Andre Norton - Ralestone Luck

Rupert straightened and the color crept up across his high cheek-bones. His mouth opened and then he closed it again without speaking the words he had intended, closed with a firmness which tightened his lips into a straight line.

"Don't stand there and glower at me," Ricky went on. "Why don't you say what you were going to? I'm just about tired of this world-weary attitude—"

"Ricky!" Val clapped his black hand over her mouth and turned to Charity. "Please excuse the fireworks. They are not usual, I assure you."

"Let me go!" Ricky twisted out of his grip. "I don't care if Charity does hear. She ought to know what we're really like!"

"Speak for yourself, my pet." The red had faded from Rupert's face. "You do have a nice little habit of speaking your mind, don't you? But on this occasion I believe you're at least eight-tenths right. I have been neglecting my opportunities. Suppose you let me get at that box, Val. And look here, if you are going to unpack these, why not move them down to the end of the hall and turn them out on a sheet?"

Charity and Ricky suddenly disappeared back into the room and were very busy whenever Rupert crossed their line of vision, but Val was heartily glad of his brother's help in lifting and pulling.

"Better not try to take this bedstead and stuff out," Rupert advised when they had the three boxes out in the hall. "We have no need for it now, anyway."

"I believe—yes, it is! A real Sergnoret piece!" Charity was industriously rubbing away at the head of the bed. Rupert knelt down beside her.

"And just what is a Sergnoret piece?"

"A collector's item nowadays. François Sergnoret was one of the greatest cabinet-makers of New Orleans. See that 'S'—that's the way he always signed his work."

"Treasure trove!" cried Ricky. "I wonder how much it's worth?"

"Exactly nothing to us." Rupert was running his hands across the mahogany. "We couldn't sell anything from this house until the title is cleared."

As Val moved around to the opposite side to see better, his foot struck against something on the floor. He stooped and picked up a box with a slanting cover, the whole black and smooth with age and the rubbing of countless hands.

"What's this?" He had crossed to the door and was examining his find in the light.

Rupert's hand fell upon his shoulder. "Val, be careful of that. Charity, he's got something here!" He pulled her up beside him, not noting in his excitement that he had broken out of the formal shell which seemed to wall him in whenever she was around.

"A Bible box! And an authentic one, too!" She drew her fingers down the slope of the lid.

"And just what is it?" Val asked for the second time.

"These boxes were used in the seventeenth century for writing-desks and later to keep the large family Bibles in. But this is the first one I've ever seen outside of a museum. What's this on the lid?" She traced a worn outline. Val studied the design.

"Why, it's Joe! You know, that grinning skull we have stuck up all over the place to bolster up our superiority complex. That proves that this is ours, all right."

"Perhaps—" Ricky's eyes were round with excitement, "perhaps it belonged to Pirate Dick himself!"

"Perhaps it did," her younger brother agreed.

"Lift the lid." She was almost hopping on one foot in her impatience. "Let's see what's inside."

"No gold or jewels, I'll wager. How do you get the thing undone?"

"Here, let me try." Rupert took it from Val's hands and put it down on one of the chests, squatting on the floor before it. With the smallest blade of his penknife he delicately probed the fastening sunken in the wood.

"I could do a faster job," he remarked, "if you didn't all breathe down the back of my neck." They retreated two inches or so and waited impatiently. With a satisfied grunt he dropped his knife and pulled the lid up.

"Why, there's nothing in it!" Ricky's cry of disappointment was almost a wail.

"Nothing but that old torn lining." Val was as disgusted as she.

Rupert closed it again. "I'll rub this up some and put in another lining. This is too good a piece to hide away up here," and he put it carefully aside at the end of the hall.

Their investigations yielded nothing more except great quantities of dust, a mummified rat which even Satan refused to sniff at, and a large collection of spider webs. Having swept out the room, they went to wash their hands before unpacking the well-wrapped boxes.

When their swathing canvas and sacking was thrown aside, the boxes stood revealed as stout chests banded with iron. Charity paused before one. "This is a marriage chest, late seventeenth century, I would judge. Look there, under that carved leaf—isn't that a date?"

"Sixteen hundred ninety-three," Rupert deciphered. "That crest above it looks familiar. I know, it belonged to that French lady who married our pirate ancestor."

"The first Lady Richanda!" Ricky touched the chest lovingly. "Then this is mine, Rupert. Can't it be mine?" she coaxed.

"Of course. But it's locked, and as we don't have any keys which would fit the lock, you'll have to wait until we can get a locksmith out to work on it before you will know what's inside."

"I don't care. No," she corrected herself, "that's wrong; I do care. But anyway its mine!" She caressed the stiff carving with her fingers.

"What's this one?" Val turned to the second box. It, too, was fashioned of wood, but it was plain where the other was carved, and the iron bands across it were pitted with rust.

"A sea chest, I would say." Rupert touched the top gingerly. "By the feel, it's locked too. And I don't care to play around with it. The men who made things like these were too fond of having little poisoned fangs run into your hand when you tried to force the chest without knowing the trick. We'll have to leave this for an expert, too."

"What about the third?"

Charity laughed. "After your two treasures I'm afraid that this will be a disappointment." She indicated a small humpbacked trunk covered with moth-eaten horsehair. "No romance here. But the key is tied to the clasp beside the lock."

"Then open it before I expire of pure unsatisfied curiosity," Ricky begged. "Go on, Rupert. Hurry."

"Oh," she said a moment later, "it's full of nothing but a lot of books."

"What did you expect," Val asked her, "a skeleton? Do you know, I think that Rick's ghost, or whatever influence presides over this house, has a sense of humor. You find a room, or a trunk, or something which makes you feel that you are on the verge of getting what you want, and then it all fades into just nothing again. Now, by rights, that writing-desk should have contained the secret message which would have told us where to find a hidden passage or something. But what is in it? A couple of pieces of lining almost completely torn from the bottom. I'll wager that when you open those chests you'll find nothing but a brick or 'April Fool' scrawled across the inside. This isn't true to any fiction I ever read," he ended plaintively.

"Good Heavens!" Charity was staring down at what lay within a portfolio she had opened.

"Don't tell me you have really found something!" Val exclaimed.

"It can't be true!" She still stared at what she held.

Ricky looked over her shoulder. "Why, it's nothing but a picture of a bird," she observed.

"It's a genuine Audubon," Charity corrected her.

"It's a genuine Audubon," Charity said.

"What!" With little regard for manners, Rupert snatched the portfolio from her hands. "Are you sure?"

"Yes. But you must take it in to the museum and get an expert opinion. It's wonderful!"