Jacob Abbott - Marco Paul's Voyages and Travels; Vermont

The design of the series of volumes, entitled Marco Paul's Adventures in the Pursuit of Knowledge, is not merely to entertain the reader with a narrative of juvenile adventures, but also to communicate, in connection with them, as extensive and varied information as possible, in respect to the geography, the scenery, the customs and the institutions of this country, as they present themselves to the observation of the little traveler, who makes his excursions under the guidance of an intelligent and well-informed companion, qualified to assist him in the acquisition of knowledge and in the formation of character. The author has endeavored to enliven his narrative, and to infuse into it elements of a salutary moral influence, by means of personal incidents befalling the actors in the story. These incidents are, of course, imaginary–but the reader may rely upon the strict and exact truth and fidelity of all the descriptions of places, institutions and scenes, which are brought before his mind in the progress of the narrative. Thus, though the author hopes that the readers who may honor these volumes with their perusal, will be amused and interested by them, his design throughout will be to instruct rather than to entertain.

When Mr. Baron, Marco's father, put Marco under his cousin Forester's care, it was his intention that he should spend a considerable part of his time in traveling, and in out-of-door exercises, such as might tend to re-establish his health and strengthen his constitution. He did not, however, intend to have him give up the study of books altogether. Accordingly, at one time, for nearly three months, Marco remained at Forester's home, among the Green Mountains of Vermont, where he studied several hours every day.

It was in the early part of the autumn, that he and Forester went to Vermont. They traveled in the stage-coach. Vermont lies upon one side of the Connecticut river, and New Hampshire upon the other side. The Green Mountains extend up and down, through the middle of Vermont, from north to south, and beyond these mountains, on the western side of the state, is lake Champlain, which extends from north to south also, and forms the western boundary. Thus, the Green Mountains divide the state into two great portions, one descending to the eastward, toward Connecticut river, and the other to the westward, toward lake Champlain. There are, therefore, two great ways of access to Vermont from the states south of it; one up the Connecticut river on the eastern side, and the other along the shores of lake George and lake Champlain on the western side. There are roads across the Green Mountains also, leading from the eastern portion of the state to the western. All this can be seen by looking upon any map of Vermont.

Marco and Forester went up by the Connecticut river. The road lay along upon the bank of the river, and the scenery was very pleasant. They traveled in the stage-coach; for there were very few railroads in those days.

The country was cultivated and fertile, and the prospect from the windows of the coach was very fine. Sometimes wide meadows and intervales extended along the river,–and at other places, high hills, covered with trees, advanced close to the stream. They could see, too, the farms, and villages, and green hills, across the river, on the New Hampshire side.

On the second day of their journey, they turned off from the river by a road which led into the interior of the country; for the village where Forester's father resided was back among the mountains. They had new companions in the coach too, on this second day, as well as a new route; for the company which had been in the coach the day before were to separate in the morning, to go off in different directions. Several stage-coaches drove up to the door of the tavern in the morning, just after breakfast, with the names of the places where they were going to, upon their sides. One was marked, "Haverhill and Lancaster;" another, "Middlebury;" and a third, "Concord and Boston;" and there was one odd-looking vehicle, a sort of carryall, open in front, and drawn by two horses, which had no name upon it, and so Marco could not tell where it was going. As these several coaches and carriages drove up to the door, the hostlers and drivers put on the baggage and bound it down with great straps, and then handed in the passengers;–and thus the coaches, one after another, drove away. The whole movement formed a very busy scene, and Marco, standing upon the piazza in front of the tavern, enjoyed it very much.

There was a very large elm-tree before the door, with steps to climb up, and seats among the branches. Marco went up there and sat some time, looking down upon the coaches as they wheeled round the tree, in coming up to the door. Then he went down to the piazza again.

The Great Elm

There was a neatly-dressed young woman, with a little flower-pot in her hand, standing near him, waiting for her turn. There was a small orange-tree in her flower-pot. It was about six inches high. The sight of this orange-tree interested Marco very much, for it reminded him of home. He had often seen orange-trees growing in the parlors and green-houses in New York.

"What a pretty little orange-tree!" said Marco. "Where did you get it?"

"How did you know it was an orange-tree?" said the girl.

"O, I know an orange-tree well enough," replied Marco. "I have seen them many a time."

"Where?" asked, the girl.

"In New York," said Marco. "Did your orange-tree come from New York?"

"No," said the girl. "I planted an orange-seed, and it grew from that. I've got a lemon-tree, too," she added, "but it is a great deal larger. The lemon-tree grows faster than the orange. My lemon-tree is so large that I couldn't bring it home very well, so I left it in the mill."

"In the mill?" said Marco. "Are you a miller?"

The girl laughed. She was a very good-humored girl, and did not appear to be displeased, though it certainly was not quite proper for Marco to speak in that manner to a stranger. She did not, however, reply to his question, but said, after a pause,

"Do you know where the Montpelier stage is?"

The proper English meaning of the word stage is a portion of the road , traveled between one resting-place and another. But in the United States it is used to mean the carriage,–being a sort of contraction for stage-coach .

"No," said Marco, " we are going in that stage."

"I wish it would come along," said the girl, "for I'm tired of watching my trunk."

"Where is your trunk?" said Marco.

So the girl pointed out her trunk. It was upon the platform of the piazza, near those belonging to Forester and Marco. The girl showed Marco her name, which was Mary Williams, written on a card upon the end of it.

"I'll watch your trunk," said Marco, "and you can go in and sit down until the stage comes."

Mary thanked him and went in. She was not, however, quite sure that her baggage was safe, intrusted thus to the charge of a strange boy, and so she took a seat near the window, where she could keep an eye upon it. There was a blue chest near these trunks, which looked like a sailor's chest, and Marco, being tired of standing, sat down upon this chest. He had, however, scarcely taken his seat, when he saw a coach with four horses, coming round a corner. It was driven by a small boy not larger than Marco. It wheeled up toward the door, and came to a stand. Some men then put on the sailor's chest and the trunks. Mary Williams came out and got into the coach. She sat on the back seat. Forester and Marco got in, and took their places on the middle seat. A young man, dressed like a sailor, took the front seat, at one corner of the coach. These were all the passengers that were to get in here. When every thing was ready, they drove away.