Various - Blackwood's Edinburgh Magazine, Volume 58, Number 358, August 1845

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The Captain's theoretical error is, that he too much confounds the necessity of penal laws with the duty of public education. The duty of the state to educate its subjects is undeniable; but, when criminals are brought before it, this is not the duty which is then most prominent. This is a duty which ought to have been performed before—it is a duty which ought not to be forgotten then; but there is another function which comes into operation, which is typified by the judge, not by the schoolmaster.

We observe that Captain Maconochie confirms, from his own experience, the opinion already expressed by many others upon the policy of solitary confinement. For a short period the effect is good; but, if prolonged, it leads either to stupid indifference or moroseness of temper, if it does not conduct even to insanity. It is, manifestly, an expedient to be cautiously used. We should, before any appeal to experience, and judging only from the nature of the human mind, have confidently predicted this result. And, indeed, has not the effect of solitary confinement been long ago understood and powerfully described? In that delightful tale of the Arabian Nights, where the poor fisherman draws up a jar from the bottom of the sea, and, on opening it, gives escape to a confined spirit or genie, this monster of ingratitude immediately draws a huge sabre, with the intention of decapitating his deliverer. Some parley ensues; and the genie explains that he is only about to fulfil a vow that he had made while incarcerated in the jar—that, during the first thousand years of his imprisonment—and, to an immortal genie, a thousand years may reckon as about two calendar months with us—he promised to his deliverer all imaginable blessings; but, during the second thousand years, he vowed that he would kill the man who should release him! Could there possibly be a better illustration of the effect of solitary confinement?

But on the peculiar modifications of prison discipline, it is not our purpose here to enlarge. This must be reserved to some future occasion. We must content ourselves with observing, that we have little confidence in novelties, and little wish to prompt the invention of our legislators in this direction. We are as little disposed to advocate the silent as the solitary system. Such a demeanour as any reflective man would naturally expect to find in a place of public correction, is all that we should require to be preserved. All boisterous mirth, all obstreperous laughter, all loud talking, would, by every efficient governor of such an institution, be systematically repressed. The labours of such an establishment should be conducted with stern military order. Every inmate should feel himself under an irresistible domination, and that obedience and submission are the only parts he has to enact. How easily the strongest minds may be led astray when scope is given to invention in this matter of penal discipline, may be seen in the example of Jeremy Bentham himself. This celebrated man, whose cogitative faculty was assuredly of the most vigorous description, but who had a mode of developing it the most insufferably and needlessly prolix, would have filled our prisons with inextinguishable laughter by the introduction of certain "tragic masks," indicative of various crimes or passions, in which the several offenders were to be occasionally paraded—a quaint device, which would have given a carnival to our jails.

Our main purpose, in these somewhat fragmentary observations, was to protest against the reasoning which would divest punishment of its proper and distinctive character, which, spreading about weak and effeminate scruples, would paralyse the arm which bears the sword of justice. One writer would impugn the right of society to put its arch-criminals to death; another controverts its right to inflict any penalty whatever, which has not for its direct object the reformation of the criminal. So, then, the offender who will not live with his fellow-men on the only terms on which human fellowship can be maintained, is to stand out and bandy logic with the community—with mankind—and insist upon his individual imprescriptible rights. These à priori gentry would find it very difficult to draw any advantage from their imprescriptible rights, except in a state of tolerable civil government. Civil government is, at all events, the condition on which depends the enjoyment of all individual rights; without which they are but shadows and abstractions, if even intelligible abstractions. Let us have no more, therefore, of an opposition between the rights of individuals and the stern, imperative, expediencies of society. There can be no such opposition. Is it not as if some particular wave of the sea should assert a law of motion of its own, and think it injustice to submit to the great tidal movements of the ocean?

REFERENCES

Zschokke's Aehrenlese.—Part I. Pandora, Civilization, Demoralization, and Death-punishment.

On the Management of Transported Criminals. By Captain Maconochie, R.N., K.H., late Superintendent at Norfolk Island.

General Views, &c. &c. By the Same.

PÚSHKIN, THE RUSSIAN POET

No. III

Specimens of his Lyrics
Translated from the Original Russian, by Thomas B. Shaw, B.A. of Cambridge, Adjunct Professor of English Literature in the Imperial Alexander Lyceum, Translator of "the Heretic," &c. &c

We trust our readers will not blame us for the slightness of construction and unimportant subjects of many of the minor pieces which we have admitted into our present selection from Púshkin's lyrical productions. It was our object to give the English reader, as far as possible, a fair and just notion of the poet's peculiar turn of thought and style of expression; and to do this completely, it appeared to us indispensable to avoid confining our choice—however natural it might have seemed, and however great the temptation to do so—to the more ambitious and elaborate efforts of his genius. The true principles of criticism have long ago established the doctrine, that the composition of a beautiful song, or even of a perfect epigram, deserves to be considered as difficult a task, and as rare an achievement, as the production of an ode or of an elegy; and though it may be objected that, for the purposes of translation , the song is generally much more ungrateful than the more imposing production, yet we could not consider ourselves as fulfilling our promise, (of holding up to our countrymen a faithful mirror of Púshkin's poetry,) had we omitted to attempt versions of the slighter and more delicate productsof his poesy. It is true that, in passing through the deteriorating process of translation into another language, the lighter works suffer most, and are more likely to lose that exquisite delicacy of expression, and that transparent colouring of thought, which is the more peculiar merit of the song or the fugitive poem—these tender blossoms run much more risk of losing, in short, their finer and more evanescent aroma, than the more gorgeous flowers of the tropical regions of poetical imagining; but at the same time it must be remarked, that the danger in such experiments is not on the side of the author , but wholly on that of the translator . That we have determined—rashly, perhaps—to encounter this danger, must be our apology for having introduced into our collection many of the shorter and slighter pieces which will be found in these pages, and, among them, the specimen which we are now about to present.

Alas for Her! Why Is She Shining?"

Alas for her! why is she shining
In soft and momentary bloom?
Yet all the while in secret pining
'Mid youth's gay pride and first perfume …
She fades! To her it is not given
Long o'er life's paths in joy to roam,
Or long to make an earthly heaven
In the calm precincts of her home;
Our daily converse to enlighten
With playful sense, with charming wile,
The sufferer's woe-worn brow to brighten
With the reflection of her smile.
Now that black thoughts around me darken,
I veil my grief with steady will,
To her sweet voice I haste to hearken,—
To hearken: and to gaze my fill.
I gaze, I hearken yet, and never
Shall voice or form from me depart;
Nought but our parting hour can ever
Wake fear or anguish in my heart.

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