Georgette Heyer - Regency Romance Classics - Georgette Heyer Collection

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E-artnow presents to you the anthology of Regency Classics, Georgette Heyer edition.
Heyer's books act as a bright and colorful window into the 18th-century period in France and England. The witty dialogues, the vividly presented everyday life with a suspenseful story of action, complex characters and the ability to break the genre rules, make her novels stand out. She writes sharp, lively and opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones.
This volume includes the most beloved novels o this extraordinary author:
"Powder and Patch" – Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, he is a completely different man…
"The Black Moth" – The story follows Lord Jack Carstares, an English nobleman who becomes a highwayman after taking the blame during a cheating scandal years before. One day, he rescues Miss Diana Beauleigh when she is almost abducted by the Duke of Andover. Jack and Diana fall in love but his troubled past and current profession threaten their happiness.
"These Old Shades" – Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

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"Devilish good of you, Maurry, but I'll not sponge on you yet. No, don't start to argue with me, for my head's not strong enough what with one thing and another. Tell me more of this wife of yours. Who is it to be?"

"I haven't decided," replied Maurice. He yawned slightly. "There are so many to choose from."

"Ay—you're an attractive devil—'pon my word you are! What d'ye say to Lucy Farmer?"

Maurice shuddered.

"Spare me. I had thought of Marianne Tempest."

"What, old Castlehill's daughter? She'd kill you in a month, lad."

"But she is not—dowerless."

"No. But think of it, Maurry! Think of it! A shrew at twenty!"

"Then what do you think of Jane Butterfield?"

Thomas pulled at his lip, irresolute.

"I'm not decrying the girl, Maurice, but Lord! could you live with her?"

"I've not essayed it," answered Maurice.

"No, and marriage is so damned final! 'Tisn't as though ye could live together for a month or so before ye made up your minds. I doubt the girl would not consent to that."

"And if she did consent, one would not desire to wed her," remarked Maurice. "A pity. No, I believe I could not live with Jane."

Thomas sat down again.

"The truth of it is, Maurry, we Jettans must marry for love. There's not one of us ever married without it, whether for money or no."

"'Tis so unfashionable," objected Maurice. "One marries for convenience. One may have fifty different loves."

"What! All at once? I think you'd find that a trifle inconvenient, Maurry! Lord! just fancy fifty loves, oh, the devil! And three's enough to drive one crazed, bruise me if 'tis not."

Maurice's thin lips twitched responsively.

"Gad no! Fifty loves spread over a lifetime, and you're not bound to one of them. There's bliss, Tom, you rogue!"

Thomas shook a wise finger at him, his plump, good-humoured face solemn all at once.

"And not one of them's the true love, Maurry. For if she were, faith, she'd not be one of fifty! Now, you take my advice, lad, and wait. Damme, we'll not spoil the family record!

"A rakish youth, says the Jettan adage,

Marriage for love, and a staid old age.

"I don't know that it's true about the staid old age, though. Maybe 'tis only those who wed for love who acquire virtue. Anyway, you'll not break the second maxim, Maurry."

"Oh?" smiled Maurice. "What's to prevent me?"

Thomas had risen again. Now he slipped his arm in his brother's.

"If it comes to prevention, old sobersides, I'm game. I'll make an uproar in the church and carry off the bride. Gad, but 'twould be amusing! Carry off one's brother's bride, under his stern nose. Devil take it, Maurry, that's just what your nose is! I never thought on't before—stern, grim, old—now, steady, Tom, my boy, or you'll be laughing again with the old gentleman not yet underground!"

Maurice waited for his brother's mirth to abate.

"But, Tom, 'tis very well for you to counsel me not to wed without love! I must marry, for 'tis certain you'll not, and we must have heirs. What's to be done, I'd like to know?"

"Wait, lad, wait! You're not so old that you can't afford to hold back yet awhile."

"I'm thirty-five, Tom."

"Then you have fifteen years to run before you need settle down. Take my advice, and wait!"

