Ben Jonson - Every Man out of His Humour

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Every Man out of His Humour Ben Jonson – "Jonson's *Every Man Out of His Humour* is a comical satire about envy and aspiration among the ambitious middle classes, who seek happiness in fame and material fortune. This first critical edition of the play conveys early modern obsessions with wealth and self-display through historical contexts. The book offers an intriguing look at the course of urban comedy, and a wealth of information about social relationships and colloquial language at the end of the Elizabethan period.Ben Jonson's career began in 1597 when he held a fixed engagement in the «Admiral's Men», and although he was unsuccessful as an actor, his literary talent was apparent and he began writing original plays for the troupe. Jonson had a knack for absurdity and hypocrisy, a trait that made him immensely popular in the 17th century Renaissance period. It is known that Shakespeare's company produced several of Jonson's plays, Shakespeare himself appearing in «Every Man in His Humour» (1598). The play was Jonson's first major success, written in the style of «humour plays», a genre of comedy originated by George Chapman. In it, Jonson targets some of his favorite topics for satire: education, love, poetry, and social classes. As each major character represents a different issue, the play transforms into a depiction of everyday Renaissance life, and a scathing social commentary on the problems that plagued it.

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CORDATUS, the author's friend; a man inly acquainted with the scope and drift of his plot; of a discreet and understanding judgment; and has the place of a moderator.

MITIS, is a person of no action, and therefore we afford him no character.

THE STAGE. After the second sounding.

ENTER CORDATUS, ASPER, AND MITIS.

COR. Nay, my dear Asper.

MIT. Stay your mind.

ASP. Away!

Who is so patient of this impious world,

That he can check his spirit, or rein his tongue?

Or who hath such a dead unfeeling sense,

That heaven's horrid thunders cannot wake?

To see the earth crack'd with the weight of sin,

Hell gaping under us, and o'er our heads

Black, ravenous ruin, with her sail-stretch'd wings,

Ready to sink us down, and cover us.

Who can behold such prodigies as these,

And have his lips seal'd up? Not I: my soul

Was never ground into such oily colours,

To flatter vice, and daub iniquity:

But, with an armed and resolved hand,

I'll strip the ragged follies of the time

Naked as at their birth —

COR. Be not too bold.

ASP. You trouble me — and with a whip of steel,

Print wounding lashes in their iron ribs.

I fear no mood stamp'd in a private brow,

When I am pleased t'unmask a public vice.

I fear no strumpet's drugs, nor ruffian's stab,

Should I detect their hateful luxuries:

No broker's usurer's, or lawyer's gripe,

Were I disposed to say, they are all corrupt.

I fear no courtier's frown, should I applaud

The easy flexure of his supple hams.

Tut, these are so innate and popular,

That drunken custom would not shame to laugh,

In scorn, at him, that should but dare to tax 'em:

And yet, not one of these, but knows his works,

Knows what damnation is, the devil, and hell;

Yet hourly they persist, grow rank in sin,

Puffing their souls away in perjurous air,

To cherish their extortion, pride, or lusts.

MIT. Forbear, good Asper; be not like your name.

ASP. O, but to such whose faces are all zeal,

And, with the words of Hercules, invade

Such crimes as these! that will not smell of sin,

But seem as they were made of sanctity!

Religion in their garments, and their hair

Cut shorter than their eye-brows! when the conscience

Is vaster than the ocean, and devours

More wretches than the counters.

MIT. Gentle Asper,

Contain our spirits in more stricter bounds,

And be not thus transported with the violence

Of your strong thoughts.

COX. Unless your breath had power,

To melt the world, and mould it new again,

It is in vain to spend it in these moods.

ASP. [TURNING TO THE STAGE.]

I not observed this thronged round till now!

Gracious and kind spectators, you are welcome;

Apollo and Muses feast your eyes

With graceful objects, and may our Minerva

Answer your hopes, unto their largest strain!

Yet here mistake me not, judicious friends;

I do not this, to beg your patience,

Or servilely to fawn on your applause,

Like some dry brain, despairing in his merit.

