Theophile Gautier - 7 best short stories - Vampire

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Welcome to the book series 7 best short stories specials, selection dedicated to a special subject, featuring works by noteworthy authors. The texts were chosen based on their relevance, renown and interest. This edition is dedicated to Vampire.<br /> <br /> The vampire is now a fixture in popular fiction. Such fiction began with 18th-century poetry and continued with 19th-century short stories. Over time, some attributes now regarded as integral became incorporated into the vampire's profile: fangs and vulnerability to sunlight appeared over the course of the 19th century. Implied though not often explicitly documented in folklore, immortality is one attribute which features heavily in vampire film and literature. Much is made of the price of eternal life, namely the incessant need for blood of former equals. The critic August Nemo selected seven short stories that were essential to the formation of the vampire's folklore:<br /> <br /> – The Vampyre by John William Polidori.<br /> – Carmilla by Joseph Sheridan Le Fanu.<br /> – Mrs. Amworth by E. F. Benson.<br /> – Dracula's Guest by Bram Stoker.<br /> – Ligeia by Edgar Allan Poe.<br /> – Clarimonde by Théophile Gautier.<br /> – The Lair of the White Worm by Bram Stoker.

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By this time, Madame, Mademoiselle, my father, and a number of the servants were in the room. Carmilla was, of course, overwhelmed with inquiries, congratulations, and welcomes. She had but one story to tell, and seemed the least able of all the party to suggest any way of accounting for what had happened.

My father took a turn up and down the room, thinking. I saw Carmilla’s eye follow him for a moment with a sly, dark glance.

When my father had sent the servants away, Mademoiselle having gone in search of a little bottle of valerian and salvolatile, and there being no one now in the room with Carmilla, except my father, Madame, and myself, he came to her thoughtfully, took her hand very kindly, led her to the sofa, and sat down beside her.

“Will you forgive me, my dear, if I risk a conjecture, and ask a question?”

“Who can have a better right?” she said. “Ask what you please, and I will tell you everything. But my story is simply one of bewilderment and darkness. I know absolutely nothing. Put any question you please, but you know, of course, the limitations mamma has placed me under.”

“Perfectly, my dear child. I need not approach the topics on which she desires our silence. Now, the marvel of last night consists in your having been removed from your bed and your room, without being wakened, and this removal having occurred apparently while the windows were still secured, and the two doors locked upon the inside. I will tell you my theory and ask you a question.”

Carmilla was leaning on her hand dejectedly; Madame and I were listening breathlessly.

“Now, my question is this. Have you ever been suspected of walking in your sleep?”

“Never, since I was very young indeed.”

“But you did walk in your sleep when you were young?”

“Yes; I know I did. I have been told so often by my old nurse.”

My father smiled and nodded.

“Well, what has happened is this. You got up in your sleep, unlocked the door, not leaving the key, as usual, in the lock, but taking it out and locking it on the outside; you again took the key out, and carried it away with you to someone of the five-and-twenty rooms on this floor, or perhaps upstairs or downstairs. There are so many rooms and closets, so much heavy furniture, and such accumulations of lumber, that it would require a week to search this old house thoroughly. Do you see, now, what I mean?”

“I do, but not all,” she answered.

“And how, papa, do you account for her finding herself on the sofa in the dressing room, which we had searched so carefully?”

“She came there after you had searched it, still in her sleep, and at last awoke spontaneously, and was as much surprised to find herself where she was as any one else. I wish all mysteries were as easily and innocently explained as yours, Carmilla,” he said, laughing. “And so we may congratulate ourselves on the certainty that the most natural explanation of the occurrence is one that involves no drugging, no tampering with locks, no burglars, or poisoners, or witches — nothing that need alarm Carmilla, or anyone else, for our safety.”

Carmilla was looking charmingly. Nothing could be more beautiful than her tints. Her beauty was, I think, enhanced by that graceful languor that was peculiar to her. I think my father was silently contrasting her looks with mine, for he said:

“I wish my poor Laura was looking more like herself”; and he sighed.

So our alarms were happily ended, and Carmilla restored to her friends.

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