The end of it was that Maurice did wait. For four years he continued to rove through Europe, amusing himself in the usual way of gentlemen of his day, but in 1729 he wrote a long letter from Paris to his brother in London, declaring himself in love, and the lady an angel of goodness, sweetness, amiability, and affection. He said much more in this vein, all of which Tom had to read, yawning and chuckling by turns. The lady was one Maria Marchant. She brought with her a fair dowry and a placid disposition. So Tom wrote off to Maurice at once, congratulating him, and bestowing his blessing on the alliance. He desired his dear old Maurry to quit travelling, and to come home to his affectionate brother Tom.

In a postscript he added that he dropped five hundred guineas at Newmarket, only to win fifteen hundred at dice the very next week, so that had it not been for his plaguey ill-luck in the matter of a small wager with Harry Besham, he would to-day be the most care-free of mortals, instead of a jaded creature, creeping about in terror of the bailiffs from hour to hour.

After that there was no more correspondence. Neither brother felt that there was anything further to be said, and they were not men to waste their time writing to one another for no urgent matter. Thomas thought very little more about Maurice's marriage. He supposed that the wedding would take place in England before many months had gone by; possibly Maurice would see fit to return at once, as he, Tom, had suggested. In the meantime, there was nothing to be done. Tom laid his brother's letter aside, and went on with his ordinary occupations.

He lived in Half-Moon Street. His house was ruled by his cook, the wife of Moggat, his valet-footman. She also ruled the hapless Moggat. Moggat retaliated by ruling his jovial master as far as he was able, so one might really say Mrs. Moggat ruled them all. As Tom was quite unaware of this fact, it troubled him not a whit.

A month after he had answered his brother's letter, Tom was disturbed one morning while he sipped his chocolate with the news that a gentleman wished to speak to him. Tom was in his bed-chamber, his round person swathed in a silken wrapper of astonishing brightness. He had not yet doffed his nightcap, and his wig lay on the dressing-table.

The lean, long Moggat crept in at the door, which he seemed hardly to open, and ahem'd directly behind his master.

Tom was in the act of swallowing his chocolate, and as he had not heard Moggat's slithering approach, the violent clearing of that worthy's throat startled him not a little, and he choked.

Tenderly solicitous, Moggat patted him on the back until the coughs and splutters had abated. Tom bounced round in his chair to face the man.

"Damn and curse it, Moggat! What d'ye mean by it? What d'ye mean by it, I say? Crawling into a room to make a noise at me just as I'm drinking! Yes, sir! Just as I'm drinking! Devil take you! D'ye hear me? Devil take you!"

Moggat listened in mournful silence. When Tom ceased for want of breath, he bowed, and continued as though there had been no interruption.

"There is a gentleman below, sir, as desires to have speech with you."

"A gentleman? Don't you know that gentlemen don't come calling at this hour, ye ninny-pated jackass? Bring me some more chocolate!"

"Yes, sir, a gentleman."

"I tell you no gentleman would disturb another at this hour! Have done now, Moggat!"

"And although I told the gentleman, sir, as how my master was not yet robed and accordingly could not see any visitors, he said it was of no consequence to him whatsoever, and he would be obliged to you to ask him upstairs at once, sir. So I—"

"Confound his impudence!" growled Tom. "What's his name?"

"The gentleman, sir, on my asking what name I was to tell you, gave me to understand that it was of no matter."

"Devil take him! Show him out, Moggat! Like as not 'tis one of these cursed bailiffs. Why, you fool, what d'ye mean by letting him in?"

Moggat sighed in patient resignation.

"If you will allow me to say so, sir, this gentleman is not a bailiff."

"Well, who is he?"

"I regret, sir, I do not know."

"You're a fool! What's this fellow like?"

"The gentleman"—Moggat laid ever so little stress on the word—"is tall, sir, and—er—slim. He is somewhat dark as regards eyes and brows, and he is dressed, if I may say so, exceedingly modishly, with a point-edged hat, and very full-skirted puce coat, laced, French fashion, with—"

Tom snatched his nightcap off and threw it at Moggat.

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