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Lucy Maud Montgomery: The Complete Novels of Lucy Maud Montgomery - 20 Titles in One Volume: Including Anne of Green Gables Series, Emily Starr Trilogy, The Blue Castle, The Story Girl & Pat of Silver Bush Series

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Lucy Maud Montgomery The Complete Novels of Lucy Maud Montgomery - 20 Titles in One Volume: Including Anne of Green Gables Series, Emily Starr Trilogy, The Blue Castle, The Story Girl & Pat of Silver Bush Series
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    The Complete Novels of Lucy Maud Montgomery - 20 Titles in One Volume: Including Anne of Green Gables Series, Emily Starr Trilogy, The Blue Castle, The Story Girl & Pat of Silver Bush Series
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The Complete Novels of Lucy Maud Montgomery - 20 Titles in One Volume: Including Anne of Green Gables Series, Emily Starr Trilogy, The Blue Castle, The Story Girl & Pat of Silver Bush Series: краткое содержание, описание и аннотация

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This carefully crafted ebook: «The Complete Novels of Lucy Maud Montgomery – 20 Titles in One Volume: Including Anne of Green Gables Series, Emily Starr Trilogy, The Blue Castle, The Story Girl & Pat of Silver Bush Series» is formatted for your eReader with a functional and detailed table of contents: Anne of Green Gables Series Anne of Green Gables Anne of Avonlea Anne of the Island Anne of Windy Poplars Anne's House of Dreams Anne of Ingleside Rainbow Valley Rilla of Ingleside Emily Starr Trilogy Emily of New Moon Emily Climbs Emily's Quest The Story Girl Series The Story Girl The Golden Road Pat of Silver Bush Series Pat of Silver Bush Mistress Pat Other Novels Kilmeny of the Orchard The Blue Castle Magic for Marigold A Tangled Web Jane of Lantern Hill Letters & Autobiography Collected Letters The Alpine Path: The Story of My Career Lucy Maud Montgomery (1874-1942) was a Canadian author best known for a series of novels with Anne of Green Gables, an orphaned girl, mistakenly sent to a couple, who had intended to adopt a boy. Anne novels made Montgomery famous in her lifetime and gave her an international following. The first novel was followed by a series of sequels with Anne as the central character. Montgomery went on to publish 20 novels as well as 530 short stories, 500 poems, and 30 essays. Most of the novels were set in Prince Edward Island, and locations within Canada's smallest province became a literary landmark and popular tourist site.

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“I suppose you are Mr. Matthew Cuthbert of Green Gables?” she said in a peculiarly clear, sweet voice. “I’m very glad to see you. I was beginning to be afraid you weren’t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn’t come for me tonight I’d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night. I wouldn’t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don’t you think? You could imagine you were dwelling in marble halls, couldn’t you? And I was quite sure you would come for me in the morning, if you didn’t tonight.”

Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn’t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables.

“I’m sorry I was late,” he said shyly. “Come along. The horse is over in the yard. Give me your bag.”

“Oh, I can carry it,” the child responded cheerfully. “It isn’t heavy. I’ve got all my worldly goods in it, but it isn’t heavy. And if it isn’t carried in just a certain way the handle pulls out — so I’d better keep it because I know the exact knack of it. It’s an extremely old carpet-bag. Oh, I’m very glad you’ve come, even if it would have been nice to sleep in a wild cherry-tree. We’ve got to drive a long piece, haven’t we? Mrs. Spencer said it was eight miles. I’m glad because I love driving. Oh, it seems so wonderful that I’m going to live with you and belong to you. I’ve never belonged to anybody — not really. But the asylum was the worst. I’ve only been in it four months, but that was enough. I don’t suppose you ever were an orphan in an asylum, so you can’t possibly understand what it is like. It’s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn’t mean to be wicked. It’s so easy to be wicked without knowing it, isn’t it? They were good, you know — the asylum people. But there is so little scope for the imagination in an asylum — only just in the other orphans. It was pretty interesting to imagine things about them — to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. I used to lie awake at nights and imagine things like that, because I didn’t have time in the day. I guess that’s why I’m so thin — I AM dreadful thin, ain’t I? There isn’t a pick on my bones. I do love to imagine I’m nice and plump, with dimples in my elbows.”

With this Matthew’s companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads.

The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy.

“Isn’t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?” she asked.

“Well now, I dunno,” said Matthew.

“Why, a bride, of course — a bride all in white with a lovely misty veil. I’ve never seen one, but I can imagine what she would look like. I don’t ever expect to be a bride myself. I’m so homely nobody will ever want to marry me — unless it might be a foreign missionary. I suppose a foreign missionary mightn’t be very particular. But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. I just love pretty clothes. And I’ve never had a pretty dress in my life that I can remember — but of course it’s all the more to look forward to, isn’t it? And then I can imagine that I’m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. Some people said it was because he couldn’t sell it, but I’d rather believe that it was out of the kindness of his heart, wouldn’t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that I had on the most beautiful pale blue silk dress — because when you ARE imagining you might as well imagine something worth while — and a big hat all flowers and nodding plumes, and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. I wasn’t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn’t time to get sick, watching to see that I didn’t fall overboard. She said she never saw the beat of me for prowling about. But if it kept her from being seasick it’s a mercy I did prowl, isn’t it? And I wanted to see everything that was to be seen on that boat, because I didn’t know whether I’d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, and I’m so glad I’m going to live here. I’ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would. It’s delightful when your imaginations come true, isn’t it? But those red roads are so funny. When we got into the train at Charlottetown and the red roads began to flash past I asked Mrs. Spencer what made them red and she said she didn’t know and for pity’s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don’t ask questions? And what DOES make the roads red?”

“Well now, I dunno,” said Matthew.

“Well, that is one of the things to find out sometime. Isn’t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive — it’s such an interesting world. It wouldn’t be half so interesting if we know all about everything, would it? There’d be no scope for imagination then, would there? But am I talking too much? People are always telling me I do. Would you rather I didn’t talk? If you say so I’ll stop. I can STOP when I make up my mind to it, although it’s difficult.”

Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he “kind of liked her chatter.” So he said as shyly as usual:

“Oh, you can talk as much as you like. I don’t mind.”

“Oh, I’m so glad. I know you and I are going to get along together fine. It’s such a relief to talk when one wants to and not be told that children should be seen and not heard. I’ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven’t you?”

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