Will Adams - The Lost Labyrinth

He reached again the small square, saw two more of the Georgians from the day before converging from his right and from straight ahead. They saw him and shouted out to each other, forcing him to flee to his left, the only direction open to him, up a steep cobbled lane. A man was lopping branches from a tree with a petrol-powered chainsaw. For a mad moment, Knox considered wresting it from him and fighting a desperate rearguard until the police arrived; but the Georgians were too close behind him. And now he saw yet another of them striding purposefully towards him. There was a narrow alley to his right. At least it was empty of people, allowing him to break at last into a full-blooded sprint, put some distance between himself and the pursuit. The alley kinked so sharply right that his soles lost grip on the polished cobbles, and he crashed hard into the facing wall, falling onto the ground and scraping his palms, picking himself instantly up and running on.

The alley kinked again; he slowed a little to take this corner, keeping his eyes down to make sure of footing. But when he looked up again, a white van was parked immediately ahead of him, its rear doors open, blocking the full width of the alley. And then, even as he heard the Georgians running up the alley behind him, he saw Mikhail Nergadze leaning against the wall with his arms folded, looking distinctly pleased with himself at the ease with which he'd driven his lab rat here through this Athens maze.

Viktor drove alone down to the castle in the battered, unmarked Lada he'd picked out from the pool. It was just the kind of car that a low-level policeman might own. He got into character as he drove: pompous, officious and stupid, just the kind of man to get under the skin of the Nergadzes. The drawbridge was up, but there was a wooden cabin this side of the moat, two guards on duty outside. One of them, his feet up on a low rattan table, was wearing a holstered handgun. The other was leaning against the cabin wall, a shotgun over his shoulder.

Viktor wound down his window. 'Police,' he said. 'I'm here to speak to Ilya Nergadze.'

'At this time of morning?' grunted the first guard, not bothering to put his feet down. 'You've got to be kidding.'

'No,' said Viktor. 'I'm not kidding.'

'Come back in a couple of hours. They had a late one last night.'

'I'm here on police business,' snapped Viktor. 'I demand to see Ilya Nergadze. Now.'

'Demand all you like,' said the guard. 'Won't make a damned bit of difference.'

Viktor got out of the Lada, slammed the door. 'Then please let him know I'm here. And that I have a warrant.'

'Fine,' sighed the guard. He got to his feet, went inside, held a brief conversation on the intercom, then came back out and sat down again.

Men appeared on the battlements, flaunting their weapons. Viktor leaned back from the waist so that his buttonhole camera could film them. You could never have too much footage. The drawbridge began to lower, evidently operated from inside. He expected the main gates to open too, but a smaller door inset in the foot of one of the turrets opened instead, and then Alexei Nergadze padded out, wearing only a pair of cut-off jeans, proudly showing off his paunch. 'Who the fuck are you?' he grunted, walking across the drawbridge.

'Police,' said Viktor.

'You're not from round here.' He'd brought a cup of coffee with him, was warming his hands around it. 'I know our local police.'

'I'm in the antiquities department,' said Viktor grandly. 'From Tbilisi.'

'Antiquities!' scoffed Alexei. 'You've got to be fucking kidding me. I didn't even know there was such a thing.'

'Well, now you do.'

'Couldn't hack it as a real cop, eh?'

'I am a real cop. What's more, I have a real warrant to search these premises.'

'Give it here, then,' said Alexei. 'We're running short of toilet paper.'

'This is not a joke, I assure you,' Viktor told him primly. 'We have reason to believe that you have valuable artefacts here; artefacts that belong to the nation of Georgia, and that are in danger of being destroyed.'

'You have to be out of your fucking mind,' said Alexei, his good humour all used up. 'Don't you know who we are?'

'You're a citizen of the Republic of Georgia, subject to its laws, just like the rest of us.'

'That's it! I've had enough of this! Get the fuck out of here.'

'I have a warrant,' said Viktor, barging past Alexei to the drawbridge. 'I'm conducting my search, whether you like it or not.'

'You're doing nothing of the fucking sort,' said Alexei, grabbing his shoulder and pulling him back. 'This is private property.'

'Assaulting an officer in the course of his duties,' said Viktor smugly. 'Alexei Nergadze, I arrest you on the-'

The head-butt caught Viktor completely by surprise. He found himself lying dazed and on his back nursing his nose, studying his hands for blood, while Alexei went over to the cabin, grabbed the shotgun from the guard, then came back to stand over Viktor. 'You were saying?' he asked, taking a sip of coffee.

There were many reasons why other careers had been spoiled for Viktor, but this was the biggest. This moment right here. In what other field would he have this kind of power over powerful men? He pressed the transmitter button on his chest. 'Officer down!' he cried. 'Back-up! Back-up! Back-up!'

V

'Here, doggie, doggie,' called out Gaille, standing well to the side of the house. 'Here, boy.'

The German shepherd opened one eye, then the other. It looked wearily at her for a moment, as though this wasn't how it wanted its day to start, but then duty called and it bounded to its feet and galloped towards her, so that even though she knew she was well out of its range, she jumped backwards all the same, sending a jolt through her ankle. The dog reached the end of its tether and jerked back, though not so violently as last night, as though it was learning. Then it rose up on its rear legs and made like it was one of the four horses of the apocalypse.

Behind its back, Iain appeared round the far side of the house. Using Gaille as a distraction, he crept forwards with his rope, tied a slipknot round the dog's leash where it met the metal spike, then retreated to a safe distance. Now it was his turn to make a rumpus. The dog turned and looked back and forth between him and Gaille, torn by choice. Iain took a couple of steps towards the front door, enough to provoke it into charging. He danced easily out of range, then pulled on his rope so that the slipknot ran all the way up the dog's leash until it was tight against its collar, effectively pinning it between himself and the spike, like a wild horse being broken by two cowboys with lassos. Iain now leaned back as though abseiling down a cliff, and stepped to his left, dragging the dog after him, until he'd reached an olive tree. He looped his rope twice around its trunk then tied another knot in it, trapping the dog impotently between its two leashes.

After that, getting through the front door was a breeze. The wooden jamb had rotted; it splintered quickly before Iain's crowbar. The door opened straight into a main room, its bare-cement floor covered by scattered worn rugs. There was a tattered armchair to their left by a shuttered window, a Mauser hunting rifle leaning against it, along with a box of shells, as though Petitier had liked to sit there and shoot any wildlife that came into view. The walls above it were haphazardly decorated with framed black-and-white photographs of what appeared to be the surrounding countryside and escarpment, while the back wall was given over entirely to shelving, crammed with books, folders and magazines, more books stacked upon the sturdy oak desk in the corner.

Iain sniffed the vinegary air. 'Fish and chips,' he said. 'A man after my own heart.'