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L. W. De Laurence: The Illustrated Key to the Tarot: The Veil of Divination

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L. W. De Laurence The Illustrated Key to the Tarot: The Veil of Divination

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This book is a practical guide on the art of Tarot, helping novice and experienced readers better understand this mysterious art. The book starts with an insight into the history of the Tarot and its connection with some occult parts of the past. Further, the authors go into great detail about the Greater and Lesser Arcanas, the Veil of Divinations, its secrets, symbols, traditions, and methods. It is believed that a significant part of the text was copied from a similar book by the British author g A.E. Waite, called «The Pictorial Key to the Tarot.» L.W. de Laurence used the loops in the copyright law during WWI and published the British book in the United States, as in that period, the interest in esoterica and Tarot was looming.

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L. W. De Laurence

The Illustrated Key to the Tarot: The Veil of Divination

e-artnow, 2021

Contact: info@e-artnow.org

EAN 4066338119094

Table of Contents

PART I THE VEIL AND ITS SYMBOLS PART I THE VEIL AND ITS SYMBOLS Table of Contents

Section I INTRODUCTORY AND GENERAL

CLASS I

Section 2 TRUMPS MAJOR

CLASS II

Section 3 THE FOUR SUITS

Section 4 THE TAROT IN HISTORY

PART II THE DOCTRINE BEHIND THE VEIL

Section I. THE TAROT AND SECRET TRADITION

Section 2 THE TRUMPS MAJOR AND THEIR INNER SYMBOLISM

Section 3 CONCLUSION AS TO THE GREATER KEYS

PART III THE OUTER METHOD OF THE ORACLES

Section 1 DISTINCTION BETWEEN THE GREATER AND LESSER ARCANA

Section 2 THE LESSER ARCANA

Section 3 THE GREATER ARCANA AND THEIR DIVINATORY MEANINGS

Section 4 SOME ADDITIONAL MEANINGS OF THE LESSER ARCANA

Section 5 THE RECURRENCE OF CARDS IN DEALING IN THE NATURAL POSITION

Section 6 THE ART OF TAROT DIVINATION

Section 7 AN ANCIENT CELTIC METHOD OF DIVINATION

Section 8 AN ALTERNATIVE METHOD OF READING THE TAROT CARDS

Section 9 THE METHOD OF READING BY MEANS OF THIRTY-FIVE CARDS

PART I

THE VEIL AND ITS SYMBOLS

Table of Contents

Section I

INTRODUCTORY AND GENERAL

Table of Contents

The pathology of the poet says that " the undevout astronomer is mad "; the pathology of the very plain man says that " the genius is mad "; and between these extremes, which stand for ten thousand analogous excesses, the sovereign reason takes the part of a moderator and does what it can. I do not think that there is a pathology of the occult dedications, but about their extravagances no one can question, and it is not less difficult than thankless to act as a moderator regarding them. Moreover, the pathology, if it existed, would probably be an empiricism rather than a diagnosis, and would offer no criterion. Now, occultism is not like mystic faculty, and it very seldom works in harmony either with business aptitude in the things of ordinary life or with a knowledge of the canons of evidence in its own sphere. I know that for the high art of ribaldry there are few things more dull than the criticism which maintains that a thesis is untrue, and cannot understand that it is decorative. I know also that after long dealing with doubtful doctrine or with difficult research it is always refreshing, in the domain of this art, to meet with what is obviously of fraud or at least of complete unreason. But the aspects of history, as seen through the lens of occultism, are not as a rule decorative, and have few gifts of refreshment to heal the lacerations which they inflict on the logical understanding. It almost requires a Frater Sapiens dominabitur astris in the Fellowship of the Rosy Cross to have the patience which is not lost amidst clouds of folly when the consideration of the Tarot is undertaken in accordance with the higher law of symbolism. The true Tarot is symbolism; it speaks no other language and offers no other signs. Given the inward meaning of its emblems, they do become a kind of alphabet which is capable of indefinite combinations and makes true sense in all. On the highest plane it offers a "Key" To The Mysteries , in a manner which is not arbitrary and has not been read in. But the wrong symbolical stories have been told concerning it, and the wrong history has been given in every published work which so far has dealt with the subject. It has been intimated by two or three writers that, at least in respect of the meanings, this is unavoidably the case, because few are acquainted with them, while these few hold by transmission under pledges and cannot betray their trust. The suggestion is fantastic on the surface, for there seems a certain anti-climax in the proposition that a particular interpretation of fortune-telling— l'art de tirer les cartes —can be reserved for Sons of the Doctrine. The fact remains, notwithstanding, that a Secret Tradition exists regarding the Tarot , and as there is always the possibility that some minor arcana of the Mysteries may be made public with a flourish of trumpets, it will be as well to go before the event and to warn those who are curious in such matters that any revelation will contain only a third part of the earth and sea and a third part of the stars of heaven in respect of the symbolism. This is for the simple reason that neither in root-matter nor in development has more been put into writing, so that much will remain to be said after any pretended unveiling. The guardians of certain temples of initiation who keep watch over mysteries of this order have therefore no cause for alarm.

In my preface to The Tarot Of The Bohemians , which, rather by an accident of things, has recently come to be re-issued after a long period, I have said what was then possible or seemed most necessary. The present work is designed more especially—as I have intimated—to introduce a rectified set of the cards themselves and to tell the unadorned truth concerning them, so far as this is possible in the outer circles. As regards the sequence of greater symbols, their ultimate and highest meaning lies deeper than the common language of picture or hieroglyph. This will be understood by those who have received some part of the Secret Tradition . As regards the verbal meanings allocated here to the more important Trump Cards, they are designed to set aside the follies and impostures of past attributions, to put those who have the gift of insight on the right track, and to take care, within the limits of my possibilities, that they are the truth so far as they go.

It is regrettable in several respects that I must confess to certain reservations, but there is a question of honor at issue. Furthermore, between the follies on the one side of those who know nothing of the tradition, yet are in their own opinion the exponents of something called occult science and philosophy, and on the other side between the make-believe of a few writers who have received part of the tradition and think that it constitutes a legal title to scatter dust in the eyes of the world without, I feel that the time has come to say what it is possible to say, so that the effect of current charlatanism and unintelligence may be reduced to a minimum.

We shall see in due course that the history of Tarot cards is largely of the negative kind, and that, when the issues are cleared by the dissipation of reveries and gratuitous speculations expressed in the terms of certitude, there is in fact no history prior to the fourteenth century. The deception and self-deception regarding their origin in Egypt , India or China put a lying spirit into the mouths of the first expositors, and the later occult writers have done little more than reproduce the first false testimony in the good faith of an intelligence unawakened to the issues of research. As it so happens, all expositions have worked within a very narrow range, and owe, comparatively speaking, little to the inventive faculty. One brilliant opportunity has at least been missed, for it has not so far occurred to any one that the Tarot might perhaps have done duty and even originated as a secret symbolical language of the Albigensian sects. I commend this suggestion to the lineal descendants in the spirit of Gabriele Rossetti and Eugène Aroux, to Mr. Harold Bayley as another

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