H. Lovecraft - The Complete Fiction of H. P. Lovecraft

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This collection contains an active table of contents (HTML), which makes reading easier to make it more enjoyable.
The Stories included are:
–The Nameless City
–The Festival
–The Colour Out of Space
–The Call of Cthulhu
–The Dunwich Horror
–The Whisperer in Darkness
–The Dreams in the Witch House
–The Haunter of the Dark
–The Shadow Over Innsmouth
–Discarded Draft of «The Shadow Over Innsmouth»
–The Shadow Out of Time
–At the Mountains of Madness
–The Case of Charles Dexter Ward
–Azathoth
–Beyond the Wall of Sleep
–Celephaïs
–Cool Air
–Dagon
–Ex Oblivione
–Facts Concerning the Late Arthur Jermyn and His Family
–From Beyond
–He
–Herbert West-Reanimator
–Hypnos
–In the Vault
–Memory
–Nyarlathotep
–Pickman's Model
–The Book
–The Cats of Ulthar
–The Descendant
–The Doom That Came to Sarnath
–The Dream-Quest of Unknown Kadath
–The Evil Clergyman
–The Horror at Red Hook
–The Hound
–The Lurking Fear
–The Moon-Bog
–The Music of Erich Zann
–The Other Gods
–The Outsider
–The Picture in the House
–The Quest of Iranon
–The Rats in the Walls
–The Shunned House
–The Silver Key
–The Statement of Randolph Carter
–The Strange High House in the Mist
–The Street
–The Temple
–The Terrible Old Man
–The Thing on the Doorstep
–The Tomb
–The Transition of Juan Romero
–The Tree
–The Unnamable
–The White Ship
–What the Moon Brings
–Polaris
–The Very Old Folk
–Ibid
–Old Bugs
–Sweet Ermengarde, or, The Heart of a Country Girl
–A Reminiscence of Dr. Samuel Johnson
–The History of the Necronomicon

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However, I soon saw that my uneasiness had a second and perhaps equally potent source residing in the pictorial and mathematical suggestions of the strange designs. The patterns all hinted of remote secrets and unimaginable abysses in time and space, and the monotonously aquatic nature of the reliefs became almost sinister. Among these reliefs were fabulous monsters of abhorrent grotesqueness and malignity—half ichthyic and half batrachian in suggestion—which one could not dissociate from a certain haunting and uncomfortable sense of pseudo-memory, as if they called up some image from deep cells and tissues whose retentive functions are wholly primal and awesomely ancestral. At times I fancied that every contour of these blasphemous fish-frogs was overflowing with the ultimate quintessence of unknown and inhuman evil.

In odd contrast to the tiara’s aspect was its brief and prosy history as related by Miss Tilton. It had been pawned for a ridiculous sum at a shop in State Street in 1873, by a drunken Innsmouth man shortly afterward killed in a brawl. The Society had acquired it directly from the pawnbroker, at once giving it a display worthy of its quality. It was labelled as of probable East-Indian or Indo-Chinese provenance, though the attribution was frankly tentative.

Miss Tilton, comparing all possible hypotheses regarding its origin and its presence in New England, was inclined to believe that it formed part of some exotic pirate hoard discovered by old Captain Obed Marsh. This view was surely not weakened by the insistent offers of purchase at a high price which the Marshes began to make as soon as they knew of its presence, and which they repeated to this day despite the Society’s unvarying determination not to sell.

As the good lady shewed me out of the building she made it clear that the pirate theory of the Marsh fortune was a popular one among the intelligent people of the region. Her own attitude toward shadowed Innsmouth—which she had never seen—was one of disgust at a community slipping far down the cultural scale, and she assured me that the rumours of devil-worship were partly justified by a peculiar secret cult which had gained force there and engulfed all the orthodox churches.

It was called, she said, “The Esoteric Order of Dagon”, and was undoubtedly a debased, quasi-pagan thing imported from the East a century before, at a time when the Innsmouth fisheries seemed to be going barren. Its persistence among a simple people was quite natural in view of the sudden and permanent return of abundantly fine fishing, and it soon came to be the greatest influence on the town, replacing Freemasonry altogether and taking up headquarters in the old Masonic Hall on New Church Green.

All this, to the pious Miss Tilton, formed an excellent reason for shunning the ancient town of decay and desolation; but to me it was merely a fresh incentive. To my architectural and historical anticipations was now added an acute anthropological zeal, and I could scarcely sleep in my small room at the “Y” as the night wore away.

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