens may or may not be the father of his wife's child. Meanwhile, his incipient affair with Valentine Wannop, a high-spirited pacifist and suffragette, has not been consummated, despite what all their friends believe. The two central novels follow Tietjens in the army in France and Belgium, as well as Sylvia and Valentine in their separate paths over the course of the war.
Ford Madox Ford ( 1873 – 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. He is now remembered best for his publications The Good Soldier, the Parade's End tetralogy and The Fifth Queen trilogy.

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It was not a very difficult matter: for where the great man was to be found in the club lounge, there, in the bar, the major, the town clerk, the local head of the police, the doctors and solicitors would be found drinking together. And after it was arranged the great man himself came into the bar, had a drink and pleased them all immensely by his affability . . .

Tietjens himself, dining alone with the Minister to whom he wanted to talk about his Labour Finance Act, didn’t find him a disagreeable fellow: not really foolish, not sly except in his humour, tired obviously, but livening up after a couple of whiskys, and certainly not as yet plutocratic; with tastes for apple-pie and cream of a fourteen-year-old boy. And, even as regards his famous Act, which was then shaking the country to its political foundations, once you accepted its fundamental unsuitedness to the temperament and needs of the English working-class, you could see that Mr Waterhouse didn’t want to be dishonest. He accepted with gratitude several of Tietjens’ emendations in the actuarial schedules . . . And over their port they agreed on two fundamental legislative ideals: every working man to have a minimum of four hundred a year and every beastly manufacturer who wanted to pay less to be hung. That, it appeared, was the High Toryism of Tietjens as it was the extreme Radicalism of the extreme Left of the Left . . .

And Tietjens, who hated no man, in face of this simpleminded and agreeable schoolboy type of fellow, fell to wondering why it was that humanity that was next to always agreeable in its units was, as a mass, a phenomenon so hideous. You look at a dozen men, each of them not by any means detestable and not uninteresting: for each of them would have technical details of their affairs to impart: you formed them into a Government or a club, and at once, with oppressions, inaccuracies, gossip, backbiting, lying, corruption and vileness, you had the combination of wolf, tiger, weasel, and louse-covered ape that was human society. And he remembered the words of some Russian: ‘Cats and monkeys. Monkeys and cats. All humanity is there.’

Tietjens and Mr Waterhouse spent the rest of the evening together.

Whilst Tietjens was interviewing the policeman, the Minister sat on the front steps of the cottage and smoked cheap cigarettes, and when Tietjens went to bed, Mr Waterhouse insisted on sending by him kindly messages to Miss Wannop, asking her to come and discuss female suffrage any afternoon she liked in his private room at the House of Commons. Mr Waterhouse flatly refused to believe that Tietjens hadn’t arranged the raid with Miss Wannop. He said it had been too neatly planned for any woman, and he said Tietjens was a lucky fellow, for she was a ripping girl.

Back in his room under the rafters, Tietj ens fell, nevertheless, at once a prey to real agitation. For a long time he pounded from wall to wall and, since he could not shake off the train of thought, he got out at last his patience cards, and devoted himself seriously to thinking out the conditions of his life with Sylvia. He wanted to stop scandal if he could; he wanted them to live within his income, he wanted to subtract that child from the influence of its mother. These were all definite but difficult things . . . Then one half of his mind lost itself in the rearrangement of schedules, and on his brilliant table his hands set queens on kings and checked their recurrences.

In that way the sudden entrance of Macmaster gave him a really terrible physical shock. He nearly vomited: his brain reeled and the room fell about. He drank a great quantity of whisky in front of Macmaster’s goggling eyes; but even at that he couldn’t talk, and he dropped into his bed faintly aware of his friend’s efforts to loosen his clothes. He had, he knew, carried the suppression of thought in his conscious mind so far that his unconscious self had taken command and had, for the time, paralysed both his body and his mind.

5

Table of Contents

‘It doesn’t seem quite fair, Valentine,’ Mrs Duchemin said. She was rearranging in a glass bowl some minute flowers that floated on water. They made there, on the breakfast-table, a patch, as it were, of mosaic amongst silver chafing dishes, silver epergnes piled with peaches in pyramids and great silver rose-bowls filled with roses, that drooped to the damask cloth, a congeries of silver largenesses made as if a fortification for the head of the table; two huge silver urns, a great silver kettle on a tripod, and a couple of silver vases filled with the extremely tall blue spikes of delphiniums that, spreading out, made as if a fan. The eighteenth-century room was very tall and long; panelled in darkish wood. In the centre of each of four of the panels, facing the light, hung pictures, a mellowed orange in tone, representing mists and the cordage of ships in mists at sunrise. On the bottom of each large gold frame was a tablet bearing the ascription: ‘J. M. W. Turner.’ The chairs, arranged along the long table that was set for eight people, had the delicate, spidery, mahogany backs of Chippendale; on the golden mahogany sideboard that had behind it green silk curtains on a brass-rail were displayed an immense, crumbed ham, more peaches on an epergne, a large meat-pie with a varnished crust, another epergne that supported the large pale globes of grapefruit; a galantine, a cube of inlaid meats, encased in thick jelly.

‘Oh, women have to back each other up in these days,’ Valentine Wannop said. ‘I couldn’t let you go through this alone after breakfasting with you every Saturday since I don’t know when.’

‘I do feel,’ Mrs Duchemin said, ‘immensely grateful to you for your moral support. I ought not, perhaps, to have risked this morning. But I’ve told Parry to keep him out till 10.15.’

‘It’s, at any rate, tremendously sporting of you,’ the girl said. ‘I think it was worth trying.’

Mrs Duchemin, wavering round the table, slightly changed the position of the delphiniums.

‘I think they make a good screen,’ Mrs Duchemin said.

‘Oh, nobody will be able to see him,’ the girl answered reassuringly. She added with a sudden resolution, ‘Look here, Edie. Stop worrying about my mind. If you think that anything I hear at your table after nine months as an ash-cat at Ealing, with three men in the house, an invalid wife and a drunken cook, can corrupt my mind, you’re simply mistaken. You can let your conscience be at rest, and let’s say no more about it.’

Mrs Duchemin said, ‘Oh, Valentine! How could your mother let you?’

‘She didn’t know,’ the girl said. ‘She was out of her mind for grief. She sat for most of the whole nine months with her hands folded before her in a board and lodging house at twenty-five shillings a week, and it took the five shillings a week that I earned to make up the money.’ She added, ‘Gilbert had to be kept at school of course. And in the holidays, too.’

‘I don’t understand!’ Mrs Duchemin said. ‘I simply don’t understand.’

‘Of course you wouldn’t,’ the girl answered. ‘You’re like the kindly people who subscribed at the sale to buy my father’s library back and present it to my mother. That cost us five shillings a week for warehousing, and at Ealing they were always nagging at me for the state of my print dresses . . . ’

She broke off and said:

‘Let’s not talk about it any more, if you don’t mind. You have me in your house, so I suppose you’ve a right to references, as the mistresses call them. But you’ve been very good to me and never asked. Still, it’s come up; do you know I told a man on the links yesterday that I’d been a slavey for nine months. I was trying to explain why I was a suffragette; and, as I was asking him a favour, I suppose I felt I needed to give him references too.’

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