Let me be censured by the austerest brow,

Where I want art or judgment, tax me freely.

Let envious censors, with their broadest eyes,

Look through and through me, I pursue no favour;

Only vouchsafe me your attentions,

And I will give you music worth your ears.

O, how I hate the monstrousness of time,

Where every servile imitating spirit,

Plagued with an itching leprosy of wit,

In a mere halting fury, strives to fling

His ulcerous body in the Thespian spring,

And straight leaps forth a poet! but as lame

As Vulcan, or the founder of Cripplegate.

MIT. In faith this humour will come ill to some,

You will be thought to be too peremptory.

ASP. This humour? good! and why this humour, Mitis?

Nay, do not turn, but answer.

MIT. Answer, what?

ASP. I will not stir your patience, pardon me,

I urged it for some reasons, and the rather

To give these ignorant well-spoken days

Some taste of their abuse of this word humour.

COR. O, do not let your purpose fall, good Asper;

It cannot but arrive most acceptable,

Chiefly to such as have the happiness

Daily to see how the poor innocent word

Is rack'd and tortured.

MIT. Ay, I pray you proceed.

ASP. Ha, what? what is't?

COR. For the abuse of humour.

ASP. O, I crave pardon, I had lost my thoughts.

Why humour, as 'tis 'ens', we thus define it,

To be a quality of air, or water,

And in itself holds these two properties,

Moisture and fluxure: as, for demonstration,

Pour water on this floor, 'twill wet and run:

Likewise the air, forced through a horn or trumpet,

Flows instantly away, and leaves behind

A kind of dew; and hence we do conclude,

That whatsoe'er hath fluxure and humidity,

As wanting power to contain itself,

Is humour. So in every human body,

The choler, melancholy, phlegm, and blood,

By reason that they flow continually

In some one part, and are not continent,

Receive the name of humours. Now thus far

It may, by metaphor, apply itself

Unto the general disposition:

As when some one peculiar quality

Doth so possess a man, that it doth draw

All his affects, his spirits, and his powers,

In their confluctions, all to run one way,

This may be truly said to be a humour

But that a rook, by wearing a pyed feather,

The cable hat-band, or the three-piled ruff,

A yard of shoe-tye, or the Switzer's knot

On his French garters, should affect a humour!

O, it is more than most ridiculous.

COR. He speaks pure truth; now if an idiot

Have but an apish or fantastic strain,

It is his humour.

ASP. Well, I will scourge those apes,

And to these courteous eyes oppose a mirror,

As large as is the stage whereon we act;

Where they shall see the time's deformity

Anatomised in every nerve, and sinew,

With constant courage, and contempt of fear.

MIT. Asper, (I urge it as your friend,) take heed,

The days are dangerous, full of exception,

And men are grown impatient of reproof.

ASP. Ha, ha!

You might as well have told me, yond' is heaven,

This earth, these men, and all had moved alike. —

Do not I know the time's condition?

Yes, Mitis, and their souls; and who they be

That either will or can except against me.

None but a sort of fools, so sick in taste,

That they contemn all physic of the mind,

And like gall'd camels, kick at every touch.

Good men, and virtuous spirits, that loath their vices,

Will cherish my free labours, love my lines,

And with the fervour of their shining grace

Make my brain fruitful, to bring forth more objects,

Worthy their serious and intentive eyes.

But why enforce I this? as fainting? no.

If any here chance to behold himself,

Let him not dare to challenge me of wrong;

For, if he shame to have his follies known,

First he should shame to act 'em: my strict hand

Was made to seize on vice, and with a gripe

Squeeze out the humour of such spongy souls,

As lick up every idle vanity.

COR. Why, this is right furor poeticus!

Kind gentlemen, we hope your patience

Will yet conceive the best, or entertain

This supposition, that a madman speaks.

ASP. What, are you ready there? Mitis, sit down,

And my Cordatus. Sound ho! and begin.

I leave you two, as censors, to sit here:

Observe what I present, and liberally

Speak your opinions upon every scene,

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