David Gibbins - The Crusader's gold

“Do you think there’s a chance?”

Jack rubbed his chin and squinted against the glare off the rock. “From what Jeremy’s been telling us, this is the place where trophies of war might have been presented to the gods. Let’s imagine Harald and his crew made it ashore somewhere north of here, then were captured.”

“God, I hope not,” Costas said. “That would have been a major letdown after all they’d been through.”

“For the Vikings who weren’t lucky enough to die in battle, there was only one fate. The warriors would have their hearts ripped out back there at the temple. Any retainers who survived might have been enslaved. Maybe your friend who somehow made the trek back to the cairn.”

“The scars on his wrists and ankles,” Costas said. “Shackles.”

Jack nodded. “Others might have been brought here to this very spot for sacrifice. A spectacular procession from the temple to the cenote, the climax of the ritual of victory. Just like a Roman emperor’s triumph. Crushing the Vikings would have been a big deal for the Toltecs, victory over blond, bearded giants with their fearsome weapons of iron. They’d come here like foreign gods, and the Toltecs had vanquished them. The spoils of war would have been presented to the gods.”

“The menorah would have been a pretty spectacular sacrifice.”

“How much did you reckon it weighed? Three hundred, maybe three hundred and fifty pounds?”

“That’s an awful lot of gold to throw away.”

“It is an awful lot.” Jack looked at the shimmer of green on the pool below them, then back at Costas. “And the Toltecs did like their gold.”

Jeremy reappeared over the limestone ridge and began to make his way down towards them. He was tottering slightly, and he sat down heavily on a rock. They could see he was ashen-faced.

“The heat’s getting to you.” Costas looked at him with concern, and passed over his water bottle. “Drink this and let’s get into the shade.”

“It’s not that.” Jeremy’s voice was hoarse, barely audible, and he let the bottle slip from his fingers. “I just spoke to Ben. I’m afraid I’ve got some bad news.” He looked up at Jack, his face stricken. “The worst.”

Jack felt a cold dread grip his stomach. He had tried to prepare himself. He had hoped they would beat the odds.

“It’s from Iona.” Jeremy looked bewildered, blinking the sweat out of his eyes. His voice was barely a whisper. “It’s Father O’Connor. He’s been murdered. And Maria’s missing.”

Later,how much later she could not tell, Maria surfaced from a terrifying pit of darkness, her mind clawing its way out of some unremembered horror. She seemed exhausted beyond belief, spent by her struggle against the faceless demon of her dreams, yet she felt weighed down by the heaviness that follows deep sleep. For what seemed an eternity she lay motionless, drifting in and out of consciousness, waiting for her body to respond. She sensed her breathing, felt the hardness of the surface beneath her, a crick in her neck. She was lying in a foetal position on her right side, her hands tucked between her legs. Slowly she opened her eyes. It was dark, but not as dark as her dreams. From the corner of one eye she saw a flickering, a candle. The wall in front of her was covered with shapes, colours. She saw splashes of red.

Her breathing stopped. She went rigid. O’Connor’s study. She shut her eyes tightly, yearning for that darkness again, anything to blot out a reality she scarcely believed, a horror she tried desperately to push back into her dreams.

She felt a burning pain in her left cheek. A light touch seemed to play across it, a hint of a breeze. Suddenly she shrieked and sat bolt upright, her heart pounding and the blood rushing in her ears, frantically slapping at her face as she scrabbled backwards. She hit a wall, her breath coming in ragged gulps, then heard the flutter of wings swoop over her and disappear.

She raised her hand and felt a sticky wetness on her cheek, then looked up. The candle revealed a pointed ceiling, high-sided, made of small stone blocks covered with patches of plaster. It looked old, decayed. At the apex she could make out a line of darker shapes, hanging in a row.

They had been feeding on her.

She began to retch, folding her arms tight against her stomach and leaning to one side. She smelled the metallic breath again. She tried to throw up, retching over and over, desperate for something to expiate the revulsion she felt, the stain of death and violation that overwhelmed all her thoughts, that was all she could remember of what had gone before.

She gave up, tried to calm herself, panting. She closed her eyes, her bleeding cheek pressed hard against the damp wall, desperately seeking strength. She was pouring sweat, rivulets of it dripping over the caked blood on her face. She looked down. She was only wearing her khaki trousers and a T-shirt, torn and soiled. Someone had stripped off her sweater. Her watch was missing. She was burning hot, feverishly hot. She suddenly felt terribly dehydrated, desperate for a drink, and began to lick the sweat and blood off her lips.

She pushed herself upright again, swallowed hard and forced herself to look around. Everything looked damp, covered in green slime. She was in a rectangular chamber about ten metres long and five metres wide. There was some kind of entranceway at one end, a deep cut into darkness.

She thought of the buildings she knew at Iona, the old chapel on the north side, the refectory. She quickly dismissed all of them. The floor where she was now was natural rock, limestone by the look of it, smoothed in places but nothing like the granite bedrock at Iona. In the centre was a circular slab of wood, like a lid, as if this were a well-hood. The lid looked like an exotic hardwood, darker even than old oak. At the other end of the chamber was a mass of fallen masonry, clogging the space from ceiling to floor. From the white patches in the rubble she could see where stones had been recently removed, flung out on to the floor. Where the wall protruded from the rubble it was covered with wooden boards, a crude protective screen that extended for three metres or so towards the centre of the chamber opposite her.

Maria raised herself, pushing up against the wall behind, feeling woozy and unstable. She stood for a moment while a wave of dizziness passed, then hesitantly stepped to where she had seen the splashes of colour. The heat was stifling, like walking in a sauna. One thing was for sure, she was no longer in the western isles of Scotland. The walls looked as old as the monastery, but everything else told her she was almost inconceivably far removed from Iona. It was a possibility her mind simply refused to analyse any further.

She tottered across to the wall opposite. The single candle that provided the only illumination stood on a small flat stone in front of her. She picked it up, throwing shadows in a demented dance all round the chamber, then held it with both hands to stop it shaking. She peered at the wall.

Her jaw dropped in amazement.

She blinked hard. She knew her body was on its last reserves, that she had been without food and drink for hours, days. She could be hallucinating. She looked again.

The red splashes were truly there. They were blood. But they were not real blood, as in O’Connor’s study. This was a different kind of horror. She saw blood spurting out of necks, blood gushing from bodies gouged open, blood spilling in a livid slipway down a stepped slope.

It was a fresco, a wall-painting of unimaginable barbarity, a mass execution. Naked victims were being led up one side of a high temple. At the top, one was splayed out and held down on an altar, the executioner’s hands plunged into his innards, another figure holding up a ripped-out heart. Maria felt her stomach convulse again. The executioner was a fearsome giant, stripped to the waist, with a sloping, flat forehead and hooked nose, wearing a loincloth and an elaborate headdress. Above him were stylised symbols. Jaguars, birds, garish monsters. The symbol directly above the executioner looked familiar. Maria flashed back to the moment the nightmare began, when she had been in her study at Iona, peering at the picture of the eagle-god pendant Jack had sent her.