James De Mille - Cord and Creese - James De Mille

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Cord and Creese – James De Mille – He had a face of rather unusual appearance, and an air which in England is usually considered foreign. His features were regular-a straight nose, wide brow, thin lips, and square, massive chin. His complexion was olive, and his eyes were of a dark hazel color, with a peculiarity about them which is not usually seen in the eye of the Teutonic or Celtic race, but is sometimes found among the people of the south of Europe, or in the East. It is difficult to find a name for this peculiarity. It may be seen sometimes in the gipsy; sometimes in the more successful among those who call themselves «spiritual mediums,» or among the more powerful mesmerizers. Such an eye belonged to Napoleon Bonaparte, whose glance at times could make the boldest and greatest among his marshals quail. What is it? Magnetism? Or the revelation of the soul? Or what?"You've not been long away, this time," I remarked as I finished my soup; forgetting momentarily, Carnacki's dislike of being asked even to skirt the borders of his story until such time as he was ready. Then he would not stint words. «That's all,» he replied with brevity; and I changed the subject, remarking that I had been buying a new gun, to which piece of news he gave an intelligent nod, and a smile which I think showed a genuinely good-humoured appreciation of my intentional changing of the conversation.

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"I cieli immensi narrano Del grand' Iddio la gloria."

Her first notes poured forth with a sweetness and fullness that arrested the attention of all on board the ship. It was the first time she had sung, as she afterward said, since Langhetti had left Hong-Kong, and she gave herself entirely up to the joy of song. Her voice, long silent, instead of having been injured by the sorrow through which she had passed, was pure, full, marvelous, and thrilling. A glow like some divine inspiration passed over the marble beauty of her classic features; her eyes themselves seemed to speak of all that glory of which she sang, as the sacred fire of genius flashed from them.

At those wonderful notes, so generous and so penetrating with their sublime meaning, all on board the ship looked and listened with amazement. The hands of the steersman held the wheel listlessly. Brandon's own soul was filled with the fullest effects. He stood watching her figure, with its inspired lineaments, and thought of the fabled prodigies of music spoken of in ancient story. He thought of Orpheus hushing all animated nature to calm by the magic of his song. At last all thoughts of his own left him, and nothing remained but that which the song of Beatrice swept over his spirit.

But Beatrice saw nothing and heard nothing except the scene before her, with its grand inspiration and her own utterance of its praise. Brandon's own soul was more and more overcome; the divine voice thrilled over his heart; he shuddered and uttered a low sigh of rapture.

"My God!" he exclaimed as she ended; "I never before heard any thing like this. I never dreamed of such a thing. Is there on earth another such a voice as yours? Will I ever again hear any thing like it? Your song is like a voice from those heavens of which you sing. It is a new revelation."

He poured forth these words with passionate impetuosity. Beatrice smiled.

"Langhetti used to praise me," she simply rejoined.

"You terrify me," said he.

"Why?" asked Beatrice, in wonder.

"Because your song works upon me like a spell, and all my soul sinks away, and all my will is weakened to nothingness."

Beatrice looked at him with a mournful smile. "Then you have the true passion for music," she said, "if this be so. For my part it is the joy of my life, and I hope to give up all my life to it."

"Do you expect to see Langhetti when you reach England?" asked Brandon, abruptly.

"I hope so," said she, musingly.

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