Will Adams - The Lost Labyrinth
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- Название:The Lost Labyrinth
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The Lost Labyrinth: краткое содержание, описание и аннотация
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'The man who has the fleece is planning to unveil it at a talk tomorrow afternoon. So we're going to go visit him first thing in the morning, and persuade him to sell it to us.'
'He's expecting us, then?'
'Not exactly. But I know where he's staying.'
'What if he doesn't want to sell?'
Mikhail laughed. 'He'll want to by the time I'm through with him, believe me. He'll be begging us to buy it.'
'Then why pay for it at all?' grumbled Zaal. 'Why not just take it?'
'Because this isn't just about the fleece,' Mikhail told him. 'This is about the election too. It's about my grandfather buying the fleece on behalf of the Georgian people, however much it costs, because that's the kind of patriot he is.'
Edouard's heart-rate had resettled. He got to his feet, refilled his own glass with vodka, tossed it back, restoring a little courage. 'This professor you spoke to,' he said. 'The one who went to Crete to see it. If I'm to verify the fleece for you, I'll need to speak to him myself.'
'Really?' asked Mikhail. 'How?'
'Give me his address. I'll go visit him.'
'And what good will that do you?' asked Mikhail. 'Unless you take a Ouija board, of course.'
'Oh Christ!' muttered Edouard.
Mikhail laughed. 'Don't worry. I know what I'm doing.' He turned to Boris, like a doctor discussing an intriguing case with a colleague. 'I even got him to write his own note. Amazing what people will do.'
'So who's the guy with the fleece, then?' asked Zaal. 'The one we're going to see in the morning, I mean?'
'His name's Roland Petitier,' said Mikhail. He threw Edouard another disdainful glance. 'Another professor, as it happens.'
The plasma TV was still tuned mutely to the news, showing footage of a white-sheeted body on a trolley being loaded onto an ambulance, while banner headlines ran across the top of the screen. Edouard felt a touch of reckless, almost childish glee as he drew Mikhail's attention to it. 'You don't mean him, I suppose, do you?' he asked.
III
As Knox returned from the ICU, the lamps in the hospital lobby went into synchronised spasm, shuddering like lightning. Gaille was on a wooden bench, deep in conversation with Charissa. They both looked up as he approached. 'Well?' asked Gaille. 'How is he?'
Knox shook his head. 'Not so good. But at least he seems to be stable.'
'And Claire? How's she holding up?'
'She's a bit shaken, as you'd expect.'
'Any chance that she could talk to the press?' asked Charissa. 'Only we need someone sympathetic to be Augustin's spokesperson.'
'Not tonight,' replied Knox. 'She's too upset. Maybe tomorrow.'
'How about you, then?'
Knox took a step back to allow past a porter pushing an elderly woman in a wheelchair, her head tipped to the side, silently weeping. 'Isn't spokesperson a lawyer's job?'
'I'll be beside you, believe me,' said Charissa. 'But right now our most important task is to get the public on Augustin's side; and the public has a habit of making assumptions in cases like these. They assume, for example, that only guilty people need lawyers. And they further assume that lawyers will say anything for a fee.'
'Aren't you exaggerating?'
She shook her head emphatically. 'Did you know that the jury system started as a popularity contest? The party with the most supporters won the case, on the basis that good people had more friends. Public opinion still works that way. We need to demonstrate that Augustin has friends who believe in him and who'll stick by him even in terrible situations. Right now, that means you and Gaille. And, of the two of you, you've been his friend much longer.'
'Fine,' said Knox. 'What do I say?'
'Start by establishing your credentials. You're Daniel Knox, you discovered Alexander's tomb, you brought down the Dragoumises. Don't boast, just let viewers know you're a man of substance. Then tell them much what you told me: that you've been Augustin's friend for many years, and that the idea of him being responsible for anyone's death is absurd, but that you know for a fact he couldn't have been responsible for this death because you were with him all afternoon, collecting his fiancee-not his girlfriend, mind, his fiancee-from the airport, and Petitier was still alive when you found him. Explain that Augustin himself called the emergency services, and that none of this would have happened if a policeman hadn't groped Claire, leaving him with no choice but to defend her honour. We Greeks understand honour.'
'Okay.'
'Try to keep the blame as focused as possible for the moment. One rogue policeman, not the whole department. And, whatever you do, don't make out like it's a case of foreigners against Greeks. You'll lose all sympathy in a heartbeat.'
'Understood.'
'Good,' she nodded. 'Then let's go do it.'
NINE
I
For a moment, Edouard feared he'd made a dreadful mistake, bringing the news of Petitier's death so gleefully to Mikhail's attention. But Mikhail was too perturbed by what he saw to worry about that. He grabbed the remote, turned up the volume. A studio anchor was discussing latest developments with a reporter on location outside Evangelismos Hospital; but then the reporter broke off and turned to the front steps, down which two women and a man were now walking, their night-time faces a strobe of flashbulbs.
'That's Daniel Knox,' muttered Edouard.
'Who?' asked Mikhail.
'The Egyptologist. He found Alexander the Great and then Akhenaten. You must remember. And that woman to his left. That's his girlfriend Gaille Bonnard.'
'She's pretty,' muttered Mikhail, his hand drifting to his crotch. 'I like a girl who makes the most of herself.'
Edouard sat back, intrigued. Knox and Bonnard had turned the world of archaeology upside down with their recent discoveries. Suddenly the prospect of the fleece being genuine seemed significantly higher.
In brisk Greek, Knox introduced his companions, gave his own background, before launching into a spirited attack on the notion that Augustin Pascal had had anything to do with Petitier's death, not least because he'd been with him all afternoon. Then he looked direct into the camera and added: 'I love Greece. I love the Greek people. I love being here in Athens. So I'd like to believe what happened to my friend was the handiwork of one rogue policeman.' He jerked his head at the hospital. 'But I heard something disturbing just now in Intensive Care. I heard that the police have been arranging the transfer of my friend into their custody, even though they have no way of looking after him properly. So I have a question for those policemen, if they're watching: why would you want to take him into custody, unless what you really want is for him to die?'
There was an audible grunt from one of the journalists, taken aback by so direct an accusation; flashbulbs popped even faster and a clamour of questions were thrown in English and Greek. The woman lawyer threw Knox a fierce look then tried to downplay the accusation, assuring everyone that Augustin was receiving the finest medical attention Athens had to offer, and would continue to receive it. Then she thanked the press for coming and promised updates in the morning.
The camera switched back to the reporter who wrapped up and handed back to the studio, who switched instantly to another reporter who was with a Chief Inspector of police, identified as Angelos Migiakis. 'That's an outrageous slur,' he stormed, when Knox's allegation was put to him. 'Our first priority this afternoon was securing treatment for Mr Pascal. We took him to Evangelismos ourselves. We'd never do anything to put his life in danger.'
'But you must acknowledge that it was your officer who-'
'I acknowledge nothing. We're conducting a thorough investigation, and when it's finished then we'll know what happened. But I want to make two points. Pascal wasn't the only victim today. Professor Petitier was brutally murdered. Let's not forget that. We owe it to him to find out who killed him. And the hotel CCTV shows quite clearly that no one entered or left Augustin Pascal's room other than Pascal himself and this man Knox. So you tell me, eh. Who else should we be looking for?'
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