Abraham Merritt - 7 best short stories by Abraham Merritt

She sat up abruptly and looked through wide, opened doors into a garden. Broad steps dropped shallowly to an oval pool around whose sides were lithe willows trailing green tendrils in the blue water, wisterias with drooping ropes of blossoms, white and pale azure, and azaleas like flower flames. Rosy lilies lay upon the pool's breast. And at its far end was a small pagoda, fairy-like, built all of tiles of iridescent peacock blue and on each side a stately cypress, as though they were its ministers... why, this was their garden, the garden of the blue pagoda which Martin had copied from that place in Yunnan where lived his friend, the wise old priest...

But there was something wrong. These mountains were not like those of the ranch. They were conical, their smooth bare slopes of rose-red stone circled with trees. They were like huge stone hats with green brims...

She turned again and looked about the room. It was a wide room and a deep one, but how deep she could not see, because the sun streaming in from a high window struck the ancient vessel and made a curtain, veiling it beyond. She could see that there were beams across its ceiling, mellow with age, carved with strange symbols. She caught glimpses of ivory and of gleaming lacquer. There was a low altar of what seemed green jade, curiously carved and upon which were ceremonial objects of unfamiliar shape, a huge ewer of bronze whose lid was the head of a fox...

A man came toward her, walking out of the shadows beyond the ancient Tang vessel. He was clothed from neck to feet in a silken robe of silvery-blue upon which were embroidered, delicately as though by spiders, Taoist symbols and under them, ghostly in silver threads, a fox's head. He was bald, his face heavy, expressionless, skin smooth and faded yellow as some antique parchment. So far as age went he might have been sixty—or three hundred. But it was his eyes that held Jean Meredith. They were large and black and, liquid, and prodigiously alive. They were young eyes, belying the agelessness of the heavy face; and it was as though the face was but a mask from which the eyes had drawn all life into themselves. They poured into her strength and calmness and reassurance, and from her mind vanished all vagueness, all doubts, all fears. Her mind for the first time since the ambush was clear, crystal clear, her thoughts her own.

She remembered—remembered everything. But it was as though all had happened to another self. She felt pity for that self, but it had left no heritage of sorrow. She was tranquil. The black, youthful eyes poured tranquillity into her.

She said: "I know you. You are Yu Ch'ien, the wise priest my husband loved. This is the Temple of the Foxes."

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