H. P. Lovecraft - The Complete Fiction of H. P. Lovecraft

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Howard Phillips Lovecraft was an American writer of weird fiction and horror fiction. Born in Providence, Rhode Island, he spent most of his life there, and his fiction was primarily set against a New England backdrop.
Lovecraft was virtually unknown during his lifetime and published only in pulp magazines before he died in poverty, but is now regarded as one of the most significant 20th-century authors of weird and horror fiction.

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To form even a rudimentary idea of our thoughts and feelings as we penetrated this aeon-silent maze of unhuman masonry one must correlate a hopelessly bewildering chaos of fugitive moods, memories, and impressions.The sheer appalling antiquity and lethal desolation of the place were enough to overwhelm almost any sensitive person, but added to these elements were the recent unexplained horror at the camp, and the revelations all too soon effected by the terrible mural sculptures around us.The moment we came upon a perfect section of carving, where no ambiguity of interpretation could exist, it took only a brief study to give us the hideous truth—a truth which it would be naive to claim Danforth and I had not independently suspected before, though we had carefully refrained from even hinting it to each other.There could now be no further merciful doubt about the nature of the beings which had built and inhabited this monstrous dead city millions of years ago, when man’s ancestors were primitive archaic mammals, and vast dinosaurs roamed the tropical steppes of Europe and Asia.

We had previously clung to a desperate alternative and insisted—each to himself—that the omnipresence of the five-pointed motif meant only some cultural or religious exaltation of the Archaean natural object which had so patently embodied the quality of five-pointedness; as the decorative motifs of Minoan Crete exalted the sacred bull, those of Egypt the scarabaeus, those of Rome the wolf and the eagle, and those of various savage tribes some chosen totem-animal.But this lone refuge was now stripped from us, and we were forced to face definitely the reason-shaking realisation which the reader of these pages has doubtless long ago anticipated.I can scarcely bear to write it down in black and white even now, but perhaps that will not be necessary.

The things once rearing and dwelling in this frightful masonry in the age of dinosaurs were not indeed dinosaurs, but far worse.Mere dinosaurs were new and almost brainless objects—but the builders of the city were wise and old, and had left certain traces in rocks even then laid down well-nigh a thousand million years ...rocks laid down before the true life of earth had advanced beyond plastic groups of cells ...rocks laid down before the true life of earth had existed at all.They were the makers and enslavers of that life, and above all doubt the originals of the fiendish elder myths which things like the Pnakotic Manuscripts and the Necronomicon affrightedly hint about.They were the Great Old Ones that had filtered down from the stars when earth was young—the beings whose substance an alien evolution had shaped, and whose powers were such as this planet had never bred.And to think that only the day before Danforth and I had actually looked upon fragments of their millennially fossilised substance ...and that poor Lake and his party had seen their complete outlines....

It is of course impossible for me to relate in proper order the stages by which we picked up what we know of that monstrous chapter of pre-human life.After the first shock of the certain revelation we had to pause a while to recuperate, and it was fully three o’clock before we got started on our actual tour of systematic research.The sculptures in the building we entered were of relatively late date—perhaps two million years ago—as checked up by geological, biological, and astronomical features; and embodied an art which would be called decadent in comparison with that of specimens we found in older buildings after crossing bridges under the glacial sheet.One edifice hewn from the solid rock seemed to go back forty or possibly even fifty million years—to the lower Eocene or upper Cretaceous—and contained bas-reliefs of an artistry surpassing anything else, with one tremendous exception, that we encountered.That was, we have since agreed, the oldest domestic structure we traversed.

Were it not for the support of those flashlights soon to be made public, I would refrain from telling what I found and inferred, lest I be confined as a madman.Of course, the infinitely early parts of the patchwork tale—representing the pre-terrestrial life of the star-headed beings on other planets, and in other galaxies, and in other universes—can readily be interpreted as the fantastic mythology of those beings themselves; yet such parts sometimes involved designs and diagrams so uncannily close to the latest findings of mathematics and astrophysics that I scarcely know what to think.Let others judge when they see the photographs I shall publish.

Naturally, no one set of carvings which we encountered told more than a fraction of any connected story; nor did we even begin to come upon the various stages of that story in their proper order.Some of the vast rooms were independent units so far as their designs were concerned, whilst in other cases a continuous chronicle would be carried through a series of rooms and corridors.The best of the maps and diagrams were on the walls of a frightful abyss below even the ancient ground level—a cavern perhaps 200 feet square and sixty feet high, which had almost undoubtedly been an educational centre of some sort.There were many provoking repetitions of the same material in different rooms and buildings; since certain chapters of experience, and certain summaries or phases of racial history, had evidently been favourites with different decorators or dwellers.Sometimes, though, variant versions of the same theme proved useful in settling debatable points and filling in gaps.

I still wonder that we deduced so much in the short time at our disposal.Of course, we even now have only the barest outline; and much of that was obtained later on from a study of the photographs and sketches we made.It may be the effect of this later study—the revived memories and vague impressions acting in conjunction with his general sensitiveness and with that final supposed horror-glimpse whose essence he will not reveal even to me—which has been the immediate source of Danforth’s present breakdown.But it had to be; for we could not issue our warning intelligently without the fullest possible information, and the issuance of that warning is a prime necessity.Certain lingering influences in that unknown antarctic world of disordered time and alien natural law make it imperative that further exploration be discouraged.

VII.

The full story, so far as deciphered, will shortly appear in an official bulletin of Miskatonic University.Here I shall sketch only the salient high lights in a formless, rambling way.Myth or otherwise, the sculptures told of the coming of those star-headed things to the nascent, lifeless earth out of cosmic space—their coming, and the coming of many other alien entities such as at certain times embark upon spatial pioneering.They seemed able to traverse the interstellar ether on their vast membraneous wings—thus oddly confirming some curious hill folklore long ago told me by an antiquarian colleague.They had lived under the sea a good deal, building fantastic cities and fighting terrific battles with nameless adversaries by means of intricate devices employing unknown principles of energy.Evidently their scientific and mechanical knowledge far surpassed man’s today, though they made use of its more widespread and elaborate forms only when obliged to.Some of the sculptures suggested that they had passed through a stage of mechanised life on other planets, but had receded upon finding its effects emotionally unsatisfying.Their preternatural toughness of organisation and simplicity of natural wants made them peculiarly able to live on a high plane without the more specialised fruits of artificial manufacture, and even without garments except for occasional protection against the elements.

It was under the sea, at first for food and later for other purposes, that they first created earth-life—using available substances according to long-known methods.The more elaborate experiments came after the annihilation of various cosmic enemies.They had done the same thing on other planets; having manufactured not only necessary foods, but certain multicellular protoplasmic masses capable of moulding their tissues into all sorts of temporary organs under hypnotic influence and thereby forming ideal slaves to perform the heavy work of the community.These viscous masses were without doubt what Abdul Alhazred whispered about as the “shoggoths” in his frightful Necronomicon, though even that mad Arab had not hinted that any existed on earth except in the dreams of those who had chewed a certain alkaloidal herb.When the star-headed Old Ones on this planet had synthesised their simple food forms and bred a good supply of shoggoths, they allowed other cell-groups to develop into other forms of animal and vegetable life for sundry purposes; extirpating any whose presence became troublesome.

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